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NERDING DAY

Nerding Day: American Romance

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PUNCHING DAY

Punching Day: A Big Bad BeetleBorg’s Christmas

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NERDING DAY

Nerding Day: Law & Order SVU’s Gamergate Episode 🌭

In nerd camp, they said “the medium is the message.” That’s from Marshall McLuhan, founder of a chain store. Or media theory, I wasn’t sleeping much. And I didn’t truly get this quote until the Gamergate episode of Law and Order: SVU.

This couldn’t be a play, mocked in a movie. Or a comic, mocked in a more self-conscious comic. It had to be primetime TV, and I had to mock it here. Thanks for making it possible. You’ve made a huge mistake.

Three of you might not know about SVU. Impressive, since it’s our largest export behind corn and planet death. Staying pure takes work, and I hope that your mountain training in pre-Gracie martial arts is going well. Be careful leaving the village to fetch water: it’ll definitely be on fire when you get back. Consider your master dead already.

Law and Order: Special Victims Unit is a police procedural, in the same sense Waco’s a sunny town in Texas. True, but you’re dancing around a few content tags. The team specifically deals with sex crimes/child crimes/cartoon terrorism, in the hell version of New York exclusive to excellent action, decent noir, and bad reporting.

It’s an elevated reality. You can visit it by buying thousand dollar headphones, streaming a police scanner, and then blitzing inhalants like you’re debating Hillary in an hour and have no idea why everyone’s letting it happen. Or by watching SVU.

It makes for traumatizing viewing/web comedy, so look out for that. I don’t just mean your past. SVU can inject phobias from headlines, past lives, and pure imagination. My second-favorite episode took on a hot button issue: teen deathmatch wrestlers pushed to kill by love triangles with women pretending to be 14 (after skipping around the foster care system for twenty years, keep up), via murder-techniques from AP Bio. But we’re not here for silver.

The first thing to know about SVU? It’s 24 seasons long. We’ve lost all plausible deniability. Any of us could have stopped it by now, with half the effort it took to pin Jim Crow on Awkwafina. It’s not NBC’s show, it’s our show. The royalties offset your taxes. I’m playing Panicked Witness #3 this week, and they expect your next script by Thursday.

I’d say it’s gone mad over time. But season one has a Wall Street extra murdered in a bondage dungeon. As grounded, low-stakes filler after a flight attendant murders a judge laundering money for the governor. That’s not the premise. He kept her husband in prison in exchange for sex, which isn’t the premise. He had the same deal with dozens of women around the state.

Madness.

Let other John Mulaney impersonators deny it: I embrace my sins. I watched endless afterschool hours of Copaganda: Dead Escort Edition. The Dayles preferred TNT to talking. And I’m pretty sure we had a Nielsen box, or Nick Cannon would be unemployed, Wendy Williams would be panhandling, and Tyler Perry would be a cartoon skeleton with a tin cup.

The second key fact: it’s merged with the cast. Ice-T is, to millions worldwide, an actor dabbling in music. More Americans mourned Detective Munch than national prosperity. Cameos by the former male lead are holidays in homes that still pay for cable. Finally, in an industry without loyalty or memory, Mariska Hargitay has built a fortress outside of time. She has more control of the show than the network. Think CM Punk, without the disorder.

Unfortunately, this isn’t the funniest writing about SVU. That’s this collection of fake SVU summaries, which I’ll covet like Salieri until I die cursing God. I hope you brought a closing style parody, because I’m unarmed.

We’re in the show’s youth: season 16. Before stock plans for cast retirement, death, and career growth. It’s about Gamergate, which gets easier to summarize each year. Watch: Bud Light backlash, but for any women existing. Bang. By 2030, I’ll have it down to a vowel.

Three scenes in “Intimidation Game” matter. The first opens with some ass-covering:

Are you friends with a lawyer? Are they the late type? Write this on a napkin, and you’ll summon them like a familiar. It’s the easiest surprise party or divorce paper handoff you’ll ever plan. Just avoid glass doors, they run headfirst.

The legal teflon fades to a convention. I should say gaming convention, since events exist for cars, careers, and keeping cancer treatments expensive. That’s alien to me. Cons are costume contests and costume contest harassment. Gamer Detective Ice-T’s there with his full set of non-gamer coworkers, which is almost weird enough to miss Gamer Detective Ice-T. The dialogue heals my dead heart.

I love that this still happens. It has to be either pandering or tradition; more NBC writers play Lootbox Master than finish film school. We laugh with stilted gaming dialogue, and seek death when shows namecheck XCom.

Well, that’s my theory for the writers. Outside-going actors might have different rules. Take this detective:

She is in hell. But it’s not necessarily the con: she might have a Black Flag tattoo.

On that note, a developer has the misfortune to be the first civilian on camera. Making her a victim, corpse, or terrible extra. I’d say she’s our Zoe Quinn (Gamergate’s Franz Ferdinand) stand-in, but they had a disclaimer. This is an original character. She fell from Dick Wolf’s forehead, fully formed. And now meets this charmer:

One tension drives “Intimidation Game.” Can SVU out-stupid reality? Because this line is idiotic and perfectly accurate. Not-Zoe parries with old virgin jokes, which also scans. Flamewars reteach War Games’s main lesson, forever.

Next is an SVU specialty: artless juxtaposition. Each episode has to work in a pitch-black felony while staying on cable. Today, while Ice-T geeks out over a Tribes recolor, the typecast incel above strikes. The game commentary sounds like this:

I had to read that twice, which feels like karma. The plot sort of revolves around Kill or Be Slaughtered, a doomed Unreal Tournament parody. It mostly gives us something to cut to during assault. Sixteen seasons of discretion shots wear an editor down.

