Categories
LEARNING DAY

Mascot Week: Izzy’s Quest for Olympic Gold

What are the Olympics? Are they a celebration of the highest peaks of human achievement in athletics, a reminder of what dedication and hard work can achieve, a venue for friendly competition between the nations of the world? Or are they a corrupt institution whose visitations upon their host cities leave naught but ruin in their wake, an excuse for the freak outliers of human physical ability to fuck each other senseless every few years at the taxpayer’s expense? They’re all of those things, but more than that, they are one of our primary sources of new mascots.

Olympic mascots began simply. In 1968, Grenoble’s “Shuss” was created in a single night. He is a little man on skis with Olympic rings painted on his head. That was good enough in the ’60s, when mascot tech was still very much in its infancy.

Later mascots were mostly based on animals native to the host country of each year’s games. Sarajevo got a wolf, LA had an eagle, and, ten years ago, Sochi gave us a trio of creatures including a rabbit with oddly sensual eyes.

But, in an inverse of the classic Air Bud setup, there’s no rule that says an Olympic mascot has to be a dog, or a bear, or even a sexy rabbit with children strapped to her feet. An Olympic mascot can be anything. It can even be nothing. It can even be Izzy. God help us, it can even be Izzy.

Created by John Ryan of Atlanta firm DESIGNfx, Izzy was originally known as “Whatizit.” He was revealed to the world during the closing ceremony of the 1992 Barcelona games with computer-generated visuals, in what must have seemed to contemporary audiences to be as real and frightening as a train pulling into a station was to audiences in 1895, the dumb assholes.

“Now you’re probably wondering who that is,” one of the announcers says.

“What is it?” Another replies.

“Exactly.”

Yes, Whatizit’s introduction was a half-hearted “who’s on first” routine over footage of a costumed version of the character dancing to jazz music.

The commentators are barely even feigning interest or pleasure in this abomination. And who can blame them? It’s the end of a grueling Olympic summer and they probably just wanted to go home, but first they had to pretend to an audience of millions that this thing wasn’t a crime against god.

“It’s certainly different,” one says. “I wonder what the other suggestions were,” another adds. “I guess we should give some credit to the man that submitted the winning entry,” they finally concede. All of this is polite television broadcaster speak for “I hate and fear this creature on a pre-rational level, and should I happen to find myself alone with it my body would bludgeon it to death with no conscious action on my part.”

Everyone hated the Whatizit, but Atlanta was bound by Olympic law and the fact they’d probably spent a lot of money on Whatizit-branded merchandise already. They did the only thing they could do: they solicited suggestions from the pure hearts of children to imbue this godless being with a soul.

Whatizit was renamed Izzy. He grew a nose and eyelids and a vast, dark void within his maw, replacing his grim, toothy smile. He went from this:

To this:

Is this an improvement? Well, let me ask you this: did Newt Gingrich ever shake hands with the Whatizit before he was Izzy?

After his glow-up, Izzy started showing up everywhere: merchandise, video games, even a thirty-minute cartoon in 1995. For years, this cartoon was thought to be “lost media,” an oddly impactful phrase to apply to an animated special about an Olympics-obsessed sneaker-wearing mutant. But unlike the Library of Alexandria or a kind of creepy commercial for a Manila flower shop featuring an Enya song, Izzy’s Quest for Olympic Gold was rescued and restored to humanity’s common store of knowledge when someone discovered it on a VHS tape in their dad’s garage in 2020.

This was no fly-by-night cash-in, either. The voice cast features Tress MacNeille, Rob Paulsen, and Jim Cummings — that’s two of the Animaniacs plus 50% of CatDog. The animation is passable, too. But what kind of story do you tell about an amorphous blue merchandising opportunity designed by committee to represent the spirit of the Olympic games? I’m glad you asked!

First, we need to talk about parallel universes. See, within the Olympic torch there resides another world whose inhabitants are responsible for keeping the spirit of the games alive during the years when there are no Olympics scheduled. This realm is called “The Torchworld” and is always referred to with the definite article. The creatures who live there are known only as “citizens of The Torchworld.” Do they know about the existence of the earthrealm, where the Olympics take place? They do. It’s on their TV news.

Do they crave to transcend their role as mere vessels for the Olympic spirit and to seize the glory of the games for themselves? At least one does, and his name is Izzy.

Of course, we wouldn’t have a story if it were as simple as that. And so, Izzy’s father — and nearly every other character introduced after him — tells Izzy that citizens of The Torchworld do not participate in the Olympics in “the world above.” It simply isn’t done. And that kind of makes sense, because if Izzy is any indication then The Torchworldians seem capable of feats of transformation that would likely give them an unfair advantage against beings constrained by the laws of physics and biology.

But Izzy is undeterred. He’s going to the surface world. He will bear the ridicule of his people. He will teach the world above the meaning of the Olympics, and also fear.

A couple of jocks — except, they aren’t jocks, because in this world jocks are apparently marginalized and ridiculed — mock Izzy for his interest in sporting. “Izzy the great athlete,” they call him, with the same dismissive bile a child in the 1995 world above might call him a homophobic slur. Izzy’s quick on the response, though. “And what about you, Martin?” he asks, “Are you an athlete too? Or just an athletic supporter?”

If you, like me, weren’t sure what that’s supposed to mean, Izzy called that kid a jockstrap. Which is arguably closer to a real-life anti-gay joke than the thing Martin said about him being an athlete. Also, Martin is just called Martin so that his name can rhyme with Spartan, who is his huge, dim-witted brother. Spartans are kind of Greek, right? And the Greeks invented the Olympics? Spartan is drowning, by the way.

