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UPSETTING DAY

Upsetting Day: Sugar Bush – The Alex Jones Of Squirrels

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Upsetting Day: Gal Cleaning

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Upsetting Day: Baby Rapper

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UPSETTING DAY

Upsetting Day: Ride Inside, Stay Alive🌭

I’ve been avoiding this.

Challenging, when I see them every day.

Posters adding dead kids to every commute.

Every endless commute to art kindergarten to teach line editing to fund grocery runs to fuel gym torture to offset authentic fusion tapas to impress doomed dates to fill coffin-sized bedrooms to avoid endless deadlines to support doomed dreams to delay costumed terrorism to repeat endless commutes, New York shows me fun-sized corpses.

It’s strange. The entire project, not just the art style changing every panel. That’s just my governor missing a button in MidJourney.

I don’t want to be the dead kid guy. It’s easier to tell dates you’re the nazi music expert, or the passive-aggressive wizard. Or even the backup anime specialist. Everything sounds better than “I write about dead kids for attention and rent.”

But fucking look at this.

Look. Ignore my zany backdrop and take in “black (respectable)” traced over the Civil War funeral. The first one, with the kids, not the black (respectable) one halfway through. Claude worked hard on this.

Have you blessed your eyes? Have you seen my taxes subsidize Altman’s trial lawyer? Behold, the age of miracles.

I prefer Millar’s tale, where the misery pornstars were fictional and had lines. Ride Inside, Stay Alive is all stilted narration. Nothing smothers representation like speaking over them as directly as your medium allows. Sure, direct narration’s a great loudspeaker. So great, that it still works when you have nothing to say.

I shouldn’t copyedit gravestone graffiti. But help Ryan survive? Bit late. He’s with Aunt Beru and the good Kennedys.

The team-up shot baffles. While wakes can be adventures too, that’s not what the MTA’s going for. Dissonance creeps in when you mulch thirty issues of Power Pack and press “urban.”

Ah yes, Nigel. Our BMX mascot. Each strip ends with him staring ahead like a confused celebrity cameo. After years of watching skate park suicide attempts, Nigel betting his image on Ride Inside, Stay Alive is the wildest trick I’ve seen. Respect.

As for why this happened. Some faiths say a girl touched [any object] and now we’re damned. I prefer cribbing from Douglas Adams. Either way, you’re stuck here until you fall off a train at sixty likes an hour.

See, the MTA wants you to stop subway surfing.

Right, we’re online. For some of you, this came out at midnight. You may have kids undecided about subway surfing, or be one. I should set the stage before belting jokes about dead authors and civilizations. Well, those authors and civilizations were subway surfing.

Subway surfing is medicine for boredom, with three awesome side effects.

Some people fixate on that third bit. They’re jealous of all the pussy. Keep subway surfing.

Unconvinced? Consider this official academic diagram.

Hopefully that helps.

Fine, subway surfing’s only awesome in moderation.

I get that. I really do. Subway surfing kills you faster than ghost riding a train. Subway surfing’s dumber than trusting the L not to stop at random. Subway surfing bets your life on signals older than integration. There are better arguments for standing in front of a train than on top of it.

However.

I’ve never been more tempted. After each comic, my soul says “These six-fingered failures simply lacked ball knowledge. I’m sick with it. I do flares when doomed date banter falters. I have the balance and death urge for bowl skating. I left art school without cirrhosis. While losers shouldn’t subway surf, I could tame the train.”

And die.

Happy? Responsible clowns and stuntmen are a sign of the end. Leaving Nigel’s involvement’s a total mystery to me. No sane adult thinks web personalities can solve the panic of the week.

Well, anyone can slap their name on a project. Bald Tweed was probably too busy fisting the budget to touch this.

Nope.

I’ve got this one book, Psychic Yoga. It says stretching making you telepathic. Let’s talk Psychic Yoga. We can leave alopecia and oppression robots behind.

Of course it’s Eric. We’ll be fighting in hell.

I could stop here. Leaving EricPosting’s my only mature choice this decade. And 2k words of dead kids is a tall order. But all my friends are watching, and I despise the forces in my way. If I survive, my social stature could improve in life-changing ways. My leaders have no vision for or concept of the future, only reactive short-term graft, like blonde versions of…Yoon Suk Yeol. Why should I be better?

In short, there’s no other choice. Reputation murder-suicide is my only option. We have to cover Ride Inside, Stay Alive.