Now, this bit isn’t my point. But since SVU has four minutes for VR jokes, I have one for story wank. In real life, no one knows what’s going on next door. I know that, you know that. But in pulp action–any detective that quips counts–your heroes look like failures. Our entire cast hoots at MineWatch: Reach while the only crime they fight unfolds. It’s like watching Batman text through clown murders.

Bad look. Solid political cartoon.

Eventually, a detective gets around to checking out the crime scene. Fake E3 is compelling, but the plot cart can’t push itself. When she asks the victim what happened, we get the most response in tv history. You pick the adjective.

“They leveled up.” Breathe that in. Swish it around. Pretend to understand hookah, and impress your friends. Then tell me how this aired.

Here’s how I learned about brick jokes. At twenty, I thought that pun was this scene’s low point. At twenty-five, I thought it was trivializing sex crimes. At thirty, the final stage of wisdom, I know it’s the full cast still watching Quake demos. The villains try to represent gaming’s worst, but our heroes nail wasting your life on Twitch.

Half of the investigation is sane-ish. Jock detectives get confused by gaming slang, and Ice-T defines it. No matter how many times the script says Detective Fin Tutuola, your brain says “Hey, Ice-T.” In this episode, he cosplays Navi. It’s magic.

He explains Not-GamerGate as “In their world, a developer’s like God, and some guys aren’t ready to give a girl that kind of power.” Infinitely cooler than “Billy hasn’t gotten laid since Mass Effect 2.”

Ice-T still has zero range after sixteen seasons, so his loading screen tips sound a lot like his sex crime reactions. He either suffers gaming, or gets too much out of work. Either way, he’s the only one that can navigate the dark forest of frog memes. A trail leading all the way to the basement.

Our villains met online, because of course. Ice-T explains “RedChanIt” to the squares, which sounds like a name I’d mock. Nope. I’m very down with sabotaging Reddit’s IPO by stapling it to 8chan. Watching Spez reach for nothing and fail is art. Only this episode’s peak can compete.

Namely, the second scene that matters. Walk with me. I like loose metaphors, so I need you to know this is very literal. No curveballs.

Incels threaten Not-Zoe’s boss, Not-Anita.

Not-Anita holds a defiant press conference.

Not-Anita gets kidnapped by incel commandos.

Said incels evade our present, armed, and forewarned heroes.

The incels hijack a Times Square billboard.

Revealing Incel Bane.

That’s unedited.

I lied. The villains aren’t 4chan lurkers: they’re Batman villains. “Intimidation Game” is off the rails by SVU standards, which existed until now.

One word taps how fucking stupid this is. I try to avoid it, because it hurts people. It’s from a very specific era, and targets a specific lifestyle. And they’ve suffered more than enough. But I have to.

This is sublime.

This is stupidity bigger than me. Bigger than my imagination. It’s a cannonball into the Grand Canyon. It’s daggering on the Tomb of the Unknown Soldier. It’s stealing fire from Zeus to light a fart. And it relies on such narrow experience. No one above sixty or below ten on Sep 5, 2023 will truly understand. We are the last keepers of this moment.

Yet it’s real.

New York, like all zip codes, has crime. Organized crime, sex crime, muggings, campaign finance graft, short sells, the Hudson Yards honeycomb, more campaign finance graft, the works. I heard there was even a terror attack. This is still a cartoon. When SVU says “ripped from the headlines,” they mean Detective Comics.

I hope MLG reactionaries stick to spree killing. If they organized, we’d invade every OPEC member with a Playstation. Browsing Twitch would put you on a list the NSA actually checks, instead of the rusty file cabinet with aliens and future mass shooters. Valve headquarters would set off Geiger counters for miles. Gamers would learn, for the first time, what it’s like to be oppressed.

There’s more.

The unit tracks Incel Bane to his headquarters. I think it’s below Arkham, but he might have a Phantom Zone co-op. Either way, they corner the League of Assassins on a rooftop. One noble soul turns from the darkness, fifty minutes, two sex crimes, and one terrorist attack in. There’s hope for everyone.

Neither do I, man.

Our look at game culture ends the only way it could: an FPS sequence.

If you’ve seen Doom, you know this is a mistake. If you can spell tone or sexual assault, you know this is a mistake. That knowledge is an anchor. All knowledge is an anchor. You could make Law and Order: Special Victims Unit instead. Your brain’s burning generational wealth.

Ice-T comes to the rescue, thanks to a solid diamond contract. They keep the FPS gimmick going, hoping to suffocate critics with laughter. It’s an excellent plan. I’m writing this from the ER.

That’s not my line. Ice T says it after shooting the world’s eighth angriest NEET. The music says tragedy. The dialogue, fan wiki, and sex dungeon rescue directly preceding this say tragedy. My eyes say Team Deathmatch, and the nurse says “breathe.”

“Can SVU outstupid reality?” Please. SVU’s writers could out-stupid grass. They could out-stupid the entire primary, on or offstage. They could out-stupid themselves on an all-lead diet. They are the Gods of vacuity. Right now, their script coordinator’s opening a jar with his teeth.

That’s why we’re short on cop jokes today. This episode’s too dumb for them. SVU aspires to copaganda, but you have to read books to misquote them. The “Intimidation Game” writers are still working on Green Eggs and Ham. I’ll be sad when they finish it.

If you’re interested in learning more about post-thought, feel free to audit my fall course:

Game on, friends.


This article was brought to you by our fine sponsor and Hot Dog Supreme: FancyShark, who’s into Beached Sharkplay. That’s when you and your partner take turns biting each other and wiggling on a wet mat.

Categories
UPSETTING DAY

Nerding Day: McGruff’s Smart Kids Album 🌭

Tuesdays are mine, forever. Time to celebrate. Summon the wheel.

Wheel! Wheel! Wheel!

Perfect.

