Categories
NERDING DAY

Nerding Day: L.I.F.E. Brigade 2 🌭

In L.I.F.E. Brigade, Issue 1, we met a cast of fascinating characters four times and then watched them hide in caves twice. Writer, maniac, artist, editor, maniac, publisher and maniac Craig Stormon started the indie comic company Blue Comet Press and was the sole driving force behind most of its comics. Being in total control of all of them didn’t stop him from canceling all of them. Most after the first installment, some before it! Several Craig Stormon titles debuted at #0 and were canceled before their first issue. But L.I.F.E. Brigade was Blue Comet’s premier series, meaning it didn’t get canceled… it got canceled twice. Twice the cancellations of every other Craig Stormon title!

It just wouldn’t be a Stormon production without an unhinged editorial section. In the first issue he reviewed a cool party, guilt tripped a fellow artist, and bragged about getting shitcanned. I’m cutting twenty other crazy things for the sake of brevity, a sin Craig Stormon would physically attack me for. In this editorial he’ll talk up his revolutionary art, invent the dumbest word you’ve ever heard, apologize for his terrible art, introduce a hot new artist, get carried away on a lie escalator, and then start a war with Marvel using prosecutable libel.

We’re on page nothing! This is the inside cover, where there would usually be an in-your-face ad for RoboTrucks: The Lost Forever, a Taiwanese shovelware game that’s just a reskinned Puzzle Bobble. But Blue Comet comics have no ads! It’s a moral stance, like 1900HOTDOG, and not because we’re both too fucking crazy for RFPs.

Don’t worry if you forgot the rich story of the first L.I.F.E. Brigade. If there’s one thing Craig Stormon’s great at, it’s recapping what just happened even if that means recapping it while it’s happening. Like the caverns? Remember the caverns? You’ll remember the caverns.

*Remember the caverns!

I’m glad we reminded people about the caves twice in the first panel. There’s no need to rehash why the entire planet is reverse evolving into obliteration, because it’s not anymore. I don’t mean that problem has been fixed, I mean Craig forgot the plot between issues and now the Earth was ravaged by nuclear war.

Think of this as freestyle comic booking, Craig Stormon remembers the important things: The characters. In the first issue we learned that Ray Gun Kid is furious and quick to laser, but we never saw it.

Maybe you were expecting some violent showdown with an alien army, but that’s not the reality of laser ownership: 70% of ray gun fatalities happen in the home, and are telepathic space robots.

You’ve all innately absorbed storytelling rules, like that every scene serves a purpose. Is this setting up a later plot point involving Ray Gun Kid and a tragically ray gunned kid? What was Oracle doing in that cave? He changed the subject awfully fast, didn’t he? Maybe we’re supposed to be suspicious of Oracle now. This isn’t nothing, it can’t be.

You know how they say you should never jump in the water to save a drowning person, because they’ll blindly claw at you until you both drown? That’s what’s happening to your brain right now. The story is drowning and everything you know is saying you have to save it with meaning, but it will only kill you if you try. None of this is ever mentioned again, and the scene ends with radioactive mutants.

I mean the next panel is screaming radioactive mutants.

There, your brain was trying to predict that. That’s what would have happened if you jumped in the story pool to save Craig Stormon.

I maintain that Craig’s drawings are so terrible they loop back around to actual art. Or at least they can fake it. Flash back to college, that showing you went to because you were trying to nail one of the artists. Mentally hang this panel in the gallery – you’d spout some bullshit about subverting 1950s American iconography to impress them, right? Make the right sexy Lichtenstein pun and it would work, too.

Craig discovered a new tool this issue: Editorial notes. Like all new things he discovers, these will be used as confidently as they are incorrectly.

You have to be careful with Blue Comet comics. You can’t just laugh at something and move on. Sure, you caught the first three hilarious things about these panels:

-Craig felt the need to explain radioactive mutants twice like it’s a highbrow concept that might fly over our heads. In his wood-paneled study and smoking jacket, sipping a brandy, tamping his pipe like “the cannibals, you see, are from the radiation.”

-The phrase “turned to cannibalism with blood-lust, and total insanity!” like the mutants made a careful choice to embrace insane cannibal blood-lust as one might turn to Christ.

-He cuts in with an editorial note to make sure that when he said “death on their minds,” you didn’t forget the last sentence when he told you they were insane blood-lusting cannibals.

You caught all of those, you chuckled sensibly, you moved on to read this paragraph. The obvious escaped you. Craig Stormon is the editor leaving that note, and he’s also the writer. An editorial note is there to clarify something the writer may not have made clear, but without altering their words. They were Craig’s words in the first place! If it occurred to him as an editor that “they have death on their minds” might be confusing phrasing, he as the writer could have just fixed it.

The rambling, the repetition, the typos, the editorial notes to himself – I have this figured out. Craig Stormon doesn’t know about drafts. He legitimately never heard of the concept of a draft and is totally unaware of revision. He believes that once you art, it’s done, and all you can do is watch helplessly as the world tears it apart. That’s the only reason he’d swap plotlines between issues and keep canceling his own comics. He’s frustrated that his art isn’t turning out right, but thinks he’s powerless to do anything about it.

You and Craig might be panicking right now, wondering how our heroes are going to get out of this mess he wrote them into-

They probably don’t appreciate being called “normal people” and “ordinary folks” so hard by a visiting space troupe of psychic exploding lunatics. I come from a small central Oregon cattle town, and then I spent 20 years in Portland with satan-worshipping strippers and amateur cyborgs. If I went back home and started calling everybody “ordinary” you can bet I’d wake up inside a cow. That’s what we did to city slickers in my town, we put them inside cows. Don’t mock our ordinary ways.

You probably get it. These people are normies. Not Chads or Stacys, just Michaels and Rebeccas. The 49%. Cable watchers, landline owners, the turkey sandwich of humanity. Craig worries you don’t get it. They’re real simple folk. These are blue collar irradiated cannibal destroyers. What’s the best way to show that?

It’s so hard to explain all the ways this panel is funny. It’s not just the juxtaposition of a mundane brand on the tailgate of a mutant slaying battlewagon. I mean, it is that. But it’s so much more! You have to know all about Craig’s misfiring brain and his childlike understanding of the world. How he must define normalcy, having only guessed at normalcy’s shape by observing its gravity fluctuations from his mental observatory six billion miles away.

Anyway, let’s meet those normies. Those post apocalyptic accountants. Just shades of living beige, these simple honest hillfolk-

This huge-jawed hunk in a spandex bodysuit and AR goggles with his carefully vague “pal” – an enormous Indian who dresses like a bondage cowboy and calls himself Two-Ton – blasts through a cannibal horde with an armored F-1050 before introducing himself as the Zone Ranger, and Craig Stormon’s best descriptor for him is “normal, ordinary folk.” At the risk of sounding like an oblivious mother welcoming her daughter’s roommate for the 19th consecutive Christmas, I think something else is going on here.

These honest churchgoing workaday Joes take L.I.F.E. Brigade back to their post-apocalyptic party compound, surely smelling of silicone and 100% of the world’s cocaine, where every member of this super tough space mercenary team has a total mental breakdown.

Hold on, this is supposed to be hundreds of years from now – in the first issue we saw Rochel Windraven with her tribe of techno-shamans all practicing psychic meditation. You’re telling me it’s so far in the future Indians have evolved ESP and the American government still keeps them on reservations?

