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NERDING DAY

Nerding Day: Cursed Worlds 🌭

Blue Comet Comics brought you pure and earnest lunacy from writer, artist, editor, and owner Craig Stormon, whose mind was forever trapped in a labyrinth of his own making. If you’ve ever watched a rambling maniac drift too close to a bank entrance and get tased by security, Blue Comet Press tells his side of the story. The one with electric lizardmen and kidnapped money princesses.

I already covered their premier title, L.I.F.E. Brigade, which was canceled twice by the only person involved with it: Craig Stormon. I didn’t tell you it was only one small part of a shared comic book universe. A universe made of canceled and abandoned titles, reboots, reworks, and the occasional abortion. There are foundational pillars of this universe that can only be found in comic books that never existed. Luckily, I found the Source Book.

Yes, it’s actually called Cursed Worlds. It’s like Craig Stormon saw through the veil of time into this article where I made up a joke title for his life’s work, then asked the Chrono Master for one small revenge.

We begin as all Blue Comet titles do: with a cramped wall of unhinged white text.

I was going to hack this up into sections and discuss each part, trying to make sense of it all, but I recognize a mind trap. The day I understand this is the day I die in a flying machine of my own design, trying to prove the world rests on the back of a big turtle.

Reading this is like listening to an over-sugared 8 year old explain the plot of a fanfiction about a Minecraft modding community’s lore. It’s a confusing and rambling tale four times removed from something that never interested you in the first place. Some of the sections are hyper-focused, like the complete backstory of a telepathic robot who plays no part in the overall story, while others seem vitally important but are abandoned entirely. ā€œStrangely enough, the dinosaurs had also returned.ā€ is the sentence Hemingway wrote when Fitzgerald said he couldn’t confuse the fuck out of any reader using only six words. Fitzgerald won that bet, because it took seven.

Craig Stormon runs out of space during the jacket copy, after having filled the entire inside cover with Dr. Bronner’s style pleas for a diagnosis.

ā€œNevertheless,ā€ Craig Stormon froths, his eyes pointing different directions. ā€œWindraven is 300 years old, while M’Lady Doom is 200 years old, both having battled-ā€

ā€œCraig, hold on,ā€ you say, buying time for police to break through the barricade. ā€œThis is the synopsis for an introduction, I don’t know who any of these people are.ā€

ā€œTHE SAME SPEAR THAT KILLED JESUS CHRIST,ā€ Craig Stormon screeches the last words you’ll ever hear.

The characters he’s most excited by today are X-187 and his enemy, Deathrow. Both are ripoffs of Deathlok. It’s kind of like Being John Malkovich but for gun cyborgs who are out of ideas.

This was 1994. Death Row Records was basically a household name. ā€œCop Killerā€ and ā€œDeep Coverā€ made 187 the go-to number for anyone whose preferred AIM handle was already taken. Craig Stormon stole someone else’s half-a-Robocop, filled the entire comic with it like an Oops! All Cyborgs! edition, then gangsplained his readers three times in one paragraph.

And all of that is a stat. X-187’s measurements are: 7 ½ feet tall, 370 pounds, and street gangs spray-paint 187 over the names of rival gangs!!!

Here’s Deathrow’s breakdown:

Craig knew nitrous made you go fast, but he didn’t know anything else about it. Now we’ve got a real chill cyborg with the giggles. It’s important to note his dick is bulletproof and also full of knives, and that the cowboy spurs do nothing. That’s all very funny, but really consider the turn that happens in that bubble. He hired Rich Bonk, the name of a man who is very used to getting dunked on by the universe, and had him draw every mistake of the 1990s in one character. Then Craig erased it right in front of him, just so he could show him how it was really done.

He hired an artist solely to spit in his face, then wrote that down and published it in the Source Book as one of four vital facts you need to know about Deathrow.

Then he hired a third artist!

To do to him what he’d just done to Rich Bonk!

ā€œBonk me,ā€ Craig Stormon told Henry Martinez. ā€œI need to feel the humiliation I inflict on others, it’s the only way I can get off. Bonk- hold on, let me get Rich in here to watch. Now BONK ME, MARTINEZ!ā€

Anyway, we’ve already forgotten that we did X-187, so he gets introduced twice.

If you leave a lunatic alone without stimuli they’ll get caught in feedback loops. It’s why Mario Lopez has to repeat all his questions about Pet Judge while Gary Busey keeps turning his name into increasingly offensive acronyms. This is what happens when nobody checks in on Craig Stormon for an afternoon. Now X-187 is a test tube baby with a nuclear skeleton, built by the mafia. We started off at Deathlok minus a few things, yadda yadda skip a few pills, now the evil cyborg can only be killed by the same weapon that slew Jesus Christ.

There’s only one tool in Craig’s mental garage that breaks these loops, and it’s drawing hot girls.

That’s not a joke. Pay attention: You’ll see when shit starts to spiral in a Craig Stormon title, the next page will be a mostly naked woman whose powers are ā€œtits,ā€ whose weaknesses are ā€œtoo much tits,ā€ and whose origin story is ā€œhad tits.ā€

Again, I am not joking.

It’s a telling look inside the life of their creator, who I assume is not welcome back at any coffee shop in his neighborhood with an attractive female barista. WAIT we need one hasty fact about the barista not related to her looks so the critics can’t call us sexist. Craig Stormon is not welcome back at any coffee shop in his neighborhood with an attractive female barista who is also an expert at knife throwing……….

Oh, oh fuck.

Craig just tried to steal the holocaust. He really thinks he can take the holocaust away from the Nazis and give it to Danzig’s fursona. It would be so hard to explain to Craig why he wasn’t allowed to do this. You’d be all ā€œif you change the entire reason the holocaust happened – even though demons are also really bad, so you’re still saying the holocaust was bad – you’re diminishing the real anti-semitism that caused this real genocide. There’s this whole world you’re making here that nobody really understands, and I get that you’re carried away with your cool details but you can’t-ā€

And Craig would be all-

Haha he named his only female team the Iron Cupcakes. And he explained that, even in fiction, they fucking hate it.