For context: Eric and I have a rivalry. Back in college, one of his scams exploded in our fraud lab, disfiguring my beautiful face. Now I plot vengeance, while he explores new frontiers of fraud.

Yet if Ryan’s poster were a one-off, I’d still leave it alone. 2026 has a few competing indignities, and I don’t need more compact graves in my portfolio. But Ride Inside, Stay Alive is following me.

Sorry, that’s Apple’s flagship “Shot on iPhone” quality. Here’s a few legible panels.

Antoine’s a bit old and sober for subway surfing. Shame it ruins his life anyway.

This is one good beat away from being “Loss (East Coast Remix).”

Perfection. Granted, this must be an old story. Today, conductors don’t blink unless they lose three uptown kids in one tunnel.

Sometimes genre-leading geniuses make fake signs. So at first, for a second, I dreamed Ride Inside, Stay Alive might be a rib. But, per the MTA’s inexplicably public archive, there were twelve launch comics. Expensive gag, for a city that could only afford six cops per turnstile.

I suspect they wanted more. Ride Inside, Stay Alive isn’t subtle about covering its demographic bases. In Eric’s perfect world, we’d have a maimed child for every notch on the census. In practice, we settle for the hits.

Wait for it.

Subtle. The day a Shirley Temple wipes out, they’ll put gun turrets between cars. We won’t even have trains anymore if Barron eats rail. Good thing they don’t drink much at NYU.

Eric’s dead, and Ride Inside, Stay Alive marches on. Somewhere, an incurable middle manager loves these comics and hates paying artists. You know, the kind of poll-powered drone that becomes governor by accident. Not to impugn Hochul’s record of inhaling and exhaling. She’d never watch a convenient disaster from a comfortable distance.

For 8.2999 billion of Earth’s citizens, I have high standards for accusing them of petty fraud. Eric’s involved, so nope. Ride Inside, Stay Alive ripped off, or at least wasted the time of, a bunch of teenagers. At least half an SAT.

Flash back to this refreshingly dull 2023 poster:

The first wave of Ride Inside, Stay Alive PSAs were manmade, with standard blocky designs, and copy noting that dying sucks. Courtesy of student artists with faces and dreams from the High School of Art and Design. At a glance, the school looks great. For all my jabs at dark academia, NYC has anime-style specialized high schools for fashion, robots, and posters. I guess corrupt despots were inevitable.

The MTA touted student involvement in the 2025 comics. Maybe that was the plan, at some point. No plan survives contact with Eric.

Right, quotes get boring without overt insanity. The point’s that they rang the “kid power” bell again before this disaster. Here’s a photo from the 2025 Ride Inside, Stay Alive back-patting conference. Featuring a wonderfully enthusiastic Nigel. That’s a face with Hawk-level sellout instincts.

.

Fun times. “Look what our wonderful youth have crafted. They even got to stand near a BMX survivor.” But–and this is insufficient evidence for any non-Adams–the kids say they got dicked over. For instance, on the MTA’s Meta soapbox:

I filed this user under “bored troll,” until 5 AM. When I scoured Ride Inside, Stay Alive press releases like a normal person, and found this user in the photo op above. I’ve blurred the face and username, since I don’t need that lawsuit. But if they’re playing, they’ve done a masterful job of faking a decade of art nerdery, side projects, and shitposting across two accounts.

The theme recurs elsewhere. Namely, MTA reposts of this dud. Bragging about heists is fine–tradition even. But block the targets first.

Now, could the students have lied about AI art? Absolutely, and I hang one from the gallows for it every semester. But 2023’s “Subway Squad” got public credit, while 2025’s comics remain notably blank. In a vacuum, the MTA’s pretty consistent about recognition. “Gemini” just makes for an awkward byline.

More importantly, our other suspect is Eric Adams. A human shitcoin. This darkling just became Albanian to stay out of a cell. And that’s not his loudest fraud this month.

For the record, I reached out to the MTA, the School of Art and Design, and various children. The old “Prof. Dayle/The New Yorker/Princeton blood magic” routine. Then my used Steam Deck came in the mail, and The Rogue Prince of Persia rules. But the truth is out there.

Could I do better? Anyone could. Writing “Stop it” on a candy wrapper is better. But, as a reformed ad daemon, half-reformed maniac, and unreformed egoist, I’ll play my part.