That… oh, that one actually tracks. Sorry.

Let’s get the base tour from The Zone Ranger, who’s wearing 1/3rd of a shirt and not the 1/3rd you’d expect.

He gives a tour like a 5 year old showing off a tree house. Look how many movies we have, and if we clean up we can watch any one we want as long as it’s over before 9 o’clock. Let’s check out the rec room and the fort Two-Ton set up in the closet – it’s got string lights! – before our heroes are shown to their bedrooms. Thrilling! Action!

Whoa, hold on. Is Captain Long John Lazer, notorious outer space mouthfreak, really about to get it on with Windy Blaze? Look at those names! Think of the potential for sexy puns!

“Is that John as long as I heard?”

“My favorite’s the Chinook, but I love all hot breezes.”

“Is that permanent smile from disfiguring space herpes, or are you just happy to see me?”

Haha he slammed the door straight in her face.

It’s a hallmark of any Craig Stormon title that our heroes almost consider fucking and then completely don’t, because you write what you know. Why bring up the sexual tension at all if you’re just going to dunk it in the garbage to write a daydream about military skeletons?

This isn’t super relevant. I only included it to establish that Long John Lazer cries through the maskhole, he’s saying his own sound effects in the dialogue bubbles, and I just like the shocked skeleton.

Long John Lazer flashes back to how things got so bad, which should be easy because the first issue told us everything we need to know: Reverse evolution ray. People are becoming triceratopses because of an anti-evolution laser and the very specific ways the American education system failed Craig Stormon.

Here’s what that looks like…

I wasn’t joking, Craig Stormon forgot the entire premise of this comic book in Issue 2. It’s no longer about rad dinosaurs who used to be porn stars (there had to be a few!), now it’s just general societal collapse and nuclear fallout. But nevermind that, there are seven hundred more interesting things we need to talk about in this panel.

Why are the several real brands displayed so prominently? No way Blue Comet showed a racist duck drawing to an ad executive and locked down that Coke placement. This is legally prosecutable. There’s not even an ironic commentary here, all we establish is that Radioactive Robert Smith loves his Porsche battlewagon. Look at Cool Disney Funkmaster. What the fuck is Hipster Lurch doing in those overall pockets? There’s something beautiful about the naive earnestness of FOOD LINE, but no, forget all of that. Throw it in the fire. We have to talk about whatever this fucking thing is:

Is that supposed to be a child? Take in the context: the food lines, the gaunt mother holding him, it’s supposed to be a starving kid, right? Not a Billy Zane homunculus? It’s a bald, hydrocephalic, simultaneously buff and malnourished mini-freak with a huge hog busting out of his polka dot panties – that’s what Craig Stormon thinks children are. It’s a god damn shame that he died before we could do a documentary on his broken brain. He should have a syndrome named after him. I mean, I assume he’s dead, because this world was not built to care for such special maniacs.

You won’t believe this, but we’re already going to beat that panel in the next panel.

Society has descended into apocalyptic chaos and it looks exactly like Double Dragon fan drawings in a 1989 Nintendo Power. Just two radical gym rats fucking up a starvation line, milliseconds away from an argument about collateral dick damage. FOOD TODAY. The sign says. That’s what a stroke victim writes while trying to repair the neural pathways responsible for understanding breakfast. No equivocations this time: This is art.

Let’s check back in on Captain Long John Lazer. When we last left him he was tired from touring hallways and he did not want to fuck. Now he’s-

He’s doing it again. He’s still there. Captain Long John Lazer has entered the Blue Balls Bermuda Triangle, and he’ll never leave. Why is everyone so horny and nobody knows how to fuck? It’s like Craig Stormon is locked into geosynchronous orbit with sex. He’s always stuck right there, never farther away but never any closer. In any other story, those two panels are the surest setup for an action hero bang session. There’s a third panel where she starts to drop the nightie, hard cut out to saxophones and stock footage of the beach.

“OK, guess we will not fuck I really wanted to do that goodbye again for the second time again!” Windy Blaze goes home alone to workout them huge gorilla arms with a prominently branded dildo, while both Long John Lazer and Craig Stormon share the bad ending in this episode of Boner Twilight Zone.

I’m not sure what happens in the finale. But I think maybe the bad guys have captured some civilians and they’re going to kill them?

Craig’s done everything he set out to do: introduced his characters more times than a heartbroken son at a dementia ward, hid them in caves, had them tour an apartment complex, bought delicious Coca-Cola Food., they did not fuck, they never fucked, and they beat the alien reverse-evolution plot by forgetting about it. It’s time to confront the evil Vandanese emperor, who I guess is the bad guy.

Haha, you thought the setup was for some kind of feminist quip, a Return of the King “I don’t need no man, girls get it done” moment, but no: Windraven doesn’t have a clever retort, what she does have is an Indian mindblast that turns alien brains into tapioca.

How did she pull off this perfect strategy – which was showing up, having nothing to say, and psychic blasting an alien politician into gelatin? She, like everyone on the reservation, has a crystal ball full of ancestors! No time to delve into that because there’s something ungodly going on with her breasts. I don’t know if Craig was trying to draw a tight shirt or what, but it looks like eggs undergoing mitosis.

It looks like Batman’s pantyhose don’t fit right. If you squint real hard her tits look like a caricature of a pleasant librarian. Maybe I just figured out why none of Craig Stormon’s characters fuck. Anyway THE END.

Ahh, but the aliens ALSO have wizards who can see the future! None of this had ever been mentioned before, and it probably wouldn’t have come up again if there had been a third issue, which there wasn’t, because Craig Stormon canceled his own comic after two completely insane issues that were mostly about caves and celibacy.

But wait! There’s more! L.I.F.E. Brigade 2 ends with a bonus mini-issue teasing a new title by a different artist. This is Roller Coasters, a rollerskating superhero team whose powers, premise, and plot are never explained in all 12 pages of preview, which is mostly about how badly a roller-contortionist’s ripped amazon girlfriend wants to get on top of him but doesn’t know what the next step is. Then the very last page abruptly jams every ounce of story in at once like it’s Sunday night homework.

If you’re wondering why the art changed but the story is still manic gibberish about mostly but not quite ever fucking, it’s because Craig Stormon insisted on writing it “for consistency.” That’s perhaps the craziest move of all, that he took over writing the guest artist’s comic because he was worried fans would notice inconsistencies in storytelling. An entire planet full of forgotten dino-people shrug in impotent fury, and then blink out of existence.

So this horny bench queen and her rollerskate club stumble on her boyfriend strapped into a cosmic man milking machine (the way she responds says this is not the first time), they completely buy his hasty cover story about a voyeuristic alien who wants to recruit every hot teen that wanders into his space dairy, and their response, every one of them, is “fuck yeah, me too!”

It’s perfect. I’d buy every issue if it existed.

No title at Blue Comet made it very long. Craig Stormon got frustrated and bored after a few issues when he couldn’t figure out how to put the little people in his head outside of his basement apartment and inside of each other. But surely if L.I.F.E. Brigade, the premier title, only made it two issues, then Craig must’ve realized there was nothing to these extremely killable roller-virgins. This was their preview issue and he struggled through nothing for 11 pages only to slap a slashfic story prompt on the end. I’ll strap myself into the man-milker and flip the switch to GLORP if it got even a single issue-

This article was brought to you by our fine sponsor and Hot Dog Supreme: Alpha Scientist Javo, who has overloaded every intergalactic man-milker he’s been strapped into.