That’s not supposed to be a mask. In Cursed Worlds people age from the top down. Oldness works on lightning rules. Notice the odd space after ā€œbionics ,ā€ like something was blotted out there. I have a theory that Craig Stormon never knew what a draft was. I’m not being snarky – I actually mean I don’t think he’d ever heard of the idea. You’ll see those blank spots pop up all throughout Cursed Worlds, it’s like you’re watching him independently invent the concept of revision in real time.

Oh, I almost got out of here without pointing out his name wasn’t Dr. Mangla, that’s a professional wrestler.

Fats Oldstein is what I’d call Rush Limbaugh if I wrote for Jimmy Kimmel Live! in 2004 and saw no incentive to take pride in my job. I’m not sure what ā€œdrug ritesā€ are, but I do know you need a professional psycho who can only be killed by Christ to get them.

What a fantastical universe, full of demons and time travel, living comets and mafia cyborgs. Let’s meet the poor everyman trapped in the middle of it all-

Detective Hank Blood is from the porn parody True Boned, and he only exists so Suckie Stackedhouse can say ā€œah always wanted tah know what it’s like tah suck… Blood.ā€

If your name is Hank Blood and you apply for a transfer to homicide you no longer get to act offended when killer cyborgs attack your city. I hate to say anybody’s ever asking for it, but you did not have to leave the house named like that, Detective Hank Blood.

I’m starting to think you guys might be confused about this perfectly reasonable comic book universe. It’s really quite simple: the mafia’s genetically engineered nuclear skeleton and his nemesis, a career robo-psycho who takes double damage from the baptized, assisted by time traveling double superpowered space mercenaries-

You know what? There’s a little comic book short here that will explain everything.

Oh, right. The war they’re referring to is Vietnam, so all of this happened in the 1960s. Does that help?

You’re wondering who Arthur is. Haven’t you been paying attention? Think back to X-187’s stat sheet…

That’s right: street gangs spray-paint 187 over the names of rival gangs.

I guess Arthur has a personal vendetta against Deathrow, even though X-187’s origin story is that he was grown in a tube by the mafia. Ignore that! Deathrow explodes through the ceiling – not the skylight, the ceiling – to specifically assassinate this child.

Dang. That’s actually a really hard-hitting panel. The silhouette sells the horror of it. It’s an artistic choice that says the death of a child is something we shouldn’t see, but still shows enough of the taboo to sell the emotional impact. It’s really effective.

That’s because I cut the panel right before it.

The comically oversized cannon, the cartoonishly tiny boy, the sweat droplets universally used to signal ā€œWUH OH!ā€ This is a Bugs Bunny murder.

But at least now you understand the plot of X-187, right? Hold on, Craig really brings it home-

This explains less than nothing. It takes things you thought you understood away. Look at that presumptuous little ā€˜FINI’ in the bottom corner.

ā€œThe saga begins,ā€ Craig Stormon says, fighting a stray dog trying to eat his last pencil. ā€œNow we’ve set the hook, all we have to do… is reel ā€˜em in.ā€

ā€œI quietly resent you for stealing my life energy and no woman can live up to me,ā€ the stray dog says in his mother’s voice.

ā€œFUCK YOU FOR BEING RIGHT, MOMMY DOG,ā€ Craig Stormon writes, another brilliant comic book idea already coming to life.

You met Windraven in L.I.F.E. Brigade, where I joked that she was a psychic Indian who got telepathy powers from space, making her a triple psychic. I was playing with the idea that all ā€˜90s comic books thought Indians were innately magic. I thought I was playing.

She fucking, hold on. She fucking what?

She’s an immortal Indian from the 17th century who invented the atom bomb? It was pretty crazy when you took a genocide away from the Nazis and gave it to the demons, Craig. It’s way crazier that you took the A-Bomb away from the United States government and gave it to the people they genocided. There are problems with writing this. I understand that. I fundamentally know you can’t do this, but it’s so weird there’s absolutely no precedent I can use to explain why. Craig Stormon actually invented a new form of racism here. He might have a patent.

Okay, let me try to wrap this up:

An Indian woman (already twice psychic because she’s from two different tribes and they each have their own kind of power blast) taught herself how to be immortal and then invented the atom bomb so she became a superhero to make amends and traveled to space where she got powers again, only to come back to a destroyed Earth (because strangely enough, the dinosaurs had returned) after a nuclear war which was engineered by aliens, so she and her team had to time travel back to modern day to help the mafia’s nuclear skeleton avenge his kid brother (who only died in his mind) against an enemy cyborg hired to steal ā€œdrug ritesā€ from LA street gangs (they spray-paint 187 over their rivals), who are in league with the holocaust devil and his earthly avatar, an extremely horny woman (powers to be specified later; extremely horny), forcing the good guys to find the spear that killed Jesus Christ which is the only weapon that can destroy psychopathic drug cyborgs!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Oh, oh my god. I’ve ruined myself. I set out to use a maniac’s ill-advised comic press to understand his broken mind, and now I do. I regret this wish, Chrono Master! I see the World Turtle and it hollows me! Let me undo it, I will trade you whole decades!

Take us out, Craig Stormon.

This shared universe, which only exists because the psychiatric field in the 1980s was a disgrace, is best accessed through L.I.F.E. Brigade #1-3. Or wait, no Rough Riders #1-3, which was just L.I.F.E. Brigade but the Lone Ranger joined up. No, maybe it starts with Deathrow. Fuck, it actually sort of starts with Windraven? Definitely not The (devil’s) Workshop, that’s for after! Or maybe, no actually that’s the beginning, too.

Craig can’t tell you where this starts because it doesn’t. It’s a circular universe that refers to and disappears into itself every two issues, to be canceled, retconned, rebooted and aborted over and over again as a dense network of confused nesting sci-fi tropes take over his brain like a tumor, rewiring his neural pathways into a knot only thorazine can untie.

Let’s end this the 1990s way: By having a vague muscular cyborg with a stupidly large gun call us a name.

I’m worried Craig Stormon won’t land this one-

I was wrong.


This article was brought to you by our fine sponsor and Hot Dog Supreme: Mickey Lowman, the psychic space baby whose bones are nuclear bombs.

