It’s Dogg Zzone 9000 Day, and we invited our dear friend and bestselling author, Jason Pargin, on to promote his next book, Zoey is Too Drunk for This Dystopia. You can pre-order it now! Jason is a brilliant veteran of multiple media industries and can speak with expertise on any number of topics. We chose Corey Feldman. Listen here, or wherever you get podcasts!
Corey “The Comeback King” Feldman is entering the fourth decade of his music career which long ago merged with his sex trafficking career, and he usually waffles between obscurity and humiliation. A Corey Feldman performance is like a car crash because you can’t dance to it and there are girls who need to be rescued. He is living proof that fame, ambition, titties, hard work, and a cutthroat attitude might still get you nowhere. Of the cast of The Lost Boys, he only has the seventh best band and the eighth best sex cult.
Pick the three words you’d use to describe the perfect seduction artist. If you’re like most women you said, “Married. Middle-aged. Magician.” Rich Ferguson is all three of those, and in 2010 he self-published the culmination of all his cervix-opening techniques in a book called Tricks to Pick Up Chicks.
This book has everything you could need to interrupt a woman on a night out with children’s games and riddles. There are high effort criminal schemes, low effort sexual assaults, and a real “just kidding” attitude to all of it. Grifting women is harmless fun! And if it’s not, no harm done! Maybe I’m not explaining it very well. I’ll let Rich give it a try in his zany disclaimer:
We’re not at full crazy yet, but this gives us a pretty good calibration of Rich’s sense of humor. He’s always “on,” but never funny. He should be “considering the consequences of his actions,” but wants money for adapting card tricks into sex crimes. I’m not even sure what he thinks he’s doing here. Does this protect you from liability if one of your readers follows your instructions to the letter and gets arrested for pulling a knife on a woman he licked? Wait, I’m getting ahead of myself. Before we get to the concealed knives and stranger licking, let’s read the introduction (I think he meant “foreword” (Rich is not a good writer)).
Whoever this person is has amazing things to say about the author. “He’s not very remarkable, but I’ve seen others tolerate him. He’ll walk right up to good people as if he’s one of them.” I don’t know if I’ve ever seen a less inspired foreword. It’s written like ad copy for an inflatable doll. Let’s continue…
This person might have gone a little too far on the salesmanship. Instead of saying “this is sort of a dorky way to meet new people, but let’s have fun,” they’re talking like they got an early manuscript of the book and used it to crush ass up and down the Vegas strip. “Guys, listen: these zany jokes and straw wrapper gags are for champion poontangists. You go out without these card tricks, don’t forget one thing: a good supply of unused penis.” Seriously, who the fuck wrote this? Some business major after getting punched in the head for 30 yea–
Oh. Well now I feel bad. And I’m about to do the same to you! We’re going to move on to the introduction, or as Rich calls it, FOREWORD.
If you were worried this magician might have some kind of personality disorder, here he is comparing himself to Spider-Man because he sometimes knows what card you picked. Luckily for “the world,” he only uses his powers for good. Unluckily for the world, he thinks calling a woman fat when she won’t sleep with him is “good.” Let’s stop and appreciate what’s happening here. This man wrote a groping manual for lonely alcoholics and the first thing he compares himself to is a superhero famous for noble sacrifices. He called us, the rest of the world, “lucky” for this choice.
So the origin of this heroic idea is the children who ask him which card trick gets them sex. And he combined this idea with his “vast experience of observation.” Is there anything less than this? Like across the entire scope of the universe, has any idea had less of an origin story than “I’ve met many horny teens and adults, and have spent my life looking at things.” It’s like saying “I got started in panty sniffing by really, really being from Tacoma.” I’m so fucking pissed at this book and I haven’t even told you Chapter 1 is called “Quickies.”
This next part is real and I’m not making it up. I understand you won’t believe me, but I promise this is the first trick of the book. Stop and imagine the worst thing it could be and then read this shit.