McGruff the Crime Dog failed to kill drug culture. But for one shining moment, he killed beats. Perhaps the game itself. CDs simply took credit for cassettes rejecting moral panic. McGruff’s Smart Kids sits next to ET: The Game and Grimes’s lawyer for ending an entire medium.

I found Sgt. McGruff late in life. When I hit prime brainwashing age, he’d already abdicated to a lion with a flashier purity vow.

I missed that too. Island Baptists are more into uppercuts than mascots. That’s why no Jamaicans do drugs.

I see the appeal: McGruff’s the perfect strawman, louder and blunter than a G.I. JOE PSA. Which fits my agenda. Everyone that dates artists with arrest records loves drugs. A good Five Minutes Hate imitates chemistry.

After all, it’s fun and profitable to imagine The Enemy as brainless mannequins. Lord knows I indulge when a sibling speaks or an election exists. But everyone follows some kind of logic. Which made McGruff’s Smart Kids a puzzle. It’s an album for no one.

If McGruff’s new to you, think Rosie the Riveter for the War on Ourselves. A werewolf in a streaker’s coat, quoting Nancy Reagan with a soprano’s impression of a baritone. Every McGruff PSA felt like a glitch, so he did a decent job replacing drugs. His debut album includes this beautiful checklist:

Amen. The untainted shall inherit heaven’s dullest cloud.

McGruff’s Smart Kids shares a year with Ride the Lightning, after Dave Mustaine somehow drank too much for a thrash metal band. That sounds like a pull, but it’s the best sobriety fable we’re getting today. Stay clean or lose screentime on Some Kind of Monster, the most humiliating music doc without a sex crime.

Imagine twelve tracks of drug war anthems, featuring McGruff singing in-character. Now double the synths and triple the fear. If there’s a stoner in your life, here’s their wedding gift. McGruff’s Smart Kids slam dunks the wrong net. It’s Reefer Madness with color and star power.

Yet McGruff’s Smart Kids has a reason to exist. Two, even. One: through sheer numbers, someone must have avoided morphine after listening. Thousands more sprinted into freshman alcoholism after learning McGruff was full of shit, but this album saved the life of Sam Lagow of Yorktown Heights, New York. Good for Sam. Addiction is for food and pornography.

Two: the production’s good. If you like Devo or their children, you’ll dig half of these songs. Until the vocals hit your brain like eight semesters in a toga. McGruff sings just as well as he saves lives. If the owners want half their money back, they should sell McGruff’s Straight-Edge Instrumentals. Electronic music fans aren’t into drugs.

Enough pregaming. The first track’s called “Winners Don’t Use,” and broadens McGruff’s appeal to Wall Street. Someone’s done a line off this cassette before short-selling a continent’s future. In concept album tradition, “Winners Don’t Use” gently hints at coming themes.

Pure eighties magic. Before threats of early death, addiction, and more McGruff vocals, we face life’s worst pain: losing. Producing less. Burial with fewer trophies and concubines. “Users don’t win” channels zero children, and every Madison Ave coke rant. Which, in McGruff’s defense, lead to desperate Geico spots.

Still, the backbeat works. The brief said “Steal You’ve Got a Friend in Me,” and the team delivered. When late Pixar finally sinks to PSA content, it’ll sound like this sans throat cancer vocals. And the competence gap only widens from here.

 

I like slapstick as much as the next uninsured clown. But first graders giving addicts unsolicited opinions is a step too dark. Even South Park spaces out preschool casualties, like a spice. Except in the hockey episode, which is art. In fact, scratch that advice, go for it.

We get McGruff’s catchphrase, from the jump, twenty seconds in. Fair for children’s media or state propaganda, but I smell something. That’s a branding reflex.

Years of clients asking for bigger logos inflict psychic damage. Three-peating slogans before the skip button loads becomes instinct. If most people sound like NPCs, agency slaves sound like the game box.

Let’s go behind the music. Who retired off of McGruff? It’s grim stuff, so there should be a glowing Times profile.

Cool, a children’s mascot and McGruff. Ronald fought drugs the Jay-Z way: selling instead of using.

McGruff’s voiced by Don Draper’s benchwarmer. I love it. It’s even educational: an article about McGruff is comedy, but franchising a dog that eats and licks boots is satire. That takes focus, which is why ad writers don’t do drugs.

I wrote ads for a year or five, so I know a bit about the death of the Nephelim. The black lord will rise, and drink this world’s tears. I am his blade. Clutch your powerless bibles as blood chokes the sea. Man will not live to finish despoiling the Earth.

Nice gig.

Design by an elder daemon isn’t a surprise. McGruff’s off-model look doesn’t reek of auteur passion or a junior daemon’s fear. But the same executive voiced him. Every McGruff project had upper management in the room. I’ve watched my leg bend the wrong way and still can’t imagine that pain. Jack Keil stood behind the producer until he mixed McGruff’s plague rasp above human tolerance.

McGruff’s roots change the game. I’m not here for a strawman. This is a peer. And I have no idea what he’s doing.

Comedy Premise #6 would make Jack some kind of stoner double agent, or at least neutral. But interviews point toward genuine belief in McGruff, this project, and giving children nightmares about LSD. Nightmares that returned after they tried LSD.

The devil’s work continues on “Crack & Cocaine.”

Who is this for? Walk down the checklist. Is this how you tell a sober child about crack? Or a crack-using child? A sober adult? Tyrone Biggums? A Toronto mayor? The mockery escalates the further you go. “Mockery” is crime-code for “beating.”

Jack’s responsible for day-drinking and targeting messages. He got halfway there. “Crack & Cocaine” aims for Martian children with Atlantic City problems. The courts didn’t enslave enough subalterns to keep the drug trade on Earth. The first Venusian D.A.R.E contracts are just launching now.