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NERDING DAY

Nerding Day: Skeleton Warriors 🌭

The ’90s were, as you know, the most extreme decade of all time. The day-glo colors and hair metal of the ’80s pupated and metamorphosed into in-your-face, gross-out, over-the-top action, giving us the ascendance of Nickelodeon, Power Rangers, and the X-Games. So what do you get when an experienced producer and the director of the Masters of the Universe movie launches a new transmedia franchise squarely in the middle of the ’90s? You get Skeleton Warriors, a property about evil, animate bone monsters and the milquetoast fleshy heroes who oppose them.

Created by industry veteran Gary Goddard, Skeleton Warriors launched in 1994, with the toys coming out a little before the 13-episode TV series. According to some sources, Goddard claims that he was inspired by the Conan the Barbarian live show at Universal Studios, in which the titular beefcake does battle with skeleton warriors. Hm, Goddard must have thought, skeleton… warriors… that gives me an idea!

Like the previously-discussed Van-Pires, Skeleton Warriors is named after its antagonists rather than its heroes. Unlike Van-Pires, its antagonists aren’t lame gas guzzlers but fucking cool demonic skeletons who look like the ancestors of Da Share Z0ne. The property started with the toys, developed as a line of skeletal abominations that stood out amongst the GI Joes and other standard fare of the time. And seriously, these guys looked sick.

It wouldn’t be a ’90s kids property if there wasn’t a cartoon to bolster toy sales, and Skeleton Warriors received a 13-episode run depicting an epic battle between good (which is dumb) and evil (which is skeletons). There is nothing about its intro that isn’t completely sweet:

The show opens with a giant golden CGI skull talking directly into your face, which would be badass enough, but the skull is also voiced by Tony fucking Jay. Having your cartoon open with the voice of Megabyte from ReBoot and the Elder God from The Legacy of Kain games spitting vague exposition about the nature of good and evil at the viewer is a gutsy move, and if anything it sets the bar a little too high. It kind of makes you wish the whole show was just a CGI Tony Jay skull ruminating about the balance between light and dark. Sadly, the skull dips out for most of each episode and only reappears at the end, to offer some kind of summation of what we’ve learned.

When Skeleton Warriors begins, we learn that the king of Luminicity has disappeared on an expedition, leaving eldest son Prince Justin in charge. His younger brother, Joshua, is pretty ticked off about this. In his frustration, he turns to a guy named Baron Dark, who ropes him into a plan to gain access to the Lightstar Crystal in the castle that powers the city. Really, Josh? This makes Joshua seem like a pretty gullible asshole, but to be fair to him, this is a fantasy world. Maybe dudes are named stuff like Baron Dark or Duke Crime all the time. Maybe it’s normal to be called Baron Dark in the Skeleton Warriors world.

Anyway, Baron Dark betrays Joshua because of fucking course he does. He tries to steal the crystal for himself, but it splits into two in the process. The Baron’s half turns him into a living skeleton monster, while the other half empowers Justin, Joshua, and their sister Jennifer. Each of the three gains unique powers, while the Baron becomes basically immortal and able to turn those with darkness in their hearts into unkillable skeletons like him in a process the show straightfacedly calls “skeletonizing.”

He immediately transforms his goons into a boney band of evildoers and lays siege to the city, which is already in pretty bad shape thanks to the loss of the Lightstar Crystal, which was apparently powering their entire civilization. No contingency plans for us, our easily-accessed magic crystal will keep us going forever! The party’s never going to end!

The three royal siblings flee to their uncle’s place, where he gives them all cool new nicknames and — oddly — skeleton-themed outfits. This always struck me as kind of strange, even as a kid. If you’re fighting skeletons, why are you dressing up in gear with skulls and bones all over them? Like, are you trying to reclaim skeletons from the living bone monsters who want to exterminate humanity? I guess we’ve all got skeletons inside of us, so maybe there’s something to that.

Justin is dubbed Lightstar, with the power to shoot energy beams from his hands. Jennifer, who has gained the power of flight, becomes known as Talyn. And Joshua, who can teleport from shadow to shadow and also has a fucked up zombie face because the Lightstar Crystal apparently detected that he was kind of a dick, receives the moniker of “Grimskull.”

Hey, “Grimskull” sounds kind of like Grayskull from He-Man, doesn’t it? Weird. Probably nothing.

With their uncle, who Justin decides to call “Guardian,” the three royal siblings form the Legion of Light. Together, they fight back against the Skeleton Warriors in a series of battles that involve a lot more hovercycles than you might expect. Seriously, a huge part of Skeleton Warriors is people flying hovercycles around or getting into hovercycle crashes. Again, it was the ’90s, the decade that brought us Renegade, so you can’t be too surprised that they took one of the most x-treme forms of transportation and found a way to make them even more In Your Face and To The Max.

The Skeleton Warriors cartoon is actually pretty good for what it is. Most episodes revolve around the heroes desperately struggling to gain an advantage against their unkillable adversaries while also dealing with internal strife within their ranks. One episode features the people of Luminicity wanting to execute Grimskull for his role in, you know, ruining their entire society. Another depicts the trauma of a normal man who faced the Skeleton Warriors in battle and later became one, the cowardice in his heart enough for Baron Dark to make him into one of his deathless minions.

Having your villains be essentially indestructible, able to reform themselves after each defeat, was a pretty good call narratively. It sidesteps the need for faceless rank-and-file goons like Power Rangers’ Putties, since the heroes can blow the named skeleton warriors to pieces and they can just keep coming back.

And Baron Dark’s crew has some real choice weirdos, too. There’s Shriek, the token evil lady who maintains her crush on Lightstar even post-skeletonization; Doctor Cyborn, who I was disappointed to realize is not called, as I thought, “Doctor Cyborg”; and Aracula, a man-spider who we later learn is a member of a whole race of man-spiders who hate humans. There’s a lot going on in the Skeleton Warriors world.

Midway through the series, the Legion of Light learns that they can de-skeletonize people. Some are glad to be freed of Baron Dark’s control, but his core minions, when reverted to flesh and blood, crave a return to their skinless state. And why shouldn’t they? They have skeleton parties where they dance and feast — whether they get anything out of the latter act or if it is merely a grim parody of life is left to the viewers’ imagination. Skeleton Warriors really wants you to know that while being magically stripped of your skin and organs is agony, being an evil skeleton freed from both flesh and the limitations of human morality feels fucking great. And must we not endure pain to taste true pleasure?