Thankfully, Izzy paddles a log down the river to rescue him. Izzy is a “real hero” for his feat, which has less than nothing to do with his actual goal. Olympic athletes may be a lot of things, but they aren’t heroes, really — well, except for the time Michael Phelps took that huge bong rip.

The Tribunal of Elders wishes to give Izzy a hero’s reward for saving Spartan, because of course there’s a Tribunal of Elders in The Torchworld. While waiting for them, he meets Cariba, a sort of proto-Izzy who was apparently at the first Olympic games and constantly quotes historical people who were involved with the Olympics in a desperate bid to make this whole thing kind of educational.

Cariba being at the first Olympics raises a few questions: did The Torchworld always exist, waiting for thousands of years for humanity to invent the Olympics? Or did it spring into existence at the founding of the games in 776? What was it like in The Torchworld during the centuries between the end of the ancient games and the founding of the modern ones? That was the Age of Silence, and while the scars of that era show in her eyes, Cariba does not speak of it.

Instead, she tells Izzy that if he wants to participate in the Olympic games, he’ll need the permission of the Tribunal.

They agree to do so, but there’s a catch: Izzy first needs to collect the five Olympic rings, which stand for perseverance, integrity, sportsmanship, excellence, and brotherhood. You might assume, like I did, that this is actual Olympic lore. In fact, the rings “represent the five parts of the world now won over to Olympism, ready to accept its fruitful rivalries” according to Pierre de Coubertin, co-founder of the modern games. If you resurrected de Coubertin to show him Izzy, would he be aghast or delighted? Probably both, and a little aroused.

Izzy gets the ring of perseverance immediately upon repeating his intention to go to the Olympics, which is kind of like winning a prize for saying “sure, I’ll take a bong rip” when you’re offered one.

Seeking advice about how to proceed, Izzy visits his now-mentor Cariba. She asks him about his best sport, and he says all of them. His favorite sport? Also all of them. His ambitions are limitless. No human athlete is safe.

Also, Cariba is surprised to see him transform into various pieces of sporting equipment, which — hold on — isn’t something everyone from The Torchworld can do? That’s just a mutant power possessed by one particular guy?

Well, it kind of explains why Izzy is so obsessed with sports, at least. Or maybe the ability is an outer manifestation of his inner dedication to the athletic arts? Regardless, he muses that it would make things easier for him in the Olympics — but again, hold on, would it? If you’re in the middle of a basketball game and turn into a basketball, I can see how that’d be a great way to get to second base with Charles Barkley, but how does it help you win?

None of this makes any sense. It’s almost like whoever was in charge of writing this script was given a picture of a freakish blue blob and the word “Olympics” and told to come up with something by the end of the day or they’d be busted back down to writing one of the less-beloved Animaniacs segments, like that one about the cranky squirrel. Anyway, none of that matters, because Cariba tells him that using his morphing powers would be cheating.

Interesting! Are we setting up a moral dilemma where Izzy has to choose between winning through illicit means and taking a loss?

Kind of? But it doesn’t have anything to do with Izzy’s powers. Instead, Martin and Spartan try to sabotage him in the big bike race by pushing him off a fucking cliff. Didn’t they think he was a hero earlier because he saved Spartan’s life? Look on how kindness and self-sacrifice is repaid, children.

But Izzy survives and makes it to the finish line way before anyone else, winning the race. He tells the truth — leaving out the part where two children tried to murder him — and gets the ring of integrity.

The rest of the special is Izzy winning various events while Martin and Spartan try to stop him, apparently having made it their mission in life to cripple his body and dreams. They have some vague notion that if Izzy gets all of the rings and enters the Olympics, then The Torchworld will explode, but really they’re only doing it because we need antagonists and forgot to set up any real ones in the first act.

But maybe they’re onto something — Izzy’s quest is tearing The Torchworld apart, if not literally then politically. The population has split into pro- and anti-Izzy camps. Somehow, Izzy’s desire to participate in the Olympics has introduced partisan politics and sectarian violence into the peaceful realm of The Torchworld.

Entering a multi-sport competition against his now-rival Spartan, Izzy gets the ring of sportsmanship for accepting an obviously biased score from Martin, who has donned drag to take the place of a judge in the gymnastics competition. You know, people say we’ve made a lot of social progress in the past thirty years, but if this plot point aired today it would be the subject of multiple New York Times opinion pieces about transgenders infiltrating Olympic judging.

Izzy gets the ring of excellence for doing hurdles good, even after Martin jacks one of the hurdles way up in plain sight of the crowd. That’s four out of five. We’ve reached the climax, and Martin and Spartan’s concerns about Izzy’s ambitions rending the world apart are starting to be realized.

Black clouds descend over The Torchworld, snuffing out the Olympic flame. The citizens erupt into feral madness, cursing and snarling at those whom they once called friends and brothers. We have left behind the premise of a semi-educational cartoon about the Olympics and are now in the opening cinematic of a Dark Souls game.

Izzy faces off against Spartan in a game of one-on-one basketball to determine the fate of the world. But he refuses the role destiny has set out for him. He says he doesn’t want to play, conceding that his dream isn’t worth it if its realization plunges The Torchworld into an Age of Darkness.

For this, he obtains the final ring — the ring of brotherhood. His quest is complete, and balance is restored to The Torchworld. Izzy will be permitted to ascend to the world above to try out for the human Olympics.

Cariba notes that he will have to get his morphing under control before he goes anywhere, as if the existence of a blue sports monster would be acceptable to the denizens of earth but a shapeshifting blue sports monster would be shunned and hunted as a matter of course.