Categories
NERDING DAY

Nerding Day: Jokes, Puns & Riddles

To view this content, you must be a member of 1900HOTDOG's Patreon
Already a qualifying Patreon member? Refresh to access this content.
Categories
NERDING DAY

Nerding Day: L.I.F.E. Brigade #1 🌭

L.I.F.E. Brigade was a 1986 comic book series by artist and writer Craig Stormon, and the flagship title of indie publisher Blue Comet Press. It was about a group of space mercenaries who gained mysterious superpowers and returned to Earth only to find it destroyed, so they waged war against the aliens who forced the entire planet into reverse evolution. You might recognize that as three too many premises, which is usually a sign you need a good editor. Unfortunately Craig Stormon was also the owner and editor of Blue Comet Press. Oh, and L.I.F.E. Brigade stands for Last Individuals Fighting Evil (on Earth) Brigade.

Another pair of eyes might have come in handy on that one, Craig.

Despite owning every step of the process, writer and artist Craig Stormon’s L.I.F.E. Brigade would be canceled after just two issues by editor and owner, Craig Stormon. Following an impassioned plea by superfan Craig Stormon, Blue Comet Press brought creator Craig Stormon’s L.I.F.E. Brigade back for a reboot. Unfortunately, it wasn’t enough to win over the publisher, Craig Stormon, who canceled the revamped series after a single issue.

I worry you hear all that and think, “he started a vanity press then quit after he found out it was hard – I’ve had friends who were ‘writing a novel,’ I know how this goes.” No, Blue Comet Press published several titles, many of which ran longer than L.I.F.E. Brigade. It had other artists, writers, employees! I’m gonna go out on a limb here and guess none of them were paid on time. Let’s recap: L.I.F.E. Brigade was launched as the premier title of a new indie press where the creator had complete control over the company, and it was still shitcanned twice in the span of three issues.

That’s because Craig Stormon never met an idea that didn’t need six more ideas, a tangent, a manifesto, and an apology. He was a prolific builder of worlds both stupid and insane.

Let’s start with the first issue of L.I.F.E. Brigade’s letters section.

There shouldn’t be a letters section in the first issue.

There were no letters to answer yet, and the whole thing only spanned half of the inside front and rear covers, yet Craig still managed to go off topic every single paragraph. He used this small space to solicit fan art, try to hire the fan artists who did not and never would exist, tried to bribe them into existing, named and shamed a fellow comic artist who didn’t deliver on promised work, told a story about how he did such a bad job one time his employer didn’t use any of the art despite paying him for it, plugged his sign company, yelled at nobody for saying he had it too easy, laid out four different business plans and asked for fan input on them, bragged about his art style despite showing us his art style on the next page, humbly praised his own work ethic, thanked his family, his publisher (Craig Stormon), and the non-existent fans of this again first issue, talked about a cool party he went to one time, reviewed a bar band, explained the comic you were currently reading, plugged some other artists, defined what it means to be a professional (do what Craig Stormon says), ran through his resume again, and took about six “anyways” to reroute himself onto the topic at hand, which was Craig Stormon.

We are on page zero. We haven’t started yet. We’re on the inside cover, and already this is a one-sided conversation with a bus maniac. If you’ve ever been cornered by an oversharing public transportation lunatic and pulled the stop cord early, opting to walk four miles through a bad neighborhood rather than hear another word about 5G, this isn’t the comic for you. If you looked that bus maniac straight in the eye and said “I’m having trouble visualizing this, could you draw me some pictures?” I have such good news for you.

The art sucks so hard that it rules, actually. It’s not just bad, it’s bad in an iconic and interesting way. Perspective, proportion, coherency, troubling Native American space women and their prominent nipples – these are all things Craig Stormon thinks can get fucked. Especially that last one. Windraven had nipples built into her space suit so aliens could tell when she’s interested, and her secret? She’s always interested.

I love it. I’d genuinely hang this on my wall and get a little uncomfortable every time I had to explain it.

L.I.F.E. Brigade is paced exactly like a trapped subway conversation: As soon as you catch the beat of the madness and start to dance to it, Craig blows up the whole disco and walks away whistling. Here, meet the Ray Gun Kid – he shoots like he gets mad: Fast, and for no apparent reason.

Sure, of course, short-tempered ray gun scientist. Let’s hear more about that-

No, it’s time to jump to Captain Long John Lazer – which is exactly what I’d name the well-hung captain in a porno parody of L.I.F.E. Brigade – thinking about how young and fine this dude is, even though only 1/3rd of his face is visible.

We were already heading down a wild road with an insane gunfighting lab tech, then we jumped the guardrail and went offroading with Captain Long John Lazer, casual fan of space mouths. You’ll never get your feet from one panel to the next. It’s like how Kubrick designed the set of The Shining so the audience couldn’t grasp the geometry of the hotel, only here every door opens onto a bear blowjob.

I kind of get it with Ray Gun Kid though. Early in the comic he stumbles across a robot and sprints in with the exact enthusiasm of a 10 year old finding a weird moth.

It’s absolutely adorable. Laser pistol wielding super scientist, quick to anger but full of child-like earnestness? That’s the main character in a Kindle Unlimited romance with seven thousand four star reviews. I don’t know that my first thought after meeting him is “I wonder where he got that mouth? Humm?” But I get the appeal.

My favorite thing about Craig Stormon, aside from that he’ll cancel himself twice if he doesn’t deliver to the exacting standards of Craig Stormon, is his pacing. He illustrates every single awkward silence, even if it kills the momentum of a radical robot discovery.

It gives L.I.F.E. Brigade the vibe of new roommates taking a roadtrip together too soon in the friendship. Nobody is fully comfortable now that they don’t have a space to retreat to, and Brenda forgot to pack a bra.

It turns out the robot is actually a mechanical body separated from a brain that needs all the same medications as Craig Stormon. The Atomic Oracle uses every part of the speech bubble to introduce itself, explain that it’s invincible, that its brain is detachable, that it invented itself four different ways, and that sometimes it worries about itself. You can actually see Ray Gun Kid contemplating the stop cord here, even if it means walking home through the warehouse district at night.

Now that we’ve introduced our characters, it’s time to introduce our characters again! First up, the Ray Gun Kid. He’s… a ray-gun kid! You remember that, you met him twice already!

Furious, fair-mouthed laser boy! One time somebody said he missed and he cried! He cried! Until they took it back!

Here’s Blue Comet, or Tim Buck, no preference, but maybe Tim Buck, probably just Tim Buck, sorry!

Tim Buck is the only human shooting star with social anxiety, and I love him for that.

Windraven is a double psychic Native American, which according to 1980s comic book stereotypes means she’s triple psychic and can maybe turn into a bear if she gets mad.

And as for Captain Long John Lazer, he was just born a freak. You and Ray Gun Kid already knew that, but a different kind of freak!