First, one in the current style. The current style sucks, but I’m meeting these chimps in the fucking middle.

Next, one for me.

Finally, a hybrid.

There, four campaigns. You can find the fourth if you squint hard.

And that’s the end! Only a petty, spiteful fuck would really print these. Five hundred stickers each, for pickup on Thursday. I normally take a taxi, but my roommate agreed to give me a ride.

This article was brought to you by our fine sponsor and Hot Dog Supreme: Waylan Russell, who would never subway surf but is more than happy to quiznos surf.

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UPSETTING DAY

Upsetting Day: Hoodoo Justice Magic

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Upsetting Day: Custodian🌭

Last year I introduced you to the horror that was Peachtree Carnivore. And what did you do with it? You unleashed it upon the world by electing to make it a free article in December. Now we are all complicit in sin. But who is to judge us? Surely not one of our own kind, wallowing amongst us in the filth. We need a being free of our base needs, our petty vendettas, our carnal desires for the flesh of our mothers-in-law. In the past, this function was fulfilled by God. But God is dead, and we have killed him with our incestuous anti-woke polycules. Perhaps we need not a judge, but a caretaker. A janitor. A… custodian.

Yes, we once again delve into the mind creations of Mark Mitchell, author of multiple X-rated 9 Chickweed Lane fanfictions. But rest easy — there will be no pained descriptions of luscious curves or male emissions in Custodian. As the author puts it, this is a “simple desultory philippic,” which in Mitchellese means “self-insert story about what if a space monster could solve all human problems by using mind torture to create a libertarian paradise.”

Peachtree Carnivore opened with a knock on the door from a beautiful woman. Custodian opens with a knock on the door from a slightly supercilious, innocuous man. Two data points may not be a pattern, but it’s absolutely possible that Mitchell thinks you have to open every story, whether pornographic or didactic, by having a character show up on the doorstep of another. So would that make Carstairs our author insert?

There may not be any actual sex in this story, but there’s certainly a lot of guys jacking each other off. Carstairs is getting the full Mitchell protagonist treatment, having his incisive knob slobbered over by a godlike alien who’s come to earth to stop World War II. Our man immediately takes this as given.

Jones is the designated protector for the Milky Way, can transcend the speed of light, and is capable of influencing civilizations on a massive scale. But, uh, he only just heard about how fucked up humanity is, which is why he didn’t step in sooner.

Jones has revealed himself to the unknown genius that is Carstairs to inform him that humanity has nearly reached the branch of the tech tree that unlocks nukes. Carstairs reacts to this information by temporarily losing his grip on reality and calling Mr. Jones “Smith” for one page. That, or Mitchell just forgot what the name of his god creature was and refused to hit the backspace key because a man of his prodigious talents sees it as nothing more than a shackle of mediocrity upon the titanitude of his superlative perspicacity.

Hold up, though; because Carstairs isn’t the only author avatar here. When Jones lays out his dilemma, Carstairs decides he needs a drink. And since Mitchell completely lacks a theory of mind and can only write characters as extensions of himself, his alien space wizard enjoys a tipple or two.

God I fucking loathe this guy. I bet he thought it was cute that he gave his formless cosmobeast a taste for whiskey, the favored liquor of men who use the word “sundry” and think it makes them sound fuckably clever.

Jones is a brain genius who has read every book on the planet. I’m thankful there aren’t any women in this story, because knowing Mitchell, by now they would be begging to consume his worldly, libertarian seed. Instead, the dueling representations of our author intellectually 69 themselves into a frustrated heap before Jones departs to yell at Adolf Hitler.

Jones kicks things off by disabling the German army’s PVP flag, teleporting into Hitler’s armored train and telling him “nothing personnel, kid” before psychically torturing Göring for making a useless show of hostility towards him. And I mean, I’m not saying the guy didn’t have it coming, but probably not for that.

Now, again, it’s not like the Nazis don’t deserve this. But Jones is an immortal, nigh-omnipotent creature from beyond time and his solution to war is the same one we use to train rats to drive little cars. He couldn’t spike the Nazis with astral MDMA or fire a Holocaust beam at them like Professor X to implant the horrors of genocide in their minds? Maybe he considered all of those and this was just the simplest solution. Or maybe this story is the kind of adolescent wish fulfillment normally associated with bullied sixth graders only written by a powerless elderly man who truly believes that if only he was in charge, there wouldn’t be any war anymore — and everyone would get to inseminate their luscious mothers-in-law, besides.