So, did Izzy try out for the Olympics and succeed? What country did he pledge his allegiance to? Did he turn into a basketball, and if so, did Charles Barkley find a mouth on that basketball? Well, as Cariba playfully tells us, that’s another story.

Motherfucker, that’s the story I want to hear about! I guess we’re meant to assume that Izzy was barred from competing after he punched a Cuban boxer’s head off with his prodigious (The) Torchworld strength.

That’s it for Izzy’s Quest for the Olympic Gold. Now, I want to leave you with two quotes about Izzy, the little Olympic mascot that brought more shame to Atlanta than Michael Vick in 2007. The first is from Time Magazine, which referred to Izzy as a “sperm in sneakers.” Which might explain this second quote from Next Generation magazine that said the Genesis version of Izzy’s Quest for the Olympic Rings “leaves a bad taste in your mouth.” That pretty much says it all.

This article was brought to you by our fine sponsor and Hot Dog Supreme: Bim Talzer, the amorphous spirit of the Karate World Championship who can turn into any mat!

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LEARNING DAY

Learning Day: Night Watch

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LEARNING DAY

Learning Day: Songs of the IBM 🌭

Do you believe? Not in jokes like heaven or love. Don’t say yourself, democracy, or the human spirit. I need believers in T.J. Watson Sr., blessed president of IBM, and the miracles he lets us waste.

Preferably believers with perfect pitch.

As ants in Watson’s world, you own Songs of The IBM in hardcover. I hope. You’re expected to manage these details. It’s cold off the company campus, and a layabout might find their family home locked. Not that you’re at risk, as a loyal Watsonite. Take a minute.

You’re looking for a family heirloom. Other company towns simply called themselves families, without a Good Book for Sunday meetings. Watson, as always, had more vision. One performed daily by a real orchestra. In 1937, the perfected Songs of The IBM set the tone for an era of peace.

You heard the eye.

While you get yourself in order: remember that Watson made IBM the USA’s three greatest letters. These lyrics celebrate him, his success, his products, and his favorite vassals. Watson was also a Columbia trustee, putting margins before those judgy kids with books. A lasting tradition reflected by Watson Hall and limping minors.

Now, let’s warm-up with a secular tune: the National Anthem.

Songs of the IBM devotees—like you—know this isn’t a non-sequitur. The national anthem’s the second IBM hymn, right after “America (My Country ‘Tis of Thee).” These two imperial theme songs are, to outside eyes, the sanest pages present. They ease readers from worldly concerns (nations, fireworks, overwrought Super Bowl covers) to matters of the soul. Meaning IBM.

Stand and sing. Yes, in your apartment. On the sidewalk. Sing through your check-up, testimony, or honeymoon. Did you expect salvation without sacrifice? Have you learned nothing from Walter F. Titus, Vice-President in Charge of Manufacturing?

Sing again. Vice-divinity deserves full volume. In fact, lock eyes with the closest witness. Especially if they’re outside the company. Let your fiery stare, hot breath, and vice grip show your conviction. A gaze that says “this is the first of a hundred IBM song parodies.”

“Yankee Doodle Boy” had a fun melody, but lacked that extra something lyrically: Walter Franklin Titus. Like all IBM VPs, he’s efficient, good-natured, and deathless. And listening now. Walter’s wight has some questions about getting stuck with “Yankee Doodle Boy,” and rhyming “You can bet” with “intellect.” We don’t have answers ninety years later, so placate him with harmony.

When the white-and-blue star rises and replaces the sun, Walter will hold the reins of man. And Watson will hold the reins of Walter.

Continue singing. In his first, fleshy life, Watson discovered a power unmatched until Dr. Demento started taking guests. “Auld Lang Syne” had a nice life celebrating new beginnings. Now it has a perfect unlife celebrating titans of industry. A voice in your soul may be screaming. It’s just trying to harmonize.

One wonders what labor activists were on about. Imagine serenading Watson with home-spun lyrics about Watson. If only brands could teach the whole world to sing. Then instead of The Communist Manifesto, we’d have Songs of The IBM in German. A dream. Until freedom is ubiquitous and mandatory, you’ll have to keep singing.

I hear you, and I agree: one song about Watson is nothing. We need five.

Now that’s a club of personality. New hires may be confused. Trends in buying love have changed. While today’s moguls build genital-shaped spacecraft, Watson had an artist’s soul. Marrying popstars isn’t as satisfying as rewriting their work.

Six. We really needed six.

Keep. Singing. “Yankee Doodle” fans may notice some repetition. But note that while V.P. Titus humbly tweaks the show tune, the president rebrands the original, uncut nursery rhyme. The difference? Everything.

Then think. Not about slant rhyme, or meter. Not the hideous scream of your brain placing the last letter in “Think” outside of the bar. But about innovation. Taking IBM from the Mom and Pop shop you love, to the One World Family. We need thoughts. Both yours–your ideas will be processed and renamed after mass–and Watson’s. Handsome, piercing eyed, silver-haired Watson.

Some less productive thoughts might drip in. Life before IBM. A theoretical life after IBM. Thoughts with no IBM content at all. I trust you to keep V.P. Titus in mind, and use a little executive discretion. Company property’s for work, and that includes your mind. Deprogramming is vandalism.

Feel left out? Don’t fret: Songs of the IBM covers the entire family. There are dozens of songs about non-presidents, and even a few non-executives. For example:

You can’t stop singing. It’s a moving spin on “I’ve Been Working on the Railroad.” Admittedly, the tone’s aged a bit. A nameless fear crawls from the base of the spine to one’s skull. That’s the barrier holding five-percenters back. I don’t mean hoteps.