Nice. Say what you will about Craig Stormon, but he knows how to introduce a ragtag crew of space mercenaries for the second time. One panel, in and out, just like Captain Long John Lazer and the mouths of his crew. No filler in this-

Oh, okay. So he was born with a laser beam eye. That’s almost an origin story. It’s the same cheat code Stan Lee used when he ran out of synonyms for radiation and invented the X-Men. Got it, time to move on-

Okay, we really get it. It’s because of the laser, not herpes, and if Tim “Blue Comet No Sorry That’s Dumb Just Tim Buck” Buck says otherwise, it’s because he’s jealous of all the attention the new guy is getting. Long John Lazer must be captain because he owns the ship. His team is an awkward meteor, a triple psychic, and a tech genius gunfighting mouthboy, while he can… shoot a laser out of a face that’s allergic to lasers.

Oh shit, I’m leaving out The Atomic Oracle. Oracle has his own mission and concerns, and he needs the help of L.I.F.E. Brigade to-

Craig took a whole panel to draw Oracle totally dumbstruck that the group of superpowered mercenaries who just rescued him now want to hire him to rescue them. It’s like an episode of The A-Team if Hannibal, Face, BA, and Murdock rescued a plucky young woman whose family business was being destroyed by a corrupt mine-owner, then handed her a gun and told her she’s the only one who can clear their names.

That one no-dialogue panel implies about thirty seconds of offended silence, but after Oracle recovers he agrees to join the team. He’s not yet complete, so the Brigade sets out to help him find his core. If you start to feel bad for Tim “I Said Blue Comet As A Joke” Buck, just know that he does it to himself.

Now that Oracle is whole again, the team takes care of those space pirates who tried to bury him as treasure – I never told you about that, don’t ask, it doesn’t matter, they’re going to explode.

You know Tim “Just Tim, Can We Stop Talking About The Blue Comet Thing?” Buck hated himself for this. He got carried away being part of a fun group activity for the first time and made himself the center of attention, now he’s got a new shame to revisit instead of sleeping.

I didn’t cut any meaningful action, there’s no big fight with the space pirates. The first issue of L.I.F.E. Brigade spends twenty pages reintroducing each character and their favorite mouths, the whole crew hides in a cave for a while, then suddenly they remember there’s a conflict outside and explode it.

Finally we can return to Earth, which you’ll remember, but not understand, is being reverse-evolved by aliens!

Hahaha shut the fuck up, Tim. This is why everybody RSVP’d ‘YES!’ to your party but the servers at Outback Steakhouse sang you “Happy Birthday” alone again. Tim “I Actually Never Even Said Blue Comet” Buck sees his mother has backwards evolved into a pterodactyl and thinks it’s an excuse to talk about the liberal agenda.

There’s something I assume is a spaceship dogfight, but remember Craig Stormon’s brain has five different inner monologues and they all hate each other.

Sweet nesting sound effects inside of nested bubbles. Good job, Artist Craigs #1 through 4. Bad job, Craig Wrangler #5.

Hold on, we forgot to introduce our characters for the third time.

Then it’s, holy shit, it’s time to hide in a cave again?

All we’ve done is say hello and wait in a cave, multiple times! Craig Stormon’s whole life is caves and greetings, they’re the only experiences he has to share! This is a story by a little boy who’s only ever called for help from a sewer. But wait, there’s more! There’s a mini bonus-story at the end about a problematic duck I won’t post here because it’s racist in a way I don’t have words for!

But wait! There’s even more! There are many pages of pin-up art I won’t post here because it’s starting to feel like booing at the Special Olympics!

Find out what’s going to happen next time in L.I.F.E. Brigade Issue #2! Will our heroes continue hiding in a cave? Yes! Will they briefly consider fucking and then never mention it again? Yes! What about the awkward silences? Yes! Or will this be the end, will the entire comic be abruptly canceled?

Yes, you knew that part! It’s the Craig Stormon Rule of Threes: anything worth saying is worth saying three more times. But will L.I.F.E. Brigade get canceled next issue?!


This article is thanks to a hot Hot Dog Tip from Mo, who basically works here.

Categories
NERDING DAY

Nerding Day: The Incredible Hulk Hostess Snack Ads 🌭

Sometime during my career of making jokes about weird things I accidentally became the planet’s preeminent Hostess snack ad expert. It wasn’t hard. I mean, collecting and cataloging them took several years and thousands of dollars, but they aren’t complicated. A superhero would run into a problem they’d normally solve with violence, and instead throw a cupcake at it. They were stupid and insane, but sort of took place in a universe with rules. Except when it came to the Incredible Hulk. Despite appearing in a dozen Hostess ads, Hulk never figured out what the hell was going on or what he was supposed to be doing. Today, on this Nerding Day, we’re going to go through all 12 of them in chronological order in an attempt to prove my academic thesis:

Hulk’s first try at selling snacks took place in November, 1975 during a disaster called THE INCREDIBLE HULK™ AND THE TWINS OF EVIL!

Hulk is getting bashed in the face by Abomination and Wendigo while he complains about the unfairness of having to fight two bad guys. Hulk’s strength comes from rage, not from pouting about the rules of a forest monster fist fight, so he loses. He loses so badly he’s not even mad about it, because that would have made him strong enough to win. The other monsters leave whiny Hulk for dead.

Two unsupervised children find Hulk’s body and nurse him back to health with pie, a thing he is learning about for the first time. One thing you’ll notice about Hulk in any media is his dumbness is never consistent. One minute he’s debating the merits of honorable punch duels, the next he’s like “WHY IS FOOD.” Speaking of food, Hulk’s not supposed to eat the snacks. Marvel and DC had an editorial mandate with Hostess about the superheroes never eating the products themselves. This was probably so the characters could also sell diet shakes or whatever, but Hulk never got the message. He would eat the pies all the time. It’s kind of like how directors tell Zach Braff not to mention butt stuff and every commercial is like, “I’m Zach Braff, and these four fingers have been in three buttholes. Deep and moist, I explore for Goodyear Tires.”

Hulk, a creature who speaks English, tells the boys he is happy and thankful and they respond by saying, “There’s no way to know, but I think in its own way, the monster is thanking us!” That’s because these are darkly unnatural. Speaking of, do you know how you become a Wendigo? You eat the flesh of man! Even by the child safety standards of 1975, these tender, meat-filled children should not be out here alone! And this comic ends with Hulk heading off to a suicide mission against Wendigo, his last act being to clearcut a highway leading right back to his delicious friends. This is not how you sell pie. This is how you sell vacation packages to Wendigos.

In July of 1976, they gave Hulk a chance to sell cup cakes in THE INCREDIBLE HULK® AND “FRIENDS!” It starts fast with Hulk already on The Toad World and he’s been captured and put in a cave. And I know what you’re thinking, but Toad World caves are immune to headbutt. Hulk can’t Hulk his way out of this jam.

A native toad rebel frees him, offering him a Hostess cup cake. But this is Hulk. “What is this?” he asks about the common food he’s eaten many times and sells professionally. It’s got to be a disappointing response for a freedom fighter who went to so much trouble finding the Earth creature one of its home planet’s caked cups here on Toad World. Only to hear “BAH! BEAUTIFUL WOMAN, HULK NOT GIVE SHIT ABOUT STAR MUFFIN.” This would have had the same effect if it was a fermented Blorb egg or a loose gloveful of toad snot. Hulk doesn’t care.