The whole thing is brought to life by some solid voice acting, too: Jennifer Hale (Commander Shepard from Mass Effect) is Talyn, Jeff Bennett (Dexter’s Laboratory, Gargoyles) is Lightstar, and Philip L. Clarke (Doom 3) is Baron Dark. You kind of wish they’d gotten Tony Jay to voice Baron Dark, but maybe he was too busy menacing Mainframe at the time. The point is, we flesh-users really blew it by ignoring this show.

And Skeleton Warriors wasn’t limited to just a TV series and action figures, oh no. Like the creator of Balloonatiks, Gary Goddard was dreaming big — though that’s perhaps understandable, considering he was peddling living skeletons instead of balloon superheroes. There were Skeleton Warriors comics, trading cards, lunchboxes, t-shirts, housewares. There was a Skeleton Warriors video game for the Saturn and PlayStation 1, which featured CGI graphics closer to the look Goddard had wanted for the show itself and a soundtrack by none other than Tommy “I Was On MTV Cribs” Tallarico. And yes, there was a Skeleton Warriors float (though that word might be generous here — it was a little rocket-shaped car) in the 1994 Macy’s Thanksgiving Parade, alongside other pop culture icons of the era like Sonic the Hedgehog, Lamb Chop, and Kenny G.

At this point you might be like, “Ok, Merritt, Skeleton Warriors was a minor footnote in ’90s pop culture history. It seems fine, and certainly a lot better than the crap you normally cover here. So why are we talking about it?” Well, remember what I said about the character Grimskull earlier? That his name sounds an awful lot like Grayskull, the name of the castle in He-Man? I don’t think that’s a coincidence.

See, Skeleton Warriors wasn’t Gary Goddard’s first rodeo. He co-founded Landmark Entertainment Group in 1980, and it was a pretty successful operation, creating a number of rides for Universal Studios. Goddard also created a few other shows, including the ’80s series Captain Power. He even has a directing credit to his name. What movie did he direct? Why, the live-action adaptation of a massively popular ’80s cartoon and toy franchise — the 1987 box office flop Masters of the Universe.

For those who aren’t familiar, Masters of the Universe tells the tale of the heroic He-Man (alias Prince Adam) and his endless battles in the techno-magical world of Eternia with the villainous Skeletor, who, as his name suggests, has a skull for a face. So we’ve got a prince fighting an evil skeleton man in a world of technology and magic. Sounds a lot like Skeleton Warriors, huh? Or much worse, if you’re going by number of skeletons, and you should be.

Here’s my theory: Goddard got a taste of Masters of the Universe and didn’t want to let go. After the movie failed to recoup its budget, he was likely out of the running for any future MOTU projects. Besides, the franchise had basically run its course by the end of the ’80s and mostly laid dormant until the early 2000s. But Goddard still had the industry pull to do his own thing. He had the resources to realize the dream of many a geek: he could make his fanfiction real. And that’s essentially what Skeleton Warriors is: a “what if” scenario in which Skeletor gets the secrets of Castle Grayskull in the first episode and destroys the kingdom, forcing He-Man and his allies to fight a hopeless guerilla war against him.

Don’t believe me? The Skeleton Warriors theme song says of Lightstar, ā€œhe has the power!ā€ You know who else went around saying ā€œI have the power?ā€ He-Man.

Not enough? Just look at Man-at-Arms from Masters of the Universe and Guardian from Skeleton Warriors, both of whom are wise, older soldier/inventor types with weird helmets and facial hair. Goddard didn’t exactly reinvent the wheel here. “Oh, I was inspired by a Conan the Barbarian live show I saw one time.” Bullshit. You wanted another shot at He-Man. This is He-Man with extra Skeletor and nothing else.

So why didn’t Skeleton Warriors succeed when its undeniable inspiration was such a cultural phenomenon? Maybe the focus on the villains left the human heroes feeling limp and uninteresting. Maybe the toys were too edgy for concerned parents, who were fine with their kids playing with violent superheroes but drew the line at the undead legions of the night. Or maybe the ’90s were just an oversaturated entertainment market and there were bound to be losers in the war for kids’ attention and parents’ money.

But at least Gary Goddard went on to— hang on, I’m being told that Goddard was a close collaborator of disgraced director Bryan Singer and was accused of sexual assault throughout the 2010s by a number of men who worked with him when they were minors, and that he “took a leave of absence” from his design firm, the Goddard Group, in 2018, which then changed its name to Legacy Entertainment. Ah well, nevertheless.


This article was brought to you by our fine sponsor and Hot Dog Supreme: Cerril, whose very flesh is a skeleton prison.

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NERDING DAY

Nerding Day: POPular TEEN-AGERS

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NERDING DAY

Nerding Day: L.I.F.E. Brigade 2 🌭

In L.I.F.E. Brigade, Issue 1, we met a cast of fascinating characters four times and then watched them hide in caves twice. Writer, maniac, artist, editor, maniac, publisher and maniac Craig Stormon started the indie comic company Blue Comet Press and was the sole driving force behind most of its comics. Being in total control of all of them didn’t stop him from canceling all of them. Most after the first installment, some before it! Several Craig Stormon titles debuted at #0 and were canceled before their first issue. But L.I.F.E. Brigade was Blue Comet’s premier series, meaning it didn’t get canceled… it got canceled twice. Twice the cancellations of every other Craig Stormon title!

It just wouldn’t be a Stormon production without an unhinged editorial section. In the first issue he reviewed a cool party, guilt tripped a fellow artist, and bragged about getting shitcanned. I’m cutting twenty other crazy things for the sake of brevity, a sin Craig Stormon would physically attack me for. In this editorial he’ll talk up his revolutionary art, invent the dumbest word you’ve ever heard, apologize for his terrible art, introduce a hot new artist, get carried away on a lie escalator, and then start a war with Marvel using prosecutable libel.