I bet even in the darkest imagination of our darkest reader’s soul, no one actually thought the first Trick to Pick Up Chicks would be to sneak something into a woman’s drink, and it’s called “Suck.”
I’m genuinely awestruck by this. The act of explaining why this is a bad idea seems insulting, as if anyone would need it. This is the Chuck “The Iceman” Liddell, Champion Fighter of bad ideas. But out of respect for Mr. Ferguson, let’s think about it. Let’s say you switch this woman’s straw for one with a knot in it. In a perfect world, perfect in this case being a world where you put something in a stranger’s drink without being detected, she won’t be able to use her straw. No problem, she’ll sip from t– why is there a strange man laughing at her? Oh, he did something to her drink. That’s fine then.
You know what women love? Knives and knife deception. Ha ha you thought I was kidding earlier when I mentioned concealed knives, but look here! This trick is to hide a knife! In the low stakes world of hitting on imaginary women, it’s hard to fuck up harder than this. He is slipping things into drinks and pulling knives. It’s like his virginity is trying to get him killed.
I understand I have a natural advantage over the author because I’m tall, handsome, and not a magician, but anyone who has talked to a woman knows they’re harder to trick than this. This is a swindle you’d read about in a turn of the century novel about a man who died alone. “You own me a drink,” says the creep touching your hair. “Fucking swoon,” you say. Anyway, this is a real innovative trick, “The Ice Breaker.” What’s next? Tie a cherry stem into a knot with your tongue? You fucking idiot?
Just walk up to a girl and reach into her food or drink. Do a thing widely regarded as the most cliche thing a desperate man can do, but make it a lie. Maybe it won’t work or maybe it won’t, but the joke’s on her because you already smelled her hair.
So if I’m understanding this one correctly, you… and I want to make sure I’m getting it exactly right… you steal her phone to get her information and then pretend to be a telemarketer. This is a genuine maniac’s idea of an idea. How does this conversation go in his imagination? “Ha ha, I’m not actually a telemarketer. You fool. I am the man who stole your phone and got your number. Look behind you. See that middle-aged magician touching you? He is me and he has a knife.” No, but I’m being serious: what is going on? What the fucking shit is next? Severed baby doll heads?
Oh my god.
So right alongside all these tips from The Elderly Stalker’s Guide to Bitch Slaying are these wacky party tricks for someone’s 7th birthday. This is supposed to be a book about seducing adult-aged ladies and he is running up to strangers at the park and blasting water out of his nose. And then what? What conversation happens after that? “That didn’t really come out of my nose. Hi. The name’s Rich. Give me your phone, I have a knife.”
I hate this more than anything, and I recently read “loose doll heads are a great way to meet women.” So I want to be as clear as I can with my words here: this is Garfield trying to do a rape joke.
Give her a lingering, finger stroking high five. No one will know. If she complains, call her a liar. You can do anything you want to a woman if it’s just hand touching stuff because it’s technically legal and you’ve already smelled her hair.
“Women love bee attacks, and you don’t even need real bees,” says knife hiding author of Tricks to Pick Up Chicks.
“Here’s nothing, you cow. You clumsy whore, I’ve taken your coin!”
I don’t know how these are still surprising me, but Jesus Christ. Rich Ferguson’s seduction advice is to wait for a woman to drop a quarter, bend down to not pick it up, and then leave. Why would anyo– oh. I get it. Looking up her dress and masturbating to it later is such an ordinary part of this guy’s life he didn’t even think to mention it.
This is going to sound insane, but there is still a lot of Chapter 1 – “Quickies” left. Rich moves on from violating the personal space of women and the rules we all live by to list some pick up lines that don’t do anything. Those are his words, not mine, but I agree.
By now you’ve realized Rich doesn’t have much respect for women. Imagine writing any of this if you thought women had any intelligence or agency. “I tied your cherry stem in a knot, real person with no defenses against the endless siege of losers exactly like me.” But Rich also has no respect for men. Here he is explaining to those poor fools, those many men who believe pick up lines are sorcery, that they are not. Again, we are so lucky this mighty trickster only uses his powers for good. I can’t get you ready for these, but you are going to hate them.