The Go-Getters Club/Hundred Percent Club was Watson’s key sales innovation, and laid the foundation for modern powder addictions. While IBM at large is a family, the Hundred Percent Club’s was a bit like a cult. Here’s a letter quota-meeting sales ants received in 1925:

This leak’s from IBM’s oldest foe: IBM’s official history page. It’s an honor, in the right context. Go-getters enjoyed pilgrimages to Atlantic City, and non-Go-getters enjoyed unemployment. This approach to sales caught on, and is now called “sales.” Thanks to IBM, one week in sales produces an elite Cylon.

If you’re not into history, try this riff on “I’ve Been Working on the Railroad.”

Or this take on “I’ve Been Working on the Railroad.”

Then there’s alternate lyrics for “I’ve Been Working on the Railroad.”

Or “Sweet Adeline.”

Yes, my liege.

Singing keeps the lights on. To keep readers sharp, Song of The IBM edits “I’ve Been Working on the Railroad.” Again.

In broken work families, a railroad spiritual sounds like a scream. And five railroad spirituals sound like five screams. But Watsonites serve with joy. IBM wit shines through the lyrics, where Joseph’s daily tasks are his hobby. We share this comedy style with another innovator: Korea. The one closer to Santa.

Hymns aren’t just for management. There are songs for the nameless horde as well. Take this collective tribute to IBM workers abroad:

Sing with aggression. A little militaristic, but it’s 1937. Any decent gambler’s betting on conflict. I’m not planting anything. Focus on making “manned by loyal forces in field and office” flow.

Later, 82 songs in, IBM’s women get to shine:

Sing, with relief. An insane cult orders you to smile: a family celebrates the smiles you’ve already given, and will give in the future. You might have trouble singing along, since searching the tune leads back to Songs of The IBM. Just let the spirit move you.

It’s a generous spirit. Even salesmen outside the Go-Getters Club are still technically human:

Do you know why the caged bird sings? If it stops, it’s fucking fired. The Ninety-Percent Club’s lucky to live indoors. Along with Watsonites that “misplace” Songs of The IBM.

There’s no such thing as a wasted skill. Before Songs of The IBM, it’s hard to imagine music theory’s role in an IBM career. With Singing in the Rain in the picture, we know that you didn’t make it past manager without at least a year of community theater. You got stuck on the railroad, like that smiling washout Walter Niles. While counter-tenors joined the executive fast-track.

Of course, music theory’s only part of the formula. It also paid to know German, for reasons Watsonites need not dwell on.

I’d listen, if I were you. But if you must pry: the thirties offered a colorful range of customers, with advanced computational needs. IBM made an eager splash abroad:

Singen macht frei. This is an original track, just for Watsonites. IBM cardinals heard pleas for something, anything that wasn’t “I’ve Been Working On the Railroad.” An anthem that could take sales all the way to France. Or east of France. Or the disputed area between. Money’s money, and life is whatever. Per journalist and spoilsport Edwin Black, Watson’s 1933 trip forged bonds that transcended warfare.

By now, you should feel your heart swell. Or at least some kind of intense, heart-oriented sensation. Music does that.

But you know how government clients are. A new contract’s tough, especially when the buyer’s a bit uptight. Luckily, “Watson Business Machines” had more anthems for international expansion. At all costs. United, The Go-Getters Club sang past sanctions:

Sing, with pride. Some principles falter. Some faiths are weak. IBM, in history’s spotlight, stood firm for profit. And butchered 100 songs to celebrate. Idolators claim that selling this makes you complicit in that. But keep music in your heart, and you can make quota. Now get out there and sell.

Of course, singing isn’t for everyone. Maybe motion’s more your thing.

This article was brought to you by our fine sponsor and Hot Dog Supreme: OrneryWeevil, whose name is sung to the of “I’ve Been Working On The Railroad” and whose presence is to be met with supplication and wailing. No, more wailing.

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LEARNING DAY

Learning Day: Costco Household Almanac

It’s 2024, and we have no gods but Costco. Luckily, Costco was prepared for this eventuality. Did you know that every single month since 1987, Costco has published Costco Connection, a magazine for Costco Members full of normal advice about how humans do things? Paul McCartney, Dolly Parton, and a glass of milk have all graced the cover of this chaotic informational tome.

At first glance, it was my firmest belief that if you ever saw someone reading Costco Connections Magazine, they had a sinister plan. I thought the only reason to read this magazine was to appear unassuming. Or possibly to appreciate how hot they made that glass of milk look on the cover.

“Glup glup glup,” says this wet hunk!

If you’re wondering how Costco could possibly come up with enough content on updated shampoo and Kirkland Signature pet food to fill a magazine, you should know the magazine wasn’t enough. In addition to Costco Connections, starting in 2007 and ending in 2008 Costco also published The Costco Household Almanac; Tips and advice from Costco. Now Costco can really get into the nitty-gritty of your life, advising you on every single aspect of humanity. There is no need to ask questions; Costco has all the answers. Costco has all the questions as well! Costco is destination, Costco is journey, you are Costco. This thing is 200 pages long:

What was so essential that it had to be moved from a quick and timely magazine to a classic, long-form text that would stand the test of time? Amongst the dusty shelves of the Library Of Congress sits The Costco Household Almanac, and that copy begins, of course, with a quote from Ralph Waldo Emmerson and a forward by MaryJane Butters. This is the most Costco combination of people to ever exist. Ralph Waldo Emerson is the Aquaterra Luxury Jacuzzi Tub, and MaryJane Butters is the hotdog and soda combo a man once threatened murder over.