We’re on page nothing! This is the inside cover, where there would usually be an in-your-face ad for RoboTrucks: The Lost Forever, a Taiwanese shovelware game that’s just a reskinned Puzzle Bobble. But Blue Comet comics have no ads! It’s a moral stance, like 1900HOTDOG, and not because we’re both too fucking crazy for RFPs.

Don’t worry if you forgot the rich story of the first L.I.F.E. Brigade. If there’s one thing Craig Stormon’s great at, it’s recapping what just happened even if that means recapping it while it’s happening. Like the caverns? Remember the caverns? You’ll remember the caverns.

*Remember the caverns!

I’m glad we reminded people about the caves twice in the first panel. There’s no need to rehash why the entire planet is reverse evolving into obliteration, because it’s not anymore. I don’t mean that problem has been fixed, I mean Craig forgot the plot between issues and now the Earth was ravaged by nuclear war.

Think of this as freestyle comic booking, Craig Stormon remembers the important things: The characters. In the first issue we learned that Ray Gun Kid is furious and quick to laser, but we never saw it.

Maybe you were expecting some violent showdown with an alien army, but that’s not the reality of laser ownership: 70% of ray gun fatalities happen in the home, and are telepathic space robots.

You’ve all innately absorbed storytelling rules, like that every scene serves a purpose. Is this setting up a later plot point involving Ray Gun Kid and a tragically ray gunned kid? What was Oracle doing in that cave? He changed the subject awfully fast, didn’t he? Maybe we’re supposed to be suspicious of Oracle now. This isn’t nothing, it can’t be.

You know how they say you should never jump in the water to save a drowning person, because they’ll blindly claw at you until you both drown? That’s what’s happening to your brain right now. The story is drowning and everything you know is saying you have to save it with meaning, but it will only kill you if you try. None of this is ever mentioned again, and the scene ends with radioactive mutants.

I mean the next panel is screaming radioactive mutants.

There, your brain was trying to predict that. That’s what would have happened if you jumped in the story pool to save Craig Stormon.

I maintain that Craig’s drawings are so terrible they loop back around to actual art. Or at least they can fake it. Flash back to college, that showing you went to because you were trying to nail one of the artists. Mentally hang this panel in the gallery – you’d spout some bullshit about subverting 1950s American iconography to impress them, right? Make the right sexy Lichtenstein pun and it would work, too.

Craig discovered a new tool this issue: Editorial notes. Like all new things he discovers, these will be used as confidently as they are incorrectly.

You have to be careful with Blue Comet comics. You can’t just laugh at something and move on. Sure, you caught the first three hilarious things about these panels:

-Craig felt the need to explain radioactive mutants twice like it’s a highbrow concept that might fly over our heads. In his wood-paneled study and smoking jacket, sipping a brandy, tamping his pipe like ā€œthe cannibals, you see, are from the radiation.ā€

-The phrase ā€œturned to cannibalism with blood-lust, and total insanity!ā€ like the mutants made a careful choice to embrace insane cannibal blood-lust as one might turn to Christ.

-He cuts in with an editorial note to make sure that when he said ā€œdeath on their minds,ā€ you didn’t forget the last sentence when he told you they were insane blood-lusting cannibals.

You caught all of those, you chuckled sensibly, you moved on to read this paragraph. The obvious escaped you. Craig Stormon is the editor leaving that note, and he’s also the writer. An editorial note is there to clarify something the writer may not have made clear, but without altering their words. They were Craig’s words in the first place! If it occurred to him as an editor that ā€œthey have death on their mindsā€ might be confusing phrasing, he as the writer could have just fixed it.

The rambling, the repetition, the typos, the editorial notes to himself – I have this figured out. Craig Stormon doesn’t know about drafts. He legitimately never heard of the concept of a draft and is totally unaware of revision. He believes that once you art, it’s done, and all you can do is watch helplessly as the world tears it apart. That’s the only reason he’d swap plotlines between issues and keep canceling his own comics. He’s frustrated that his art isn’t turning out right, but thinks he’s powerless to do anything about it.

You and Craig might be panicking right now, wondering how our heroes are going to get out of this mess he wrote them into-

They probably don’t appreciate being called ā€œnormal peopleā€ and ā€œordinary folksā€ so hard by a visiting space troupe of psychic exploding lunatics. I come from a small central Oregon cattle town, and then I spent 20 years in Portland with satan-worshipping strippers and amateur cyborgs. If I went back home and started calling everybody ā€œordinaryā€ you can bet I’d wake up inside a cow. That’s what we did to city slickers in my town, we put them inside cows. Don’t mock our ordinary ways.

You probably get it. These people are normies. Not Chads or Stacys, just Michaels and Rebeccas. The 49%. Cable watchers, landline owners, the turkey sandwich of humanity. Craig worries you don’t get it. They’re real simple folk. These are blue collar irradiated cannibal destroyers. What’s the best way to show that?

It’s so hard to explain all the ways this panel is funny. It’s not just the juxtaposition of a mundane brand on the tailgate of a mutant slaying battlewagon. I mean, it is that. But it’s so much more! You have to know all about Craig’s misfiring brain and his childlike understanding of the world. How he must define normalcy, having only guessed at normalcy’s shape by observing its gravity fluctuations from his mental observatory six billion miles away.

Anyway, let’s meet those normies. Those post apocalyptic accountants. Just shades of living beige, these simple honest hillfolk-

This huge-jawed hunk in a spandex bodysuit and AR goggles with his carefully vague ā€œpalā€ – an enormous Indian who dresses like a bondage cowboy and calls himself Two-Ton – blasts through a cannibal horde with an armored F-1050 before introducing himself as the Zone Ranger, and Craig Stormon’s best descriptor for him is ā€œnormal, ordinary folk.ā€ At the risk of sounding like an oblivious mother welcoming her daughter’s roommate for the 19th consecutive Christmas, I think something else is going on here.

These honest churchgoing workaday Joes take L.I.F.E. Brigade back to their post-apocalyptic party compound, surely smelling of silicone and 100% of the world’s cocaine, where every member of this super tough space mercenary team has a total mental breakdown.

Hold on, this is supposed to be hundreds of years from now – in the first issue we saw Rochel Windraven with her tribe of techno-shamans all practicing psychic meditation. You’re telling me it’s so far in the future Indians have evolved ESP and the American government still keeps them on reservations?