Wow, it worked! After one cup cake and a hole, Hulk agrees to take Friendly Unnamed Toadman’s side in a planetary war! That’s where the ad leaves us, but only a lunatic would think this is the end of the story. They’ve put Hulk in some unknown sector of the galaxy about to jump into a coup screaming “HULK HERE FOR HELP CAKE MAN, WHICH YOU HIS ENEMIES!? HIM HAVE METAL HAT, BLUE SHAPE, NO OTHER FEATURES!”

I don’t know how the great toad uprising went, but a few months later, in September of 1976, Hulk would be back on Earth to market Twinkies in THE INCREDIBLE HULK® VS. “THE GREEN FROG”.

The Mad Magician is destroying the city as a gigantic frog! This isn’t one of Hulk’s many enemies. He was invented specifically for this, and you already know all that has ever been written about The Mad Magician. What he is, though, is the perfect unstoppable threat to throw a Twinkie at and save the day. This is Hulk’s chance to show everyone he’s capable of being a snack spokesman!

No, Hulk just splams him in the neck and we watch The Mad Magician unfrog and die. It was the very first, most direct thing the dumbest superhero thought of, and it worked. It’s not much of a story, but it’s so spectacularly not a Twinkie ad that one of the children watching him choke his last breath has to go, “Oh, right! The point of all this! Y-you saved ‘Twinkies,’ Hulk!” This isn’t advertising. This is, at best, a vigilante killing near a product.

In February of 1977, Hulk tried again in THE INCREDIBLE HULK® AND THE GREEN THUMB.

Hulk wakes up the same way he always wakes up– confused, in a strange place, and with a supervillain. This time it’s Cousin Betsy, The Plant Lady, who wants him to come live among her vegetables. And to Hulk’s credit, he replies, “Fucking what!? No.”

Then Hulk grabs the nearest artichoke man and shakes him until treasure comes out. Oh, right, this was supposed to be an advertisement for treats. Some time earlier the artichoke man hid some stolen pie in his head? Okay, great job, Hulk. But it’s not quite anything. It’s more like a commercial where someone says, “The darkness calls with the voice of ten thousand horses. Turn the page with anal, anal me… Zach Braff for Goodyear Tires.”

Despite not getting the hang of this at all, Hulk tries selling pies again in May of 1977. Here’s THE INCREDIBLE HULK® IN FORGET-ME-NET:

“Absent Minded Mac” has built a “forget-me-net.” The author knew these names were so strong they didn’t need to bother with an explanation, and they were right. Mac watches a campus full of students shrug and he shouts, “This is my most evil device… I think?” So the author is having fun. Maybe too much fun, because Mac’s other weapon is salad tongs:

The author makes a good point here– a forget-me-net only makes Hulk more Hulk. They make another good point as well– mental illness is no match for Hulk. This is legitimately a batshit idea to attack Hulk with salad spoons. What’s his plan? To delicately grab one of the green tank-man’s 14 rippling abs? Let’s reveal the very next panel to see if that works out:

In a vanishing point between moments, Hulk has already torn apart Mac’s net and made him into a spring roll. “SQUIIIISH!” say his ribs and organs. So the day is saved. Mac created a dumbness net and accidentally used it on the one superhero who likes that. This story has everything. Comedy, mystery, and an ironic fate for the villain. You know what it doesn’t have? Fucking snacks.

Oh, right. Pie, everyone! Let’s remap the neurons in our brain, starting with pi– wait, what did that guy say?

In October, 1977, Hulk tried selling Twinkies again with THE INCREDIBLE HULK® IN UP A TREE!

Hulk wakes up in a tree getting rocks thrown at him by cavemen or unfinished mutates or something. “THIS AM SO TYPICAL HULK,” says Hulk.

These beings are such a non-threat to Hulk it doesn’t even occur to him to defend himself. He has to talk himself into a reason to smash the poor creatures and he lands on, I quote, “HULK’S FEELINGS HURT.” It’s a tragic look inside a tortured soul, and oh shit. You know what it’s not? A Twinkies ad.

In what I think might be his way of trying to change what he had done, Hulk goes back up into the tree and starts dropping snacks. “HULK NOT KILL YOU, NUDE MEN. LOOK, HULK WAS IN TREE THROWING TWINKIES WHOLE TIME. THEY BUY IT, HULK NOT BELIEVE THAT WORKED?”

In May of 1978, Hulk turned the Hulk up to maximum for THE HULK® IN “LEAVE ME ALONE”.

Hulk wakes up in a public park and immediately starts throwing trees and boulders at the nearest noise. Women and children. That is a 3000 pound rock he is throwing. After that hits the playground, the world’s foremost puzzle owner won’t be able to reassemble the remains into something 47 grieving parents can bury.

“Please don’t kill us for having a picnic,” say the innocents to Hulk. This is no way to reason with Hulk, because he says:

“WHAT IS FUCKING ANYTHING,” demands Hulk. This is Hulk’s seventh Hostess ad and he actually says the words, “WHAT IS HOSTESS FRUIT PIES?

In a way, Hulk is learning. If you look at the structure, THE HULK® IN “LEAVE ME ALONE” is a perfect Hostess fruit pie ad. A terrible threat emerges and the heroes stop it with delicious pie. The only thing Hulk got wrong is that he’s not supposed to be that terrible threat. It’s also possible everyone in this universe is fucking with him because that guy is holding a cherry pie and telling Hulk, “This one’s apple.” Or maybe these ads are being told from Hulk’s perspective and he isn’t remembering any details correctly because they’re the last flutters of brain activity from a man dying of intense radiation poisoning.

These are things to keep in mind as we read THE INCREDIBLE HULK® CHANGES HIS MIND! from March, 1979.

Hulk loves smashing trees and finding unattended children, but this is the first time he has ever done both with one punch.

The little boy who fell from the tree explains the basic concept of friendship to Hulk, riding him and tossing cup cakes to the only people stupid enough to still be in the park during a Hulk rampage. “We appreciate the moist cake,” the men tell the mysterious shadows. “Whatever threw us food has the voice of a boy and the explosions of a Hulk!” the men agree.

“WOW, HULK UNDERSTAND FRIENDS NOW,” says Hulk, being very wrong. “HULK PROBABLY COMPLETELY DIFFERENT HULK TOMORROW, THOUGH,” says Hulk, finally getting it. Oh, and here’s something fun you can try at home. Pick up a 7-year-old with one hand and absent-mindedly karate chop a tree into shrapnel with the other. Congratulations, that boy is dead in ways we have no names for. People won’t even know what you’ve done. They’ll ask why you’re transporting stew in a pair of children’s jeans.

Let’s try again. October, 1979: THE INCREDIBLE HULK® AND THE ULTIMATE WEAPON!

Two scientists in an unfuckable haircut contest have unleashed some kind of super tank! Now, Hulk, focus. This is a Hostess fruit pie ad. You’re going to want to tempt the pilot out of the ultimate weapon with the luscious, juicy tas–

God damn it, Hulk.

Sure, fuck it. Everyone have an unrelated pie.

In June of 1980, veteran spokesperson, Hulk, became one of the rare superheroes to star in ten Hostess advertisements. Let’s see how Hulk does in THE INCREDIBLE HULK® IN “HULK GETS EVEN!”

Someone drives straight through Hulk, loudly explaining how they’re having such a good day that murdering a guy, even an ugly one, isn’t going to put him in a bad mood. Now, Hulk, listen. I know you’re confused, but this is the part of the ad where you throw a Twinkie to the bad guy an–

You know what? Close enough!