Someone backstage agreed with me. The 1986 rerelease adds a garbled intro to the effect of “crack exists.” It still leads to this verse:

A 1980’s ad guru should know about cocaine from market research. And something about children from being alive. A Cylon’s take would be more relatable, empathetic, and on-key.

Sadly, “Cocaine & Crack” rules. The synth has Yo Gabba Gabba crossover power, with all the stimulating joy snow promises. McGruff hides behind production like DaBaby mixed with DaBaby. That’s a creative miracle on the producer’s part, and proof that disc jockeys don’t do drugs.

While coke has to share, other drugs get their own diss tracks. McGruff takes on alcohol, inhalants, and ma—inhalants? With a New Order knockoff? Is this a fakeout?

Sarge. We don’t naturally get along. You’re a cop, and I’m a comedian. We’re the shittiest table at an alphabetized career fair. We both welcome police brutality ending that round of small talk.

But I’m rooting for you this time. Inhalants are just simple enough for this stupid, stupid method. Jack Keil’s vanity spinoff of a vanity project can save a second soul.

Try to deliver.

You know what? D+, pass. McGruff sounds like he’s talking about a wandering gorilla or Lesnar. But he forgets to blame users for being born, so this is lyrical growth. I’d prefer no children’s chorus call-response about overdoses, but I’m a picky grader.

I could go on. McGruff raps on “Gangs.” “Vandalism” goes full James Brown to declare war on street art. McGruff runs out of lines on Side 1, and keeps rolling for six more tracks. But Gmail is 200 words away from telling me to fuck off. It’s time for the main event.

I’ve hoarded the good shit. Lesser propaganda kneels to “Marijuana.” I get to type “Sgt. McGruff’s magnum opus.” Look: we both know this is a comedy site. I’ve puffed up earlier tunes for a laugh, and to style on a coworker’s ghost. I need gags like that for endorphins, because comedians don’t do drugs.

“Marijuana” bangs.

Based on my inbox, I’m divisive. Here’s an olive branch. If you support a drug arrest made since Prohibition, meet the best art on your side. We can sing it at bipartisan karaoke, as long as you don’t arrest me for hogging a microphone. You get this gold and Killer Mike in the same summer. Be reasonable.

You might question that simile. Try jamming instead. We’ve covered propaganda rhymes from half the SPLC. Animated cryptofascists are the first ones to bring a bassline. Enjoy that moment. If you have trouble unwinding on your own, light up some abstinence, or slug a shot of self-control. Today, we are all brothers.

I’m not the only one to recognize the magic. “Marijuana” has a hardcore remix, a Scientology-adjacent skate part, and a bright future as a rap sample. And, naturally, a following among everyone that can remember Pineapple Express quotes. I bet a child’s even heard it.

Hell, McGruff steps up his death threats:

“If you gamble with life, you could lose it,” is a leftover “Many Men” lyric. It’s the last thing you hear after stealing a rapper’s Crystal Skull. It’s a Power character’s line before shooting their spouse. A blocked number texts it to Ja Rule every Monday, at midnight, on the dot. My point is that Fat Joe would love this song, since rappers don’t do drugs.

My response to McGruff’s closing rant? The stock rationale behind a generation of broken lives? Nothing. I’m busy doing windmills. There’s room on the cardboard. All the sober breakdancers stayed home.

To think, some uncredited rockstar dragged this across the finish line. I hope he gets his roses. Or at least an edible.

What.

Modern life is beautiful. Hopefully it continues.

I have a proposal for Mike. Only Mike. No comedy fans or confused aunts can read it.

Mike, we can be clean again. You have videos in church, so I’ll be direct. As things stand, we’re going to burn with the Taco Bell Chihuahua and Geico Everything. And I mean we. My portfolio has names from the evening news. LexCorps in a world without Superman. I need this at least as badly as a Reagan collaborator.

It’s simple: we make a sane, honest, McGruff album. I’ve got lyrics, a full children’s chorus, and enough rusty nails to imitate McGruff. But this reunion’s doomed without the real star. As a show of good faith, here’s a preview:

Consider it. If it helps, I don’t even drink. Prohibition’s just the dick cancer of public policy.

This article was brought to you by our fine sponsor and Hot Dog Supreme: Brandon Garlock, who took a bite out of crime and found it delicious.

Categories
PUNCHING DAY

Punching Day: Swerved 🌭

I’ve got bad news. I love entertaining you all, but my doctors say that you just got Swerved!

God, it feels good to be so much smarter than you dumb bastards. Were you concerned for another ape? Did you show weakness in Vince’s McMahon’s world? You had to pay. That’s what pranks are, right? Because it’s the Swerved experience. If you read these at work, there’s dung halfway through.

Hyperbole’s out today. Vince’s trail of sin is too long for me to call six hours of trash TV his worst crime. Even without consent and Jimmy Snuka, he’s ruined more lives than printable bullets. He’s the jock and dork answer to “who else do you kill with a time machine?” I’m making fun of a dictator’s mustache.

So I have to be precise, which Swerved makes tricky. Help me out here: what’s reality? I’m losing my grip after replacing my blood with C4. And pirating a WWE prank show.

That sentence eats holes in spacetime. Prank shows are pantomimed mirth. Wrestling is pantomimed war. Wrestlers pranking other wrestlers on camera gives philosophers heartburn. It separates reality and state with a clarity that no think tank or judicial bribe can subvert. No show exists less than Swerved, and there are still sixteen episodes.

We owe Swerved for fighting reality fundamentalists. We’re still a secular nation, when you don’t look too closely. We keep reality out of our textbooks, screens, and minds. If prank shows are still real to you, that’s fine. Fantasy always needs fresh thinkers, and George R.R. Martin’s next book might take another week or so. A private, portable reality is your right, even as it boils the planet.