The forward by MaryJane Butters, is of course, incredible. I’m split on whether or not MaryJane Butters is a real person or some sort of Costco golem created specifically to write this forward. I’m pretty sure some dark magic brought organic farmer MaryJane Butters into our reality so she could tell us about the higher moral plane of Costco.

You heard Mrs. Butters, Costco is conducting commerce amongst the Gods. They’re not just out here selling caskets and tubs of Nutella. They’re out here selling caskets and tubs of Nutella, and tubs of Nutella big enough to be used as caskets on a high moral plane. Is your life a mess? Let go and let Costco. They will tell you how to live every single aspect of your life so that you too may one day conduct commerce on their moral plane as well. Save us Costco! What wisdom do you have to share with the masses?

What would I do without you, Costco? Before I let The Costco Household Almanac run my life, my organs were helplessly unlubricated. My spleen was as dry as bone, and my bones were wet for some reason? Now, my doctors say my pancreas is so wet it might slip right out. That’s right, I have to see multiple doctors. That’s how lubed my organs are! Please continue to fix me Costco! Cushion my brain from non-Costco!

Have occasions? Try cards!

I have to respect the opinion of the author of this piece, Robyn Freedman Spizman, one of the foremost gift experts in the country, that I should absolutely bury my friends under the weight of a thousand greeting cards. Who do you think is competing with Robyn for the title of foremost gift expert? The robot who puts Facebook metadata onto shirts? Santa Clause? I bet that chump doesn’t love greeting cards half as much as Robyn. She is the goddamn creator of “Hap Birt”!

Still, I assume the advice in this article is solid because I’ve never seen a happier stock photo of a laughing Grandma. I will bankrupt myself with greeting cards if that’s what Costco thinks I should do because I have faith in the people who made my organs so perfectly moist. Let’s take a pause to absorb all of the good advice Costco has bestowed upon us so far and instead appreciate this absurdly horny ad for a clock radio.

The Costco House Almanac is filled with the subtle desperation of sexually repressed suburban America, but this is probably the most overt expression of it, and it’s brilliant. Imagine that you find yourself willingly flipping through articles about The Best Gift Wrap and How To Reorganize Your Garage Like The Pros, and suddenly you see this hot metropolitan man kicking his one-night stand out at exactly 10:09 in the morning. I want this man’s life, you’d say! I want this man’s clock radio! Once you start to notice the undercurrent of sexual repression in The Costco Household Almanac it’s everywhere, the excessive use of the word mount in the section on flat-screen TVs, the beefy calves of the men in the article on comparing arthritis supplements, The feral look in the eyes of the Sticky solutions lady.

You might think it would be difficult to make Costco sexy, but they did it. At some point in this process, the editor of The Costco Almanac slammed his fist on the table and said, “It’s not sexy enough! I want to see the bottom fifteen percent of a woman’s whole butt in my Costco bible!” And he made it happen.

SMOOTH HUMAN BUTTS: TOUCH AND BE TOUCHED. Anyway, back to the regular life advice Costco has to give us! There’s still tons of good, not at all horny, advice Costco has for us about making our lives better. This is about self improvement. Tell me how to make my life better, Costco!

Ok, that is advice, but, why do we need binoculars? The binoculars article is really long. Is Costco selling a ton of binoculars? Apparently, there’s such a wide variety of binoculars available at Costco they’re concerned some customers will be “overwhelmed by the myriad choices available.” They even sell “digital binoculars, which combine a digital camera with the binoculars” so that you can “capture that special moment.” Definitely not something a pervert would own, why would you even suggest that? These are for bird perverts!

For real, let’s get back to the tips—just the tips! I need wholesome advice on how to wet my organs and buy more greeting cards. Give me something I can work with at Costco.

No, Costco. Happy White Couple Enjoys Rewatching Sex Tape on Sofa Horizontal Layout Photo is not wholesome. I may be losing faith in my new God. The infallible institution of Costco even mocks itself toward the end of The Costco Household Almanac in a way that I find fascinating. They decided to parody their own magazine in the pages of their magazine under the heading “our resident parodist just couldn’t resist…”. Why does the Costco Household Almanac even need a resident parodist? That’s an unnecessary expense, which is very much not in line with the Costco doctrine of commerce on a high moral plane. Also, his parodies are terrible AND contain that strange undercurrent of horny desperation that permeates the entire book.

Costco really said, “I hope you enjoyed our article on mold FAQs. Now grease up a Twister board and get freaky, losers!” It truly embodies everything that is Costco. I’ve realized Costco must be all things to all people. Sure, it’s a store that sells jumbo packs of plain white socks, but it also sells condoms in packs of 100. The important thing to remember is that if you center your life around Costco, you’ll always have plenty of binoculars.

This article was brought to you by our fine sponsor and Hot Dog Supreme: Supernaught, a fine damp soul with the wettest heart you ever saw.

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LEARNING DAY

Learning Day: PraiseMoves 🌭

One of the most important tenets of modern Christianity is spreading the word of Christ’s teaching by whatever methods necessary, and for some people, the best way to spread that word is by having a great ass. How can you get an ass that witnesses for Christ simply by existing while avoiding the sins of yoga? You could, perhaps, try another form of exercise, but what? Crossfit, with all that grunting and sweating, seems pretty sexual. Jogging? Oh, so you’re running away from Christ’s love? Barre fitness, you mean like the barres they hung Christ from? Clearly, all exercise is satanic, so I guess we’ll have to tweak yoga so that it works for The Lord.