Hulk was starting to get the hang of this! Until August of 1980, when he returned for THE INCREDIBLE HULK® VS. THE ROLLER DISCO DEVILS!

This is precisely the kind of situation that calls for a fruit pie. A group of noisy roller skaters calls for snack diplomacy, not violen–

Oh my god, Hulk, no. Hulk, what have you done!?

There’s no way those men are alive, and it is the worst kind of dead. And they were crushed into a mass roulade grave with no idea what was happening. They were having the time of their lives, skating to their favorite song, everyone thinking they’re tough… then they were made liquid by a sudden crushing darkness. “ALL DEAD, HULK NOW EAT PIE,” says Hulk. And yes, murdering six men for rudeness is bad, but again– eating the pies is the one thing Hulk wasn’t supposed to do.

“GIVE HULK ERASER. SEE, NOW HULK NOT EAT PIE. IT THAT SIMPLE, PUNY REALITY.”

By now it’s clear Hulk can’t do this. He killed a goddamn roller skating club and ate a pie, and they had to cut one of those things out. This is like filming a commercial where Zach Braff holds a cat underwater and says, “I’m butt man and butthole man Zach Braff, and I’m killing this cat for Goodyear Tires,” and then bleeping the word “Goodyear.” They gave Hulk one last chance in October, 1981 in the breathtaking and final Hulk Hostess ad… the masterpiece, THE HULK® VS. THE PHOOMIE GOONIES.

Of all the Hostess ad openings, this has the best world building. Bruce Banner looks at a post office and in only two thought bubbles you really understand how hard it must be being Hulk. “I could work there! This will be gr– wait, no, they’ll probably ask me if I’m the Hulk during the interview. My entire life is a hopeless wreck.” And he’s right. Hulk exists only to stumble into nightmares and walking into the post office only to turn around and walk out was more than enough time for him to spawn some unthinkable insanity.

The Phoomie Goonies, a three man revolutionary government and maybe some kind of Marvel executive inside joke, take everyone hostage. “Oh, great. Just what this day nee– ME AM HULK NOW,” thinks poor, puny Banner.

If any other superhero else threatened to squeeze you through an “out-of-town” slot, it’d be cute banter, but Hulk definitely means it. This would have literally been his seventh straight Hostess ad with a crushing death if he wasn’t stopped by a little boy offering a fruit pie solution. You’d think the kid would be terrified, but a post office full of machine guns and an Incredible Hulk was a very ordinary day for an American boy in 1981.

“We surrender for fruit pies!” wheezes the third Phoomie Goonie, choosing their words deliberately to help Hulk get it. As if he can explain in five words what the snack company has been trying to get Hulk to understand for six years. It’s the light, flaky crust that stops villainy, not the crushings. Stop killing every man and tree, Hulk.

The police let the seditious conspirators keep their fruit pies and Bruce Banner turns directly to us to say, “I’m going to invoice the Phoomie Goonies for those pies and my fucking shirt.” And then he definitely thought, “No, no, that will mean including my real name and address! The bank will have forms! Questions! Damn it I can feel i– ME AM HULK AGAIN. WOW, WHAT JOURNEY. OH, IF ONLY HULK SMART ENOUGH FOR PERFECT GOODBYE WORDS.”

This article was brought to you by our fine sponsor and Hot Dog Supreme: Matt Reiley, our most luscious and juicy Hot Dogger.

Categories
NERDING DAY

Nerding Day: German Disco Christmas Star Wars 🌭

All of Europe saw Star Wars and thought “Yes! Let’s do exactly that, except three minutes long, it’s a musical, and we’re not going to watch Star Wars first!” The French were densely French about the whole thing, the Dutch were weirdly Italian about it, and the Germans put them all to shame with a disco musical Star Wars Christmas special in 1980, easily four more things than any one thing should be. It sounds like I’m criticizing it – no, this fucking rules.

The whole show is attempted murder on an epileptic, a full-on sensory blitz in every direction while all of your favorite Star Wars characters’ cousins embarrass themselves at a wedding. I’m sorry I sound derogatory when I talk about things I love – I’ve been on the internet too long and now affection and disgust are the same thing. But thanks to A German Disco Star Wars Christmas, I now understand that any Star Wars without twerking in it is a lesser Star Wars.

That’s a twink Luke Skywalker – an impressive feat since Luke Skywalker is already a twink Flash Gordon – backing it up on a sexy gender-swapped C3PO. Hold on, I don’t call her “sexy C3P0” to shame her, the costume isn’t over-sexualized or anything – I’m just inserting my personal bias, hopefully later into her personal BIOS.

Darth Vader is one of cinema’s most iconic villains, but I’ve always thought it was a missed opportunity not to have him Funk That Shit.

Look at Chewbacca feeling himself!

That’s my exact walk when I land the dog poop bag in the garbage can with one shot.

I love Chewbacca, Space Bigfoot feels like a character pandering just to me. Although Chewbacca was created five years before I was born, so I guess it’s the other way around. If you gave me this version when I was a kid, this pure confidence Chewie radiating sexual charisma on the dance floor? I have a feeling my sexuality would’ve turned out different. You throw him together with that hot C3PO from earlier? I’d have to start a DeviantArt account.

Hit me up at DidItAllForTheWookie, commissions start at $5 for explicit, $50 for non-explicit.

There’s only one thing missing here. But we can’t ask for it. It’s too much.

There’s a finite supply of good in the world and we mine it with every wish that comes true. When there are shoeless children picking through landfills for salvageable lithium, it would be irresponsible to burn what scarce charity remains for something as selfish as breakdancing Yoda.

Oh fuck, I said it out loud. I’m so sorry, kids. I’ll make a donation to whatever hospital is working on a cure for Battery Feet.

Breakdancing Yoda appears only in a transitory shot, half in shadows, never fully opaque – either they’re trying to use a visual medium to explain this is a dream best left to dreams, or else they know the costume sucks but nobody cuts Breakdancing Yoda.

Speaking of background characters stealing the show, this fucking Stormtrooper.

This is Disco Vader’s big moment, the ultimate dance battle concluding with a hard vogue by the main villain on center stage. And he’s being absolutely dwarfed by an NPC with Merge Ahead arrows doing the Locomotion.

There’s no way anybody involved in this watched more than the trailer for Star Wars before dropping $400 on a movie-accurate wookie, and $3.50 on a Star Goblin costume from Spirit Halloween. The choreographers seem to think Han and Chewie are the main characters, they even get center stage for the final back-to-back freeze that ends the show.

Twink Skywalker over there is barely an afterthought, he doesn’t even get to hold his lightsaber for the big climax. I wrote eight jokes for this space and deleted them all because I’m growing as a person. Han and Chewie also get the ending skit, where Vader comes out to join the cast bow and Han pretends to be terrified-

I know what the choregrapher’s thought process behind this was: “This is cute! Let’s do it!”

But by carrying the kayfabe beyond the performance and into the bow you’re breaking the fourth wall. This changes the fiction. These are no longer dancers coming together to pay homage to Star Wars, but the actual characters from Star Wars putting aside their animosity to honor a shared passion for boogie. Han being explicitly frightened of Vader means no peace was brokered here, the dance is over and they are going right back to murdering each other – even though they all now know the exact shape and feel of their enemy’s gyrating package.