So why did WWE make a prank show? Instead of paying employees or victims? Because in 2015, it seemed easier than all that punching. Ever been hit with a ladder? It feels like a ladder.

Of late, the wrestling duopoly’s thrived by selling wrestling. That’s new. There’s some value to making centuries of live television every week, without a union in sight. Saying “union” in a WWE building triggers the gas. And AEW keeps at least three versions of you in reserve, waiting for precious, precious sunlight. You might see a wrestler’s union in your lifetime. But you’ll see Pinkertons again first.

WWE tried a different angle in the 2010’s: the WWE Network, home of McMahon’s Choice versions of everything else on screens. The Network had more knockoffs than Roku TV or Bronx sidewalks, and half the funding. They also beat Disney to streaming by four years. Points for smelling change before CNN’s brain trust.

Honestly, the concept makes sense. Some fans already only watch wrestling, wrestling news, and life fade away. The Network aimed to addict casual fans as well. Reality TV fans could watch Legends House, where broken dolls waited for death. Or Total Divas, two weeks after Bravo extracted all value. Children got Scooby-Doo crossovers, in-house superheroes, and Smackdown. True Crime fans had a live feed of Vince’s office.

It didn’t take much to get a network show. Or have one dumped on you.

For example, they ripped off Shorties Watching Shorties, Comedy Central’s joint campaign against comedy, animation, and infants. If you were outside at the time: Shorties Watching Shorties paired classic/popular/licensable standup with flash animation. And two abject mascots.

WWE Story Time replaced standup with wrestlers telling wandering semi-stories. Mostly frat-style tall tales. Though I’m guessing Ric Flair left out his grabby plane rides.

Why do prosecutors frame anyone? Everyone has a WattPad book called My Kickass Crimes with two sequels and an audiobook. Including me. Can you sue yourself for fifth amendment violations? I’m ready to cash out.

Then someone had the idea: why not steal something people watched and liked? They listened, so not Shane. And it only lasted two seasons, so not Stephanie. And it always sucked, so not Triple H. Someone outside Succession’s core cast made a move.

Enter Punk’d with wrestlers.

With the best disclaimer since South Park. No one’s more dedicated to brand pidgin. Or women as a separate, semi-equal species. Every bone thrown to “divas” had a “let them eat cake” aftertaste. As for the logo within the logo, I wish any designers reading a fast recovery.

The debut starts with veteran speed bag Dolph Ziggler. Dolph needs this. He’s in almost every Swerved episode, across multiple pranks. If he can’t be champion, he can at least be Alibaba Ashton Kutcher.

Dolph Ziggler (they considered “Jeanne-Claude von Stallone”) was an early success in extracting the rough edges and life force from internet favorites. Swerved gave him a chance to thrive/smile again: he’s also a comedian. An actual one, not the way Hulk Hogan’s an actor or functional human. Dolph visited Roast Battle and proved he could job in two mediums.

He comes off worse here, on familiar turf. I think it’s like driving home: you turn into a fucking asshole. Dolph becomes Minister of Workplace Torment. For every pin he takes, someone gets electrocuted.

This opening prank’s a little complicated. Whenever someone sits down, a chair deep-fries their balls.

Hold on. Just voltage? No concept or misdirect, just Zeus’s sack-whack? This feels less like Punk’d, and more like–

The game evolves.

Collaboration’s about quietly doing what I say. But my partners say it’s about shared interests. With Gaiman and Pratchett, that’s our absentee father God. With Square and Disney, that’s bottomless pools of money. With Metallica and Lou Reed, that’s regret.

Jackass/Bad Trip producer Jeff Tremaine has plenty of interests beyond cruelty and poop. Vince McMahon has a few, mostly illegal. But their crossover only ends one way.

Dolph’s first interrogation is Matt Cardona, whose character gimmick is “enthusiasm.” Awesome for him, troubling for Americana. “Alive inside” is a distinguishing heroic trait. Imagine calling Superman “faster than a speeding bullet, more powerful than a locomotive, and able to fall asleep without crying.”

Later on, Matt would get fired, use a Thunder Stone, and become a perfect meta-villain.

Today, he’s trying to keep his head down and do his job. The penalty for that’s getting Swerved.

Dolph’s man zapper lacks one ingredient. You need it to understand the show. The words that follow every little person ambush, fake gym mutilation, fake gym miscarriage, and chemical headshot that follows.

Maybe you think I’m fucking with you.

Note the double plagiarism. Granted, “You’ve just been Punk’d” and “You suckas got served” aren’t perfect lines. Except for “You suckas got served.” I’ll defend dance film with my life, or at least a few flares. Muscle opera isn’t far from headspin anime.

My point: those lines set the tone for their stupid settings. “You just got swerved” never sounds natural, no matter how many balls burn. It radiates brand. Chanting it three times summons an earnings report. It sounds the way Baja Blast tastes.

But so does the rest of Swerved. Everyone speaks fluent Titan Sports Communications Guidelines 2K15. They say “WWE superstar” in full, every time, like a sniper demanded it.

I mentioned shit. Swerved takes six entire minutes to get there. First, we’re treated to a mic dipped in dung. The shot feels longer than it is.

This prank’s called Poo Microphone. It’s about a mic that smells like shit.

That’s not an edit.

My notes called Poo Microphone a dumb name. But what else fits? The Prunes of Wrath? Brown Notes From Underground? The Voice: Hard Mode? Water finds its level. This is Poo Microphone.

The torment starts with Darren Young (Fred Rosser, in his poo-free new life). A dead-eyed plant approaches him with a poo microphone. He expects an interview, but gets dungboarded. Darren is WWE’s first openly gay wrestler, making this the 783rd most humiliating moment of the month.

He dislikes the poo microphone.

He requests less poo microphone.

The poo microphone remains.

False friends claim he’s imagining the poo microphone.