Enter Dr. Laurette Willis, founder of PraiseMoves fitness ministry. There are quite a few Christian Yoga franchises, but Dr. Wills’s is different in that it specifies that yoga is in no way yoga because of how satanic yoga is. PraiseMoves is a Christian alternative to yoga that is in NO WAY yoga, but also includes pretty much all of yoga while not being in any way yoga.

Basically, PraiseMoves is yoga for people who still want to be angry after they do yoga. The practice’s website begins with a long rant about how terrible and prolific yoga is. This includes complaints about yoga being taught in schools and an argument that yoga is the “missionary arm of the Hindu religion.”

If I offered a God my sweaty, poorly executed downward dog, they would smite me for sure, and I would deserve it. The fact that no God has ever smited me is proof that yoga moves are not offerings to Gods.

I love this yoga rant because of its 2000s Tumblr blog quality. It feels more like it was written by an angry fifteen-year-old girl than a woman with a PhD in Theology from Oral Roberts University. No, wait, this is exactly what I would expect from someone with a PhD from Oral Roberts University– minimal research and maximum emojis. I can’t believe the fact that Shiva the Destroyer is the “Lord Of Yoga” only earned a frowny face and not a red-colored frowny face. If not all this destroying and yoga, what does Laurette reserve the red frowny face for?

So, now that we’ve established that yoga is, at its core, pure evil, let’s do some yoga. Once again, the Christian Alternative to yoga subtracts exactly nothing from yoga, but it does add Jesus and a tiny smattering of interpretive dance. Several of Dr. Laurette’s PraiseMoves demonstration videos, which she uploads semi-regularly to YouTube, look like they’re guerilla recordings shot inside an Olive Garden.

A huge part of Laurette’s yoga philosophy is that yoga allows you to focus too much on yourself instead of God. If you stop thinking about God for even a single moment, you’ll probably do something crazy like relax. She advises her nearly seven thousand YouTube Subscribers to recite Bible verses as they move through yoga poses to make them think about Jesus. Sometimes she even sings the Bible verses, which makes this musical exercise much less effective. No one ever explains the shape of the pose or holds it for any length of time because they move along to the whims of a woman improvising songs from random Bible words. Essentially, PraiseMoves is yoga with more Jesus and less exercise. As someone who is violently opposed to exercise, I find that there are portions of PraiseMoves that appeal to me.

The other issue with Praise Moves is that the instructors have no personality at all. Fitness instructors are usually super energetic, charismatic people. However, the “fitness ministers” of Praise Moves have the vibe of someone being held against their will. I’m not just saying that because the rustic distressed brown walls of the Olive Garden background read as a captivity basement when the camera pulls in too close.

It seems like the only recruitment requirement for Praise Moves instructors are dead eyes and a healthy fear that Jesus is judging their posture at all times. It’s very clear that they’re not having fun doing this activity. That’s not the point! Sometimes, the camera even pulls close to their face, so you can’t tell what yoga pose they’re doing, but you can see the inner turmoil they’re struggling with as they attempt to do an extended triangle pose without accidentally doing yoga.

Teaching yoga without knowing yoga or doing yoga is a difficult task, but luckily, PraiseMoves trains and certifies instructors in the PraiseMoves system! I was wrong about the minimal requirements. The application notes you might not get accepted and asks instructors to provide their height, weight, marital status, pastor’s phone number, and several essays. The essays include “Describe your faith and basis for your beliefs” and “What activities do you pursue that advance your personal growth.” I put shredding and smoking blunts 4 the lord, and my application was somehow rejected? Lame.

The application also has a super serious denouncement of all that is yoga. If you want to teach both PraiseMoves and yoga, you have to tell on yourself and this box comes with the selection “yes I am willing to teach PraiseMoves and NOT yoga” already helpfully preselected for you. If you choose the option to possibly one day consider doing yoga in the future, Dr. Laurette Willis doesn’t want you anywhere near her Christian consensual yoga dungeon.

When I was exploring the certification section of the PraiseMoves website, I noticed six additional certifications available in the PraiseMoves system. Becoming a PraiseMoves certified alternative to yoga instructor costs $125 the first year and $75 yearly thereafter. The other certifications can be bundled. If you want to get certified in all 7 PraiseMoves exercise classes, it will cost $1250. This at least partially explains the sadness in the eyes of every PraiseMoves instructor. Let’s take a look at some of the other PraiseMoves classes you can get certified in if you have over a thousand dollars and are willing to tell Dr. Laurette Willis your blood type and the approximate location of all of your organs (especially the good ones).

I know what you’re screaming at the computer right now. “HIPHOP2SCRIPTURE LYDIA, Lydia, Lydia look, it says HipHop2Scripture, why isn’t this entire article that you FOOL?” Guys, I hate to break it to you, but if HipHop2Scripture does exist, Dr. Laurette has very wisely decided never to publicly post anything about it. Was I willing to go undercover as Count Hamish VonDunks and get certified in both PraiseMoves and HipHop2Scripture? Of course! That’s the kind of journalism you pay for at 1900hotdog.com. Unfortunately, my application was rejected for mysterious reasons. Ok, it might be because the application asked me to include a photo of myself, and I sent this.

I was able to get my hands on some footage of PraiseKicks (Kickboxing with the Word), which was 99% regular kickboxing. This is a huge missed opportunity. An army of women training to kick the devil’s ass should be radical. Unfortunately it’s a lot harder to skip explaining how the moves should be performed in kickboxing so there’s minimal space to insert Jesus.