Not Göring? Maybe he just killed himself offscreen after that embarrassment earlier. Regardless, Jones shuts down the Nazi war machine and hurries off to Japan to have a little chat with Hirohito.

God, imagine trying to commit ritual suicide and the sword just disappears like a gag knife when you plunge it into your belly. You’d look so fucking stupid. Thankfully, Jones never thought to nerf poison!

You don’t need to read all of that. I just include the whole thing to point out that around here, Mitchell breaks into the same pattern as he did in Peachtree Carnivore, where he just starts writing a character’s name before their wall of text dialogue. Long story short, Hirohito is worried that the population is going to descend into chaos and Jones tells him to deal with it before fucking off to destroy Stalinism.

Stalin sneered ragefully in a sneering rage. But he sneered no longer! He was no longer capable of sneering, for his brain was under assault by Harold’s god magic! You have been rendered sneerless, Comrade!

Jones delivers a big speech about the reasons why Stalin sucks, and you can imagine Mitchell tearfully reciting this aloud in the mirror. “This is what I’d say if I ever met Stalin,” he thinks. “And if I had superhero powers! Then I’d marry a beautiful busty woman and put my throbbing rod in her mother’s birth canal!”

There’s just one last stop on Mr. Jones’ tour of world leaders. We know how this goes at this point.

Surprise! FDR is the Nice President and Jones doesn’t Force Lightning his ass. This is supposed to happen in 1939, so I guess in this timeline FDR doesn’t sign Executive Order 9066. Nice! Funny, though, how Jones shows up just in time to stop America — but not any other country — from taking its most loathsome actions during the war. FDR, for his part, asks Jones if he can help extricate humanity from the grinding logic of capital.

Don’t do socialism, FDR! For every socialism you try to do, I will explode your brain.

Colonialism? That’s not part of it. Jones doesn’t deal with that. We’ve got to wrap things up here. Jones offers to reverse the ravages of polio on FDR’s body, but he demurs, saying it wouldn’t be fair to everybody else. He does, however, accept Jones’ offer to supercharge his organs and ensure that he stays President for a long time to come. His work done, Jones returns to Carstairs, who effusively congratulates him on an accomplishment that never had the slightest chance of failure.

Again, there was absolutely no possibility that Jones’ plan wouldn’t work, at least in the short term. Humanity didn’t learn that it could short-circuit The Pain through the recitation of the Litany Against Fear, nobody invented an anti-Harold Stealth Cloak to commit sins without him seeing, and Batman didn’t even try to use Prep Time to defeat him. Still, The End.

Stories in which overwhelmingly powerful beings descend to earth to impose order usually have some kind of argument to present. Scratch that, stories in general usually try to make an argument about how the world is or should be. Olivia Butler’s Xenogenesis trilogy depicts the horror of an alien species that rescues the remnants of humanity from nuclear annihilation only to reshape them and the planet as they see fit. Arthur C. Clarke’s Childhood’s End has the alien Overlords impose a kind of utopia on humanity at the cost of creativity and culture. And my novella Vampirocene — sorry — explores the fantasy that someone is coming to save us from ecological disaster, but posits that for better or worse, we might not be willing to accept them.

Custodian isn’t interested in questions about the legitimacy of power or the implications of externally-imposed rules and restrictions. We don’t learn that preventing WWII leads to a much greater tragedy down the line, like mass nuclear war or Dennis Miller remaining on SNL well into the 21st century. It’s just a more pathetic version of the old Hitler time travel trope, only Mark Mitchell couldn’t just give his protagonist a Glock and a Delorean, he had to make him a Silver Surfer-level demigod. And as always, trying to write a superintelligent character when you’re kind of a dipshit just makes you sound like Mark Millar. I’m not sure which Mark that’s meaner to.

That’s all for Custodian. In the Mitchell corpus, it’s certainly less imaginative and depraved than Peachtree Carnivore — whether that makes it better or worse depends on your perspective. Come to think of it, at this point I’ve probably read more of Mitchell’s work than anyone else on the planet. By default that makes me your biggest fan, Mark! So, what’s next?

Nope. Give me The Pain.

This article was brought to you by our fine sponsor and Hot Dog Supreme: Honk, an unrelated but better all powerful and genius demigod. Honk only uses their power to replace every instance of Honk with the word Honk, though.