Darren stands his ground.

There’s twenty-one minutes and three pranks, so that’s the first poop mic of many. But Darren’s reaction spoke to me. He comes closer to jail than diamond heirs get to happiness. The Usos, on the other hand, are sedated enough to play along. They’re half tag team, half drinking contest. Rad, as long as you ignore the drag race afterwards.

So far, these pranks might seem thin. They are. The Mad King likes primates flinging dung, and hates zoos. But sometimes, physical pain gives way to mental pain. Until you miss the gentler days of CIA roleplay.

Swerved presents Family Business. Whether you love or hate this show, it peaks here.

The name’s tipped this for some of you. While the others read ahead: who do you have for the G1? I’m pulling for Will Ospreay.

Four buds–or fake buds, given reality’s recent accident–enjoy a meal between ladder matches. A break from having every second recorded, replayed, and insulted by web comedians. But the network’s hungrier.

This time, our plants are a fake waiter and waitress.

They’re also a fake couple.

And fake siblings.

A fake abusive sibling couple.

The audio leans in with a banjo, because subtlety went missing with reality. This prank’s a crossover between Hee Haw and a workplace harassment video. And an amazing personality test. Incest theater exposes your soul.

Player One doesn’t care. Even a little. He’s already thinking about the next meal.

That, or he’s clocked the pro camera in a freeway diner. Comedy law demands I choose

food. But half a season in, Swerved detection and compliance is a core survival skill. You need to check everything at groin-level for USB ports.

Player Two notes “If my sister was that hot, I might make out with her.” Don’t let horror distract you from a perfect kamikaze roast. WWE’s an international conglomerate. People in Kuala Lumpur heard him call his sister unfuckable. If one of your employees said this, you might edit it out. That’s what makes you weak. You’ll be Swerved and forgotten, like Ted Turner before you.

Player Three’s another plant, and struggles to simulate empathy. If you’ve murdered an Elder Scrolls NPC, you’ve seen his reaction. He’s angry, but assault gets the same audio as stealing a melon.

Then there’s Heath Slater, who earns a proper noun. He leaps into action. A century of West Virginia jokes die in forty seconds, as Heath prepares to cash in his annual felony. Hopefully SAG health plans cover silverback attacks.

The plants defuse the situation the natural way: foreplay. They earn every cent of scale, so it’s a shame they probably weren’t paid. As Heath’s eyes dim, the actors reveal the marginally less upsetting truth:

They’ve got chemistry. I hope they’re still provoking martial artists today.

I’ve blamed a lot of Swerved on pandering to Vince McMahon. But there’s no televised, multi-episode proof he has an incest fetish. You definitely can’t hear about it in Ivanka Trump’s support group. So I apologize. We’ll blame this one on the human condition.

The prank siege nearly drove these people insane. Even I can tell, and that’s something. I know every Chaos Space Marine chapter by helmet shape, so I’m iffy with personal cues. But there’s tension. The fun in “is this a rib” slowly dies. The season finale’s revenge ritual has a little too much verve. The Miz attacks Jeff’s staff with a taser, but I think he pitched live ammo.

So Season Two spread out the pain. Fans. Children. Passerby. Fans again. No outsider was safe from getting Swerved. It’s kinder, gentler, more diffused gaslighting. Incest play goes over badly in court.

It sucks way more. Looks like the monster was, as always, in me. I still nominate Vince for Siberian prison.


This article was brought to you by our fine sponsor and Hot Dog Supreme: Supernaught, who has NEVER stood idly by while incestuous wrestling waitstaff attacked each other.

Categories
LEARNING DAY

Learning Day: The Society of Classical Poets 🌭

Don’t. Nobody can publish that list without getting kicked to death. Critics ask “what gives you the right?” Grad students ask “What is a list?” Writers ask “Did I get third, first, or both?” Instapoets ask “How do I look at rain without drowning?”

No answer can save you, because it’s subjective and loaded. You’d make fewer waves writing “The Top Four Skin Tones, Ranked.” And everyone involved fights dirty. The arts don’t teach universal truth: they teach arguing until a senior citizen taps and lets you graduate.

It’s a trap for anyone. The Society of Classical Poets are just the worst people alive to try.

This went viral while I was in editorial hell:

Or rather, viral again. “10 Greatest Poems Ever Written” is the clickbait version of square borders. One half-assed afternoon guaranteed decades of war. Individually, Top X lists, incompetence, and pride are all cash crops for conflict farms. Together, they’ve paid for at least one horse.

The picture makes me feel for Evan before reading one comment. You can be a myopic fuck in math or bowtie design without trending. But calling ten sepia white people history’s best writers is a one-way trip to So You’ve Been Publicly Shamed II: Shame Harder. At best, embarrassing. At worst, a career boost:

This list would be doomed if it was good. I’m talking about it, so nope. But I recognize this seven-year-old fuckup got extra heat in today’s digital knife-fight. Though in 2016, we were also somewhat agitated. I don’t think there’s been a year friendly to The Society’s proud dumbfuckery since Iran-Contra.

Here’s where a big team helps. Many comedians blindly suspect verse poetry is for pretentious dickheads. Two degrees in, I know it. As a half-vampire, I’ve seen this nightclub.

Still, we can’t flip in and start slashing. They might drink Beyond Blood. And think you look like Wesley Snipes. And have a dad who hates daywalkers. Wild times. Anyway, this list gets a chance.

Evan’s lineup looks paler than a fair trial, but I get it. We’re not very lyrical uptown. If we were, black one-liners would dominate music and culture. Modern slang would be jokes my sisters killed ten years ago. Searching “famous black people” would bring up nine lyricists and the last president fluent in English. This list is for the masters.

Let’s meet the tenth greatest poem of all time.