Taking secular exercise systems and slapping the word Christian on them seems like an effective, low cost business model, but there are a few people on YouTube who are mad that PraiseMoves still uses the poses from yoga. One woman said that she tried a class, and someone else in it who had been “delivered from yoga” previously told her the moves were still yoga moves and, therefore, still satanic. Sadly, there are only so many shapes you can twist your body into, and it turns out a lot of those shapes are satanic.

What I have learned from this is if you sit the wrong way, the dark lord will hear your call. Satan is just waiting for you to stretch. Beware the dangers of exercise!

This article was brought to you by our fine sponsor and Hot Dog Supreme: Zach and Eva. He’s the praise; she’s the moves.

Categories
LEARNING DAY

Learning Day: Rappin’ 🌭

A bunch of apes scrabbling in the dirt slowly coalesce around a silver disc of unthinkable size. The laserlight reflecting from its aluminum flank sears into each of their minds the sense of striving, the question that will lead their people on to a new state of being and tier of their evolution, agitating like the sand that forms the pearl: what if a movie had to be flipped in the middle?

Regular LDR readers, or “laser babies,” know that this series traditionally focuses on a bizarre laserdisc my Dad inflicted on me at a wildly inappropriate age. Today we break that pattern, as Rappin’, the sequel to the sequel to Breakin’, should not be seen by anyone at any age, not even as a refresher to write a column if we’re being honest. There’s no tweak to the view-speed that makes it not a waste of at least some of your fleeting life. Imagine the pointlessness then – the tertiary, diluted non-experience that reading about it must be, like lining up with a thousand other people to lap at a trough of gray water.

Let’s do it.

Also called Breakdance 3, even though it features zero breakdancing and actually only a bit of rappin’ but mostly generic pop love songs, this nightmare is a sequel to Electric Boogaloo in the sense that kneeling in front of an open grave is a sequel to getting hit in the head with a shovel: you can sense that there’s some connection, but the brain damage you’re suffering from undergoing the experience is making things hard to pin down.

Plot-wise and cast-wise, Rappin’ is entirely standalone, as if the Breakin’ series was set to be an anthology with entries centered around “I don’t know, whatever dances they’re doing. You know the ones they do.” This is a huge mistake in my opinion, as, lacking the structural framework of Electric Boogaloo to build from, Rappin’ loses its way immediately.

Do. Not. Format. This movie for televisions. It functions much better so zoomed in that it’s just a fuzzy snippet of flashing colors set to music and dialog. The more you can obfuscate the idea that this was ever supposed to be coherent, the more plausible deniability you’ve already built in. Although, while we’re throwing some text up onscreen, how about a “Content Warning: production title that’s clearly sex?”

For those of you concerned I may be mining the very first seconds of the movie for too long, keep in mind that when I’m done we have to talk about Rappin’, starring Mario van Peebles, the closest thing to a Lin Manuel Miranda the 1985 Hollywood system could produce. I forget what he’s from, so let’s just say he appeared on every box of Fruity Peebles and that’s why the name sounds familiar.

The actual movie part of the movie begins with MvP getting released from prison, and packing up glossy, eight-by-ten printed pics of his loved ones, including one that’s clearly a professional headshot. Because it’s 1985, he attends his credits closeup looking like Kid Chameleon box art.

Then he immediately backslides, tragically committing the same crime I assume he just got released for: rapping in real time about his life as it unfolds. And this is ’80s rap, so it’s more Sugar Hill Gang and less Kendrick Lamar. It’s less Hamilton and more “Will Smith sure got overambitious with this credits song that blankets the entire movie.”

He raptroduces himself as John “Rappin’” Hood. When a local vendor calls him a “rotten hoodlum” instead, Johnny really puts some mustard on his hot dog – and I don’t mean he clobbers him like in the ’20s sense, I mean he helps the hot dog cart man do part of his job. It’s not exactly robbing from the rich to give to the poor, but it’s not rotten hoodlum behavior either.

After another small business owner calls him a hood and points at him like he’s the last human alive in Invasion of the Body Snatchers, you couldn’t be blamed for letting yourself hope that this movie could turn out to be a critical, cogent treatise on race relations. Then Rappin’ Hood threatens a guy by doing a Fonzie move, and you know in your heart that this is going to be some middling theater kid bullshit instead.

The key players in our hero’s life are his grandma, his little brother A, and his crew, the Merry Men, a gaggle of actors clearly here to audition for West Side Story on an adjacent soundstage. Finally free after spending time in prison, Rappin’ Hood does what any of us would: raps with his brother about tapping ass while they Night at the Roxbury their grandma. “Two of a Kind” includes the lyrics “we jump, but we’re freaks in a single bound / starting trouble all over town / if it’s rated X, we hit the back door / we don’t stop watching ’til she hollers for more,” accompanied by vigorous hip thrusts. Granny seems on-board at first, but just follow her bewildered eyes as she casts around for help, or at least another human being to verify silently that this is not normal.

Anyway, then granny raps back. Clock it folks: seven minutes and thirty-eight seconds in, we have achieved rapping granny. While she only has a two-bar transition forcing A to do his homework, it’s still a haunting reminder of the kind of intergenerational cycle of abuse that leads to the existence of musicals people, certainly within the bottom ten percent of types of person to be. I’m calling you out, Julie Andrews. You can’t hurt us anymore.

That night, the boys attend a welcome home party, which naturally breaks out in a dance battle between two people who will actually try to kill each other a few scenes from now. I like to imagine the Sylvester Stallone kid is Rambo from First Blood (original ending) and this is his beautiful dream of a world where we dance instead of fight as he bleeds out. Honestly, as long as someone from this sequence bleeds out, I like to imagine it.