Also I’d like to admit that I was wrong earlier: Chewbacca starts barking at Vader like a poodle in this skit, so nobody involved in this even watched the trailer.

A gorgeous German woman comes out to thank the performers, and she’s immediately smitten with Vader. Another bullet in the chamber for my argument that nobody here knew what Star Wars was. In 1980 Germany, you had to be very careful about your symbology. Star Wars is not oblique, the Empire are Space Nazis and Vader may not be their Hitler, but he’s at least their Rommel.

If anyone involved in this performance had actually seen Star Wars they’d know having their blondest German hussy paw at Vader’s control panel is a direct violation of the Potsdam Agreement.

Whatever. It’s a lone misstep in what was otherwise a beautiful moment that we will all share forever.

If only the article stopped here.

I’ll be honest, I didn’t learn German for this column and YouTube Translate thinks they’re talking about sausages and making motorcycle noises. I found this video with no contextual information and my research told me only that it was around 1980, German, a Christmas special, and magical.

There’s another segment after the big dance number that I can’t be 100% certain is from the same show. But is it crazier to think Germany did two skits in one special, or multiple Disco Star Wars Christmas specials?

This one features a man named Ilja Richter, quick research tells me he was the host of a program named DISCO.

Followup research tells me that he’s extremely punchable.

You don’t need audio to know exactly how that sounds, and that it triggers an attack mode in the human heart. He’s performing a musical comedy sketch, which mostly means mugging over clips from Star Wars. I’m going to assume YouTube is wrong again and that he’s not singing [bird noises] and Auto Translate Not Available, so it’s probably a bunch of shitty Star Wars puns.

Eventually they run out of stock footage and cut away to a fussy little man hanging from a cardboard moon.

He’s restless and unhappy with his legs like a gassy infant, he’s wearing golden pajamas and sings a sulky song like one might hear from an unappreciated gnome in a Christian cartoon about pride. We slowly zoom on our sleepy space prince while Ilja croons softly, as if to say “let’s look in on the lil’ fella without disturbing nappy time.”

There’s no dignity in this, it’s the kind of thing a dinner theater actor would fire their stripmall agent for, it’s- holy shit, there’s no way.

It is. It’s actually Mark Hamill. In 1980. After the release of Empire Strikes Back, the second installment in the Star Wars trilogy. If this was after the first Star Wars, you could understand it. Maybe they didn’t know what they had yet and were willing to debase themselves for promotion. But no, by 1980 Mark Hamill was the lead in the biggest franchise in movie history and had known that for years. Germany somehow got hold of arguably the greatest cultural icon of the last five years, gave him golden toddler pajamas, then asked him to sit on a cardboard moon and act like a spoiled brat who’s mad about pie.

AND HE SAID YES.

Actually, he said-

Haha, do you know what a good sport Mark Hamill is? He’s done any number of self-effacing Star Wars sketches. He played the most pathetic version of himself in a Simpsons episode about a sad dinner theater play that-

Holy shit is this what that Simpsons episode was about??

Mark Hamill is such a good sport he was in a disfiguring accident that almost sidelined his entire career and he cracks jokes about it to this day. For him to grumpily admit – only when specifically called out in a way he couldn’t deny – that this was him and that he hated doing it? It’s like getting Randy Quaid to storm out of the opening ceremonies of a Phoenix boat show – it shouldn’t be possible, this is his home, it’s where he’s comfortable, and he needs that money for traffic court.

The sketch continues to be incomprehensible, partly because I don’t speak German, partly because clarity was a cornerstone of the Nazi movement and Germany was forced to disavow it as a condition of surrender.

A snowspeeder zooms up, which, we’re in outer space guys, that’s not how a snowspeeder works- no, that cannot be my problem with this. Because a beauty queen is riding on the back of that speeder – I have to assume she’s Miss Star Wars – and the pilot pantomimes like he didn’t know she was there. I guess pageant winners skitching through the void is a common nuisance in this universe? I don’t know. I only know two things: In the 1980s a subpar man never missed a chance for a grope, and that’s Ilja Richter in that helmet.

He quickly ducks out to let Mark Hamill take his woman, which I have no comment on.

There aren’t many men who could sell losing a woman to a gold lamé moon infant, but Ilja Richter is definitely one of them.

There’s a musical tone shift, the vibe grows darker. It’s Darth Vader! He’s here to…

Play a few sour notes on a trumpet? We linger on this far too long for it not to be the punchline. Whatever is happening here, it was the point of the sketch. There’s some chain of comedic events that necessitated finding a toddler Mark Hamill on the moon, giving him a beauty queen on a snowspeeder, and then Darth Vader being bad at trumpet.

No! Don’t do the wrap-up head tilt, that can’t be it. You can’t leave this comedy puzzle in my head, I’m as unable to solve it as I am unwilling to let it go. Wait, just wait, let me guess – in Germany “trumpet” is slang for penis and their word for “moon” kind of sounds like their word for sex-theft, so this is some kind of Empire Primae Noctis. It’s because Star Wars is-

Stop parade waving like this is the end! Is it a reference to a folk tale I don’t have the cultural context for where a grumpy moonboy is punished for stealing trumpets by harlots from beyond the stars. Is that why Vader-

Please stop zooming out, please don’t do this. You can’t leave me here, is it just that it’s funny Mark Hamill stole Ilja’s girl? Is it that Darth Vader can’t play a trumpet through that helmet? Fuck! FUUU-


This article was brought to you by our fine sponsor and Hot Dog Supreme: Haught Phart, who’s also called The Boogie Wookie but for unrelated, more tragic reasons.

Categories
NERDING DAY

Nerding Day: Snailiens 🌭

As we’ve established, everyone wanted a piece of that delicious Ninja Turtles pizza pie in the early ’90s. So the creators of Snailiens must have thought, ok, what made the turtles so huge? They’re little green guys with shells… what else is small, green, and has a shell? Snails! It’s snails, goddamnit it! And uh… they’re aliens! Snailiens! We’re gonna be rich! By god, boys, in a year’s time we’ll be doing lines off a novelty coffee table shaped like a giant snail.

And so, the Snailiens were born. The influence of the Ninja Turtles is obvious in their designs, being four muscular green dudes with no noses. Rather than masks, the Snailiens have color-coded facial hair. Only it’s not hair, exactly, it’s sort of like a bony protrusion. Which is the closest they get to having shells. Honestly, they don’t look anything like snails. They look like weightlifters who were transporting barrels of acid and had a terrible accident. The fact that the Abraham Lincoln one is wearing a singlet only furthers this impression. Oh, that’s right, there’s an Abraham Lincoln one:

Sold as cheaply-made rubber figurines, Snailiens were compelling not for their inherent quality but for the boatlands of garbage they came with. My grandmother bought me one of these things from a Toys ‘R’ Us in the early ’90s, and it included a veritable deluge of plastic crap to inspire the imagination of lonely and socially maladjusted children. In addition to the figure, you got snap-on armor, a little sidekick, two rubber “satellite” projectiles, and a hard rubber half-sphere called the “Turbo-Flex Shell.” (Everything was Turbo, it was the ’90s.) What it looked like was an undressed maniac, a non-working diaphragm, and the baby they made:

By turning the shell inside out then placing the sidekick figure or the satellites inside, you could then invert it and launch the projectile at some hapless Snailien’s enemy. The packaging insisted that you not aim the shell at animals or people, and rightfully so — it was effectively a small rubber bullet. Hell, the generic versions of these toys are actually called “eye poppers.” Imagine: a ’90s remake of A Christmas Story where Ralphie shoots his eye out with a Snailien. Ah, what could have been.