 

Ballsy. You know you’ll piss people off, so you simply don’t try.

Somewhere, a man with gravity-warping nuts walks among us, knowing one wedgie would wipe out the city. He limps forward for our sake. Why mock this hero, when I can celebrate him?

To be clear: Frost’s great. Schools strip-mine his work for a reason. The thinking behind this list? Less so. This is diet water.

Three wars ago, my sister forgot her poetry project. I punched it out in fifteen minutes, amidst the active fistfights of a public school cafeteria. I chose “The Road Not Taken,” and the analysis sounded exactly like this.

Still, after all the propaganda and public breakdowns, it’s nice seeing someone fuck up without stakes. No one gets tortured because Evan’s trapped in high school. No viable careers depend on the Society. His arrested development is his problem.

Is the rest of the article this quarter-baked?

It just might be.

That, or Evan stole my eighth-grade homework.

Alright, I get Evan’s game now.

Evan is a bowtie.

Bowties are everywhere. Fiction bowties wax about the death of the novel, and their manuscript reviving it. Black bowties say Shakespeare stole Othello from Iceberg Slim. Sci-fi bowties cry through the Hugos every year. Poetry bowties think poetry died when people started reading it.

I suspect this entire club’s made of bowties. Writing cliques are like high school, and the Society skips parties with loud music or premarital dancing.

Let’s hear their pitch.

There’s one real problem here.

Every journal overwrites “we make words good.” That’s a freebie. They can even call themselves “the Society” and keep half their dignity. The fuckup’s promising to “reestablish poetry.”

We’re not talking about polar bears or watchable news. Poetry’s everywhere. Visionaries and frauds bore audiences worldwide. It’s the only branch of literature or humanity to benefit from Instagram.

I’m curious about Evan’s work. Let’s see what else he gets up to.

Ah.

In a mood, I’d say Trump was just in court for tiger-like attacks. But we’re being reasonable today. I’m reasonable. Evan can turn this around.

Fucking why? I try empathy for the first time in my life, and you dick me over like this? I wanted to sit at the nice kids’ table, and now I’m back to googling synonyms for “backwards dickheads.” Thanks, reactionary dipshits.

Evan judged the greatest poets of all time, and then wrote this. He might not make the cut. Maybe tenth, if Robert Frost killed your father and you think enjambment describes bad sex. But it’s really continuing an idea across two lines. For example:

Fuck it, Evan’s just one writer. He doesn’t represent the group.

I’m sure his other work’s saner.

Every day is the weirdest day of my life.

This is fine. Evan’s divinely inspired: he steals directly from Chick tracts. More power to him, if he can edit work that isn’t in tongues. Journals generally settle into a nice rhythm of “me and my three friends” anyway.

Are his friends like this?

All of them?

I see. I’m the new Midas: everything I touch turns into screaming lunatics. That’s fine. I’ll just recharge with a little nostalgia, and read some Dilbert. I loved that strip in middle school. A few sharp digs at office culture should help me reset.

Something’s gone wrong.

We can still be fair today. I’m fair. I’m a balanced, insightful soul. It’s an entire society. There has to be something of value.

We’re not doing this. Try again.

Darkling, are you serious?

Sure, writing like Matt Walsh’s dungeon master is cool. I’m nice today. I shat on hostile interviews less than a month ago. I can’t go Crazy 88 on poetry nerds until August.

To the pain.

Migrants should run this journal. Their poems wouldn’t look like NewsMax wordclouds. You can’t strangle a language you don’t know. Russel knows and loves English, just like God knew and loved Job. Most languages are killed by someone in their household.

Topical fanfiction is a Society feature, the way that napalm is an American export. Not my thing, but I respect it, and never lie. Any idea can be a poem if you hate words. And better ideas would be a waste: if you write “most wondering” in 2023, your ceiling is iambic bomb threats.

Russel indulges often. For example:

Maybe I fell down a well and hallucinated two decades. We’re actually on season 15 of The Boondocks, Dick Cheney’s on vacation in the Hague, and Target’s only on blast for child labor. While Russel writes beloved advocacy and self-help for the micropenis community. His memoir Be More With Less helps thousands of “MicroStrivers” abandon hate.

If you curate and publish this, you’re unqualified to pick the best glue you ate today. You burn crosses with childproof matches. Everyone laughs when you leave the rally. You’re a level of stupid prose can barely contain, let alone describe. I’ll try free verse:

Alright, it’s out of my system. What else does Russel have?

Better! Saying less than nothing takes work. When I expect madness, an information hole’s a perfect twist. This is a void in the world. Bipartisan emptiness. When I stare into this poem, it stares back.

The Society’s above modern mud-slinging, so I’ll put this in their language: Society no write good. Poems suck big failure. Glue not food! Glue for paper. Eat cookie instead, feel sparkle. Delete website, many sparkle! Yippee!

Could someone break this failure killstreak? Or suck another way? Fuck it, give me a leftist dumbass. Tell me snoring while white is fascism. Tell me Will Smith preserves Source Awards culture. Tell me Stalin fought Ukrainian obesity. I’ve run workshops, I know your slush pile gets worse. Medieval Tom MacDonald is just one flavor in a failure spectrum.

I’m praying to an empty heaven.

Norma’s English, in case you think lead poisoning is U.S.-exclusive. The name’s her best feature. Norma Pain could be a killer pro-wrestler, The Black Dahlia Murder’s opening band, or even a competent poet. Instead, we’ve got this.

But she has a point. If you question the vaccine, your work’s “cliched.” If you don’t buy gender ideology, it’s “pretentious thesaurus vomit.” And if you even mention faith, it’s “6 AM on the fucking subway.” Diversity of thought matters.

Again, I can relate. Before the thought police took over, I could’ve questioned Norma’s chromosome count and punched out. Now I’m stuck engaging her work, whose title drop sparked my first migraine in ten years. You can’t say anything anymore.