Rappin’ Hood spots another guy in a leather jacket, and naturally has to fight him for control of the room. This turns out to be Dwayne, John’s protege who now runs the gang with an iron fist inside a fingerless glove. So while Robin Hood tangled with corrupt cop the Sheriff of Nottingham, Rappin’ Hood must quash the gang uprising led by a monster of his own making. You can immediately tell Dwayne is trouble because he’s borderline abusive to his girlfriend Dixie in the exact way that either a middle school D.A.R.E. play or a Kids in the Hall sketch would feature, and because his dialog vibrates with spite and venom when he says stuff like “why don’t you take a walk?” and “hey is for horses.” He even has a little Salacious Crumb guy who looks like he goes out to auditions as “a Peter Lorre type.”

Dwayne’s whole deal is that he wants to fight John to formally inherit leadership of the gang, but John has chosen the path of non-violence, making a brief exception to completely ruin a bathroom and one man’s mid-meal shit.

This turns into a meetcute when Dixie comes in to apologize on Dwayne’s behalf and is naturally aroused by the smell of an interrupted bowel movement. As Dixie and Rappin’ Hood quickly develop into a couple, pissing Dwayne off, it also turns out that a stodgy white businessman is trying to clear everyone out of the neighborhood so he can develop the area, and he’s forcing the task onto his assistant Cedric, the living embodiment of the animation cells from that one Simpsons episode where Smithers is Black.

So we’ve got two major threads here: a love triangle with a rival gang member, and trying to save the neighborhood from a real estate developer. Both are well-trod territory, but if fashioned into a thoughtful rap, perhaps the novel packaging will lend some freshness to these time-honored storytelling maneuvers. Nevermind, let’s do a rap called “Snack Attack” making fun of the fat one’s love of food, and also the fat one is named Fat. His entire personhood is defined by his weight. His ID picture is somehow an animated gif of him eating a whole cake.

Fat’s hunger is explicitly treated as an addiction, as he raps “I know this affects my latitude / but what the heck can I do? I love food.” His peers reply with “You better develop some fortitude / before your body develops a horizontal attitude,” literally threatening him with the specter of death if he doesn’t learn to control his portions. I’m not trying to be preachy or crazy body positive, it just feels a little over-the-top. Again, “Fat” is the child’s name.

As it happens, Dixie is assistant to a big music producer, leading to the strangest choice made in this movie by far: including quite a few non-rap songs. Scenes at auditions and recording sessions are used time and again as an excuse to have characters we’ve never seen before and will never see again, mostly children, sing a range of pageant-friendly R&B and pop love songs. In a movie designed solely to capitalize on youth interest in rap and breakdancing, there’s no breakdancing whatsoever and more than half of the songs are closer to being showtunes than rap.

Somewhere in the mess, John impresses Dixie and her boss with his freestyling ability and is asked to come in for a proper audition. I think the line that really got ‘em was probably “”green is the color of cash / the color of a rasta’s stash / the color of grass, color of trees / the color of boogers when you sneeze.” Meanwhile, Cedric hires Dwayne and the boys to drive the rest of the residents out of their homes exclusively by throwing food at them.

At the audition, Rappin’ Hood handily beats his competition, a bunch of Archie clones who sing “Itchin’ for a Scratch,” the official anthem of the National Shingles Foundation. Hood instead freestyles about a drunk guy who happens to have just smashed a bottle over the bartender’s head. The resulting riff, “Lady Alcohol,” is notable in that at no point do the lyrics include “call an ambulance” or “hey did someone help that man.”

Naturally, things also ratchet up between Johnny and Dwayne, to the point that Dwayne feels the need to threaten his rival by telling a story using poker cards, like a childrens’ birthday magician. And to impart some suggestion of the quality of the performance, he says “Hey Johnny, don’t forget – I’m the king” exactly the way Tim Heidecker would, but for different reasons.

Cedric succumbs fully to evil at this point, and starts to literally dance a little jig as he updates his big map of people he’s evicted.

He conspires to cut oil off to the residents so they have no heat, so Hood and the Merry Men steal an oil tanker and distribute it to the people. This is the one and only overlap between the plot elements presented in this film and the original story of Robin Hood. Things with the lovebirds also escalate, especially when John says he’d “rather help the needy than make money for the greedy” on a date, and it becomes apparent by her facial expression that Dixie’s considering, potentially for the first time, that her boyfriend might not just rap, but actually talk in rhyme.

Everything comes to a head when there’s a brawl between the Merry Men and Dwayne’s goons, John finally forsakes his pacifism and wins a knife fight, and everyone heads to City Hall so Rappin’ Hood can freestyle at the whole town at once and get this grim charade over with.

This leads to a climactic rap so epic…

…that it makes Cedric swap sides, turns Dwayne good, flattens the white businessman’s tires, inspires the City Council squares to clap and sing along, and presumably secures Mario Van Peebles’ financial future.

This is followed immediately by a credits rap, because when it’s rap all the way down this is the kind of madness you must endure. Dwayne raps a pro-John verse over a banjo loop, John signs a big recording contract, and a random middle-aged mom who thought being a career movie extra would be fun now that the kids are out of the house tries to do a hoe-down and look rapper-y at the same time.

It’s not the ending any of us envisioned, but at least we can rest safe in the knowledge that nothing can tarnish the legacy of Electric Boogaloo, because it doesn’t have one.

This article was brought to you by our fine sponsor and Hot Dog Supreme:Jaber Al-Eidan, who’ll put your ass to sleep like Thomas Church, Haden.