That… oh, that one actually tracks. Sorry.

Let’s get the base tour from The Zone Ranger, who’s wearing 1/3rd of a shirt and not the 1/3rd you’d expect.

He gives a tour like a 5 year old showing off a tree house. Look how many movies we have, and if we clean up we can watch any one we want as long as it’s over before 9 o’clock. Let’s check out the rec room and the fort Two-Ton set up in the closet – it’s got string lights! – before our heroes are shown to their bedrooms. Thrilling! Action!

Whoa, hold on. Is Captain Long John Lazer, notorious outer space mouthfreak, really about to get it on with Windy Blaze? Look at those names! Think of the potential for sexy puns!

ā€œIs that John as long as I heard?ā€

ā€œMy favorite’s the Chinook, but I love all hot breezes.ā€

ā€œIs that permanent smile from disfiguring space herpes, or are you just happy to see me?ā€

Haha he slammed the door straight in her face.

It’s a hallmark of any Craig Stormon title that our heroes almost consider fucking and then completely don’t, because you write what you know. Why bring up the sexual tension at all if you’re just going to dunk it in the garbage to write a daydream about military skeletons?

This isn’t super relevant. I only included it to establish that Long John Lazer cries through the maskhole, he’s saying his own sound effects in the dialogue bubbles, and I just like the shocked skeleton.

Long John Lazer flashes back to how things got so bad, which should be easy because the first issue told us everything we need to know: Reverse evolution ray. People are becoming triceratopses because of an anti-evolution laser and the very specific ways the American education system failed Craig Stormon.

Here’s what that looks like…

I wasn’t joking, Craig Stormon forgot the entire premise of this comic book in Issue 2. It’s no longer about rad dinosaurs who used to be porn stars (there had to be a few!), now it’s just general societal collapse and nuclear fallout. But nevermind that, there are seven hundred more interesting things we need to talk about in this panel.

Why are the several real brands displayed so prominently? No way Blue Comet showed a racist duck drawing to an ad executive and locked down that Coke placement. This is legally prosecutable. There’s not even an ironic commentary here, all we establish is that Radioactive Robert Smith loves his Porsche battlewagon. Look at Cool Disney Funkmaster. What the fuck is Hipster Lurch doing in those overall pockets? There’s something beautiful about the naive earnestness of FOOD LINE, but no, forget all of that. Throw it in the fire. We have to talk about whatever this fucking thing is:

Is that supposed to be a child? Take in the context: the food lines, the gaunt mother holding him, it’s supposed to be a starving kid, right? Not a Billy Zane homunculus? It’s a bald, hydrocephalic, simultaneously buff and malnourished mini-freak with a huge hog busting out of his polka dot panties – that’s what Craig Stormon thinks children are. It’s a god damn shame that he died before we could do a documentary on his broken brain. He should have a syndrome named after him. I mean, I assume he’s dead, because this world was not built to care for such special maniacs.

You won’t believe this, but we’re already going to beat that panel in the next panel.

Society has descended into apocalyptic chaos and it looks exactly like Double Dragon fan drawings in a 1989 Nintendo Power. Just two radical gym rats fucking up a starvation line, milliseconds away from an argument about collateral dick damage. FOOD TODAY. The sign says. That’s what a stroke victim writes while trying to repair the neural pathways responsible for understanding breakfast. No equivocations this time: This is art.

Let’s check back in on Captain Long John Lazer. When we last left him he was tired from touring hallways and he did not want to fuck. Now he’s-

He’s doing it again. He’s still there. Captain Long John Lazer has entered the Blue Balls Bermuda Triangle, and he’ll never leave. Why is everyone so horny and nobody knows how to fuck? It’s like Craig Stormon is locked into geosynchronous orbit with sex. He’s always stuck right there, never farther away but never any closer. In any other story, those two panels are the surest setup for an action hero bang session. There’s a third panel where she starts to drop the nightie, hard cut out to saxophones and stock footage of the beach.

ā€œOK, guess we will not fuck I really wanted to do that goodbye again for the second time again!ā€ Windy Blaze goes home alone to workout them huge gorilla arms with a prominently branded dildo, while both Long John Lazer and Craig Stormon share the bad ending in this episode of Boner Twilight Zone.

I’m not sure what happens in the finale. But I think maybe the bad guys have captured some civilians and they’re going to kill them?

Craig’s done everything he set out to do: introduced his characters more times than a heartbroken son at a dementia ward, hid them in caves, had them tour an apartment complex, bought delicious Coca-Cola Food., they did not fuck, they never fucked, and they beat the alien reverse-evolution plot by forgetting about it. It’s time to confront the evil Vandanese emperor, who I guess is the bad guy.

Haha, you thought the setup was for some kind of feminist quip, a Return of the King ā€œI don’t need no man, girls get it doneā€ moment, but no: Windraven doesn’t have a clever retort, what she does have is an Indian mindblast that turns alien brains into tapioca.

How did she pull off this perfect strategy – which was showing up, having nothing to say, and psychic blasting an alien politician into gelatin? She, like everyone on the reservation, has a crystal ball full of ancestors! No time to delve into that because there’s something ungodly going on with her breasts. I don’t know if Craig was trying to draw a tight shirt or what, but it looks like eggs undergoing mitosis.

It looks like Batman’s pantyhose don’t fit right. If you squint real hard her tits look like a caricature of a pleasant librarian. Maybe I just figured out why none of Craig Stormon’s characters fuck. Anyway THE END.

Ahh, but the aliens ALSO have wizards who can see the future! None of this had ever been mentioned before, and it probably wouldn’t have come up again if there had been a third issue, which there wasn’t, because Craig Stormon canceled his own comic after two completely insane issues that were mostly about caves and celibacy.

But wait! There’s more! L.I.F.E. Brigade 2 ends with a bonus mini-issue teasing a new title by a different artist. This is Roller Coasters, a rollerskating superhero team whose powers, premise, and plot are never explained in all 12 pages of preview, which is mostly about how badly a roller-contortionist’s ripped amazon girlfriend wants to get on top of him but doesn’t know what the next step is. Then the very last page abruptly jams every ounce of story in at once like it’s Sunday night homework.