Maybe I’m fixing the game. I should go on the Society’s website, click “Poetry,” and enjoy the first poem I see. Their newest, front-page work, as I’m writing.

I miss Saina.

If Jeffrey worried about offending God, he wouldn’t rhyme might and right in public. Or private. He’d whip himself until Easter for thinking of it. In the Old Testament, his keyboard would turn into bees. In the New Testament, his keyboard would turn into redeeming bees.

But it’s fine, since no one’s watching. I mean readers, not the demiurge. Jeffrey’s the piss break on Aryan poetry night. Somehow, someway, he makes Evan and Russel look better. He’s Luigi’s Luigi, if Mario were a Vogon.

The twist? This Westboro Baptist freestyle loses focus. The drift from “fuck deviants” to “recycling is hard” makes this the first hate speech about composting. If you mailed this to GLAAD, they’d send back Adderall. And ask why you swiped Dane Cook’s most famous joke.

Sorry, let me translate that into zero pussy:

What kind of postmoron writes like this? Did Galactus grant you cosmic stupidity? Did you frustrate Reed Richards to death? Do you herald a new, brainless age? Because you’ve fried mine.

Since God’s sleeping in: Satan, can you send writing that isn’t cribbed from Goebbels or Gallagher?

Thank you, master below.

Yes. More. This cornball intro has an idea and creates context, without one wink at genocide. Mark’s rocketing upwards.

I love it! It’s not good, but it’s today’s best. If this journal was just puns by PhD zoophiles, they’d be better off. Mark is, in his style, a big dog on a pile of toxic garbage. Or small porch, whatever.

This trendy pet glurge works. So maybe, just maybe, fixating on the past holds the others back? The Society isn’t anyone’s ceiling. Norma’s one slur away from Texas A&M tenure. Evan could sneak into a Wall Street Journal desk without anyone noticing. And our next poet was born to write Gutfeld!, God’s cruelest joke.

Hint: if your alt-text is embarrassing, start over.

Now that breeding’s mandatory south of Canada, new mothers should know we hate them. Break eye contact with Junior, and the Society will rhyme sad, mad, bad, and whore. Next time, think twice before existing.

But why mention controllers? They’re redundant reminders of time leaving Joshua behind. Why not highlight another aspect of decay? Like impotence, or brain fog, or impotence?

Three more Luddite jams follow, which is brave in a web journal. Read digitally. On screens. The comments are full of iPhone 2 typos. Some writers snub art for their brain, but Joshua tossed his into the sea.

Let’s go back to patient zero. I’ll give the president one more shot: if Evan can write one sane update, I’ll join the Society.

Cool.

Make that two shots. If Evan can write one sane poem, I’ll join the Society.

Dance! Yes! I love dance. Poetry’s grace, without dog puns or murderous hate. Let’s dance. I’m surprised Evan’s on this side of Footloose.

Wait.

Ah. I’ve lost my mind.

Fun fact about Shen Yun: they’re a cult with side flips. I’d still dig them, save their push for a hot war with China. That’s insane, apocalyptic, and impatient. Foreplay’s the best part of extinction. Even if you love Fallout, Falun Dafa has angles on interracial marriage that most faiths save for subtext.

Anyway, Evan’s all in:

Read closely. You might see Evan triple-wielding caricatures of white vacuity, black poverty, and mystical asians to piss off almost everyone alive. Or his fifth review of Cirque du Zion Ranch since 2012. I see my defeat. This is a fine ad for Chinese Scientology.

Evan wins. I’ve joined the Society of Classical Poets.

Specifically, “Amadeus Vult” and “Laura Kelly” have joined. A duo proudly producing patriotic poems since this morning. I have a two hour commute.

I hear you, strawman. “Dennard. You smashed Laura Ingraham and Megyn Kelly’s names together like a McMahon. Was ‘Coulter Braun’ taken? And ‘Amadeus Vult’ isn’t so much a pun as a swastika in Webdings. Any editor, most people, and some chimps would see through that.”

“Alright, you’ve broken the Prime Directive. But as your strawman, I refuse to believe there’s an actual poem. Please, father, set me free.”

“Cool. Father, what the fuck is wrong with you?”

“How is this possible? Why was I born to suffer?”

“The Code of Straw is clear. I’m shocked the Society added photos of a rap hooligan and Good NegroTM. Shocked. Set me free, father. Let my soul fly.”

“This seems to be a tribute to ‘Uncle Ruckus’ from The Boondocks. Surely this time you’ve overplayed your hand. I must pretend not to know this worked. I hate you, father.”

“They love your fake poet. How unlikely! May I die now? I’m ready for God’s punchline.”

In fairness: Evan changed the title from Making a Ruckus. I hope he sniffed a joke, but he publishes Russel. Only God knows. A.k.a. Li Hongzhi, enemy of the CCP and miscegenation.

Either way, writing classical poetry’s fun. Without new ideas or unpaid sex as distractions, I could focus on richly stilted language. I’m a convert. I’ll submit 10-syllable beauty under false names for years to come, just to keep the craft alive.

As for the list: every community argues over authority. So what makes you credible? Skill? Experience? Hatred? Eight dollars? Hiding your mediocrity behind Marlowe’s corpse?

Fuck if I know. I teach word-karate and don’t remember what a sestina is. I almost failed a student for asking if I can hardflip. When questions like this come up, I tent my fingers and say “interesting.”

But joining the Society for Classical Poetry doesn’t give you authority. It doesn’t even get you a CPAC ticket. You’re just dry-humping the graves of people that would have fucking hated you.

This article was brought to you by our fine sponsor and Hot Dog Supreme: Jeff Orasky, whose slam poetry makes Percy Shelly look like a little Bysshe.