The Snailiens also came with trading cards and a comic book explaining their backstory. See, there’s another dimension six feet below San Francisco, there’s a war going on down there, and it’s explained across this pile of debris:

The hideous Lunarticks and their leader Zug plot to invade Earth and have selected the tiny city of Snail Francisco as their first target. Whether there’s another outer space in the dimension under San Francisco or they’re coming from another planet in our dimension is kind of unclear. Who cares! We’ve got aliens, dimensions, kids love all that horseshit.

The Lunarticks and their allies, the short-statured “Infects,” begin their assault on Snail Francisco. The city’s occupants, who are, as you might expect, snails, put out a distress call. The Snailiens, who I guess are aliens but also live in the subterranean dimension under San Francisco, respond and fly their ship, the S. Cargo (boooo) to help out the besieged citizens.

But while they’re kicking Lunartick ass, one of the kids who lives in the regular human San Francisco finds their spaceship, thinks it’s a cool shell, and takes it to his room. The Snailiens are thus stranded on Earth, where they help the citizens of Snail Francisco resist the Tick invaders. Said citizens “knight” them with names found on coins that have fallen into their world because they can’t pronounce their “Snailienese” names, and they become Washington, Jefferson, Roosevelt, and Lincoln. Because they’re not just another Ninja Turtle knockoff. They’re more like a local car dealer’s President’s Day Sale parody of a Christian parody of the Ninja Turtles.

The toy line included the four Snailiens as well as four of the Lunartick villains: Zug, Armokillo, Drool, and Blastar. Each Snailien and Lunartick had their own little buddy who could be fitted into the Turbo-Flex Shell and sent careening across the room, or simply be attached to the character’s armor like a stupid little baby. The commercial did its best to make them seem cool, with animated depictions of the characters throwing their rubber shells around and a song describing them as “Supersonic Shell Fighters,” but this looks like single Go-Bot dads trying to identify a testicle in a police lineup. This fucking sucked and every kid knew it.

“Give them a bounce, they’ll blow you away,” the ’90s toy commercial announcer excitedly intones, as a Snailien’s little buddy is seen smashing through a window. Immediately after, we see kids cowering in fear from the supersonic shell onslaught. Sure, there were warnings not to point these things at other people, but they knew what they were doing.

It seems like a silly and cheap attempt to cash in on a trend now, but I have to admit that I adored the Snailiens as a child. I only ever had the one, but how many toys came with their own comics with elaborate backstories involving subterranean dimensions populated by insect people? Maybe a dozen? How many toys had cool plastic armor suits you could snap on and off, giving your non-articulated Snail man essentially two different outfits depending on the social and/or combat situation that your imagination placed him in? Still a lot, sure! But how many snail-based superheroes were there? Only these. And I loved these little bastards.

But despite all of this — the comic, the high potential for injury, the term “Turbo-Flex Shell,” the Snailiens, very much unlike a snail climbing up a wall, didn’t stick. They were relegated to the memory hole of history, never even receiving a cheaply-produced animated TV pilot to be discovered by someone with a VHS ripper and a self-hosted website in the early 2000s. So thoroughly has history forgotten the Snailiens that there are zero results for “Snailiens” on every major illustrated pornography search engine. There are over 100 results for Street Sharks on e621, but zero for Snailiens. Hell, there’s art of the Creepy Crawlers television series on Deviantart — god, I’m going to have to get into that sometime — but none of Snailiens. Is it because of all the mucus? No, no, I’m seeing a lot of results for that.

Woe unto the Snailiens! Woe unto Washington, Jefferson, Roosevelt and Lincoln, the defenders of Snail Francisco! Woe unto these musclebound mollusks, these gastropods with gains. Are there none who wish, within their secret hearts, to feel their strong yet tender embrace? Nay, there are none. And so, their story ends. Here lie the Snailiens — nobody wants to fuck them.

But here’s where things get really weird. Nowhere in the thriving Snailiens online fandom seems to mention this, but like TMNT, Snailiens were based on a comic. And while the Ninja Turtles were changed slightly in the process of becoming Saturday morning cartoons, the Snailiens became utterly unrecognizable from their source material. See, according to artist Dwayne Ferguson (art director on the ’90s Mutant League TV series), the Snailien toys were based on characters from his Hamster Vice comic, a series about hamsters with guns and sometimes also breasts.

In a parody of Aliens, he had his protagonists travel into space to rescue kids captured by the “Snailien Queen.” Ferguson wanted to get some toys made, ended up working with a company called J.P.I. International Corp, and the Snailiens as I and six other people now know them were born. Here’s how the original looked:

Ferguson points out that the toys bore little resemblance to his original work and notes this kind of thing happens all the time in comics adaptations. For instance, how Rogue became a lot younger in the X-Men films, or how Harley Quinn turned into a camgirl. But in this case it really does feel like some toy company executives liked the name “Snailiens,” realized how big the Ninja Turtles were, and decided to dump everything but the title. In popular comic terms, it would be like if the first Spider-Man movie had been about a terrifying arachnid monster that kidnapped children to feast on their bone marrow instead of a kid who makes homophobic remarks to Macho Man Randy Savage.

At some point, Snailiens were acquired by a company called Abrams Gentile Entertainment. I’m not sure whether this company even exists anymore, but they seem to have bought up a number of children’s properties that were popular to varying degrees in the ’80s and ’90s. In describing Snailiens, AGE’s site says that it “takes the classic ‘snail out of water’ backdrop and places our intergalactic team of out-of-the-world Snailiens on Earth’s insect populated Snail Francisco where they match wits and kicks against the nefarious Lunar-Ticks.” Snail out of water? Fuck off, man.

In addition to Snailiens, their website boasts their ownership of Sky Dancers, Bucky O’Hare, Van-Pires (god, there’s another I’m going to have to cover someday), and even Visionaries, which they claim has a live-action film in development from the producers of Transformers. Remember the Visionaries? They were action figures with holograms in their torsos. Not really surprised that franchise failed to make a resurgence with the ’80s cartoon revival of the 2000s. Given how hard Michael Bay’s Transformers was to look at, can you imagine what he’d do with characters made of fucking holograms?

Today, if you’d like to own a Snailien of your very own, you can expect to pay many times the original retail price on eBay. The rubber used to make the Turbo-Flex Shells have rotted and cracked, the plastic pins on the armor suits have snapped off, and the vast majority of the trading cards and comics have since been discarded and recycled into toilet paper or those communist newspapers they hand out on college campuses (the toilet paper of Freedom).

But the Snailiens live on. In an often misattributed quote, existential psychologist Irvin Yalom says you die two deaths — one when your heart stops beating and another when someone speaks your name for the last time. In writing this piece, then, I have kept the Snailiens alive a little longer. They may crave death, these supersonic fighters, but they cannot taste its sweet fruit. Not while I’m around, anyway. Live, unfuckable snot monsters! Live!!


This article was brought to you by our fine sponsor and Hot Dog Supreme: AnAndy, also known as the Visionary with a mustache.