If you’re wondering why the art changed but the story is still manic gibberish about mostly but not quite ever fucking, it’s because Craig Stormon insisted on writing it ā€œfor consistency.ā€ That’s perhaps the craziest move of all, that he took over writing the guest artist’s comic because he was worried fans would notice inconsistencies in storytelling. An entire planet full of forgotten dino-people shrug in impotent fury, and then blink out of existence.

So this horny bench queen and her rollerskate club stumble on her boyfriend strapped into a cosmic man milking machine (the way she responds says this is not the first time), they completely buy his hasty cover story about a voyeuristic alien who wants to recruit every hot teen that wanders into his space dairy, and their response, every one of them, is ā€œfuck yeah, me too!ā€

It’s perfect. I’d buy every issue if it existed.

No title at Blue Comet made it very long. Craig Stormon got frustrated and bored after a few issues when he couldn’t figure out how to put the little people in his head outside of his basement apartment and inside of each other. But surely if L.I.F.E. Brigade, the premier title, only made it two issues, then Craig must’ve realized there was nothing to these extremely killable roller-virgins. This was their preview issue and he struggled through nothing for 11 pages only to slap a slashfic story prompt on the end. I’ll strap myself into the man-milker and flip the switch to GLORP if it got even a single issue-

This article was brought to you by our fine sponsor and Hot Dog Supreme: Alpha Scientist Javo, who has overloaded every intergalactic man-milker he’s been strapped into.

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NERDING DAY

Nerding Day: Jokes, Puns & Riddles

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Categories
NERDING DAY

Nerding Day: L.I.F.E. Brigade #1 🌭

L.I.F.E. Brigade was a 1986 comic book series by artist and writer Craig Stormon, and the flagship title of indie publisher Blue Comet Press. It was about a group of space mercenaries who gained mysterious superpowers and returned to Earth only to find it destroyed, so they waged war against the aliens who forced the entire planet into reverse evolution. You might recognize that as three too many premises, which is usually a sign you need a good editor. Unfortunately Craig Stormon was also the owner and editor of Blue Comet Press. Oh, and L.I.F.E. Brigade stands for Last Individuals Fighting Evil (on Earth) Brigade.

Another pair of eyes might have come in handy on that one, Craig.

Despite owning every step of the process, writer and artist Craig Stormon’s L.I.F.E. Brigade would be canceled after just two issues by editor and owner, Craig Stormon. Following an impassioned plea by superfan Craig Stormon, Blue Comet Press brought creator Craig Stormon’s L.I.F.E. Brigade back for a reboot. Unfortunately, it wasn’t enough to win over the publisher, Craig Stormon, who canceled the revamped series after a single issue.

I worry you hear all that and think, ā€œhe started a vanity press then quit after he found out it was hard – I’ve had friends who were ā€˜writing a novel,’ I know how this goes.ā€ No, Blue Comet Press published several titles, many of which ran longer than L.I.F.E. Brigade. It had other artists, writers, employees! I’m gonna go out on a limb here and guess none of them were paid on time. Let’s recap: L.I.F.E. Brigade was launched as the premier title of a new indie press where the creator had complete control over the company, and it was still shitcanned twice in the span of three issues.

That’s because Craig Stormon never met an idea that didn’t need six more ideas, a tangent, a manifesto, and an apology. He was a prolific builder of worlds both stupid and insane.

Let’s start with the first issue of L.I.F.E. Brigade’s letters section.

There shouldn’t be a letters section in the first issue.

There were no letters to answer yet, and the whole thing only spanned half of the inside front and rear covers, yet Craig still managed to go off topic every single paragraph. He used this small space to solicit fan art, try to hire the fan artists who did not and never would exist, tried to bribe them into existing, named and shamed a fellow comic artist who didn’t deliver on promised work, told a story about how he did such a bad job one time his employer didn’t use any of the art despite paying him for it, plugged his sign company, yelled at nobody for saying he had it too easy, laid out four different business plans and asked for fan input on them, bragged about his art style despite showing us his art style on the next page, humbly praised his own work ethic, thanked his family, his publisher (Craig Stormon), and the non-existent fans of this again first issue, talked about a cool party he went to one time, reviewed a bar band, explained the comic you were currently reading, plugged some other artists, defined what it means to be a professional (do what Craig Stormon says), ran through his resume again, and took about six ā€œanywaysā€ to reroute himself onto the topic at hand, which was Craig Stormon.

We are on page zero. We haven’t started yet. We’re on the inside cover, and already this is a one-sided conversation with a bus maniac. If you’ve ever been cornered by an oversharing public transportation lunatic and pulled the stop cord early, opting to walk four miles through a bad neighborhood rather than hear another word about 5G, this isn’t the comic for you. If you looked that bus maniac straight in the eye and said ā€œI’m having trouble visualizing this, could you draw me some pictures?ā€ I have such good news for you.

The art sucks so hard that it rules, actually. It’s not just bad, it’s bad in an iconic and interesting way. Perspective, proportion, coherency, troubling Native American space women and their prominent nipples – these are all things Craig Stormon thinks can get fucked. Especially that last one. Windraven had nipples built into her space suit so aliens could tell when she’s interested, and her secret? She’s always interested.

I love it. I’d genuinely hang this on my wall and get a little uncomfortable every time I had to explain it.

L.I.F.E. Brigade is paced exactly like a trapped subway conversation: As soon as you catch the beat of the madness and start to dance to it, Craig blows up the whole disco and walks away whistling. Here, meet the Ray Gun Kid – he shoots like he gets mad: Fast, and for no apparent reason.

Sure, of course, short-tempered ray gun scientist. Let’s hear more about that-

No, it’s time to jump to Captain Long John Lazer – which is exactly what I’d name the well-hung captain in a porno parody of L.I.F.E. Brigade – thinking about how young and fine this dude is, even though only 1/3rd of his face is visible.

We were already heading down a wild road with an insane gunfighting lab tech, then we jumped the guardrail and went offroading with Captain Long John Lazer, casual fan of space mouths. You’ll never get your feet from one panel to the next. It’s like how Kubrick designed the set of The Shining so the audience couldn’t grasp the geometry of the hotel, only here every door opens onto a bear blowjob.

I kind of get it with Ray Gun Kid though. Early in the comic he stumbles across a robot and sprints in with the exact enthusiasm of a 10 year old finding a weird moth.

It’s absolutely adorable. Laser pistol wielding super scientist, quick to anger but full of child-like earnestness? That’s the main character in a Kindle Unlimited romance with seven thousand four star reviews. I don’t know that my first thought after meeting him is ā€œI wonder where he got that mouth? Humm?ā€ But I get the appeal.

My favorite thing about Craig Stormon, aside from that he’ll cancel himself twice if he doesn’t deliver to the exacting standards of Craig Stormon, is his pacing. He illustrates every single awkward silence, even if it kills the momentum of a radical robot discovery.

It gives L.I.F.E. Brigade the vibe of new roommates taking a roadtrip together too soon in the friendship. Nobody is fully comfortable now that they don’t have a space to retreat to, and Brenda forgot to pack a bra.

It turns out the robot is actually a mechanical body separated from a brain that needs all the same medications as Craig Stormon. The Atomic Oracle uses every part of the speech bubble to introduce itself, explain that it’s invincible, that its brain is detachable, that it invented itself four different ways, and that sometimes it worries about itself. You can actually see Ray Gun Kid contemplating the stop cord here, even if it means walking home through the warehouse district at night.

Now that we’ve introduced our characters, it’s time to introduce our characters again! First up, the Ray Gun Kid. He’s… a ray-gun kid! You remember that, you met him twice already!

Furious, fair-mouthed laser boy! One time somebody said he missed and he cried! He cried! Until they took it back!

Here’s Blue Comet, or Tim Buck, no preference, but maybe Tim Buck, probably just Tim Buck, sorry!

Tim Buck is the only human shooting star with social anxiety, and I love him for that.

Windraven is a double psychic Native American, which according to 1980s comic book stereotypes means she’s triple psychic and can maybe turn into a bear if she gets mad.

And as for Captain Long John Lazer, he was just born a freak. You and Ray Gun Kid already knew that, but a different kind of freak!

Nice. Say what you will about Craig Stormon, but he knows how to introduce a ragtag crew of space mercenaries for the second time. One panel, in and out, just like Captain Long John Lazer and the mouths of his crew. No filler in this-

Oh, okay. So he was born with a laser beam eye. That’s almost an origin story. It’s the same cheat code Stan Lee used when he ran out of synonyms for radiation and invented the X-Men. Got it, time to move on-

Okay, we really get it. It’s because of the laser, not herpes, and if Tim ā€œBlue Comet No Sorry That’s Dumb Just Tim Buckā€ Buck says otherwise, it’s because he’s jealous of all the attention the new guy is getting. Long John Lazer must be captain because he owns the ship. His team is an awkward meteor, a triple psychic, and a tech genius gunfighting mouthboy, while he can… shoot a laser out of a face that’s allergic to lasers.

Oh shit, I’m leaving out The Atomic Oracle. Oracle has his own mission and concerns, and he needs the help of L.I.F.E. Brigade to-

Craig took a whole panel to draw Oracle totally dumbstruck that the group of superpowered mercenaries who just rescued him now want to hire him to rescue them. It’s like an episode of The A-Team if Hannibal, Face, BA, and Murdock rescued a plucky young woman whose family business was being destroyed by a corrupt mine-owner, then handed her a gun and told her she’s the only one who can clear their names.

That one no-dialogue panel implies about thirty seconds of offended silence, but after Oracle recovers he agrees to join the team. He’s not yet complete, so the Brigade sets out to help him find his core. If you start to feel bad for Tim ā€œI Said Blue Comet As A Jokeā€ Buck, just know that he does it to himself.

Now that Oracle is whole again, the team takes care of those space pirates who tried to bury him as treasure – I never told you about that, don’t ask, it doesn’t matter, they’re going to explode.

You know Tim ā€œJust Tim, Can We Stop Talking About The Blue Comet Thing?ā€ Buck hated himself for this. He got carried away being part of a fun group activity for the first time and made himself the center of attention, now he’s got a new shame to revisit instead of sleeping.

I didn’t cut any meaningful action, there’s no big fight with the space pirates. The first issue of L.I.F.E. Brigade spends twenty pages reintroducing each character and their favorite mouths, the whole crew hides in a cave for a while, then suddenly they remember there’s a conflict outside and explode it.

Finally we can return to Earth, which you’ll remember, but not understand, is being reverse-evolved by aliens!

Hahaha shut the fuck up, Tim. This is why everybody RSVP’d ā€˜YES!’ to your party but the servers at Outback Steakhouse sang you ā€œHappy Birthdayā€ alone again. Tim ā€œI Actually Never Even Said Blue Cometā€ Buck sees his mother has backwards evolved into a pterodactyl and thinks it’s an excuse to talk about the liberal agenda.

There’s something I assume is a spaceship dogfight, but remember Craig Stormon’s brain has five different inner monologues and they all hate each other.

Sweet nesting sound effects inside of nested bubbles. Good job, Artist Craigs #1 through 4. Bad job, Craig Wrangler #5.

Hold on, we forgot to introduce our characters for the third time.

Then it’s, holy shit, it’s time to hide in a cave again?

All we’ve done is say hello and wait in a cave, multiple times! Craig Stormon’s whole life is caves and greetings, they’re the only experiences he has to share! This is a story by a little boy who’s only ever called for help from a sewer. But wait, there’s more! There’s a mini bonus-story at the end about a problematic duck I won’t post here because it’s racist in a way I don’t have words for!

But wait! There’s even more! There are many pages of pin-up art I won’t post here because it’s starting to feel like booing at the Special Olympics!

Find out what’s going to happen next time in L.I.F.E. Brigade Issue #2! Will our heroes continue hiding in a cave? Yes! Will they briefly consider fucking and then never mention it again? Yes! What about the awkward silences? Yes! Or will this be the end, will the entire comic be abruptly canceled?

Yes, you knew that part! It’s the Craig Stormon Rule of Threes: anything worth saying is worth saying three more times. But will L.I.F.E. Brigade get canceled next issue?!


This article is thanks to a hot Hot Dog Tip from Mo, who basically works here.