This fucking guy set up this section by saying, “I know you think this stuff works every time but it might not.” And then he tells you to hold up a pack of sugar, tell a woman she dropped her name tag, “immediately laugh,” and do a sugar pack magic trick. This is how a grandpa tells you he’s running out of time, not how you seduce a woman.
I like the idea of walking up to a stranger and guessing how big her tits are, though. “Because your s-shirt says GUESS,” you could explain while she’s deciding the best way to handle another awful stranger.
“The moment you let your guard down someone like me will kill you,” reminds Rich Ferguson to every woman he meets.
She might not really take off her clothes, but the jokes on her because you’ve already pictured it. To make no difference whatsoever in the seduction progress so far, place a small clutch of spider eggs on her shoulder.
Wait, no. No. This motherfucker is just reading the mugs out loud in a Spencer’s Gifts. What am I supposed to say about this? When it’s someone’s job to come up with pick up lines and they are literally telling you bumper stickers they saw outside a lingerie football league game, there are no ridiculous directions to take it. Its failure is already beyond any hypothetical concept. “Fuck this soulless monster,” is my joke.
That panties one is a Gallagher line. I’m not kidding; it really is. Which means Rich Ferguson was watching a Gallagher special and thought, “You know if you take out the exploding watermelons, a lot of what this racist man is saying could be quite seductive to women.” Here, let me find an original one. Okay, here we go:
This is somehow worse than approaching women to tell them about Hot Topic shirts you’ve seen, but it may comfort her because it has the subtext of, “Don’t worry, young lady. I was chemically castrated by the state in 1975.”
No one is going to believe this book is real. You could buy this book on Amazon, open it up and see I didn’t doctor any of this and you would still be mostly sure I’m pulling a prank.
Rich starts a new section called “One Liners.” Like the “Pick Up Lines” section, it is a random list of buttons found on a passionate grade school librarian’s signature vest. I cannot imagine why these are two different sections. I’d normally insult something like this by calling it two identical lists of half-remembered Gallagher jokes, but that’s proudly what it is. That’s how this magician fucks.
“Fake tits!?” you stammer at your dream girl. “Because y-your shirt said GUESS,” you add as you pee your pants, you piece of shit. Another notch on the Rich Ferguson futon slat. Ha. These breasted fools are practically asking for it by wearing a shirt with a word on it.
This is the perfect opener when you’re following a woman to her car or grabbing her ankle from a sewage drain.
Is it a red flag when a man’s opening line contains the word slut and bitch? I hope not, because this is a great line for picking up a confused woman with no sense of humor on her first day outside, and that’s my type.
“YOU ARE NOT SAFE, MY DEAR,” implied the magician to the missing girl.
What’s the deal with this flawed premise with an obvious, actual answer? And why do they call it airplane FOOD when you can shape it into a human vagina probably better than the real thing?
This will sound unthinkable. Impossible. But we aren’t done with Chapter 1 – “Quickies” yet. Rich has included a series of insults you can preload for those rare occasions when chloroform jokes don’t land. Most of them are pompous references to seventh grade biology because women aren’t like us fellas getting Gallagher jokes mostly right. They’re stupid.
“You plebeian wench. You shall never again know love like the time I said to your chest, as you may remember, IMPLANTS?”
This is almost an idea. It would take a miracle for someone to take this as an insult and there will never be a situation where it makes sense, but it has the rhythm of a joke. It might be an appropriate thing to say after a bachelorette party tells you to fuck off and you proclaim, “Very well, I shall leave you with this!”
“Fine, I guess you can kill me, mister,” she replied.
“It’s your own fat fault for being in public,” hissed the world renowned pick up artist known as “The Ice Breaker” as he slid the chain of scarves back into his mouth. “Fucking waste of scarves!” he complained.
At this point, why are we dancing around it? Just punch her in the face, Rich.
The Ice Breaker sat at his typewriter and tried to condense his vast experience of observation into a tidbit of wit. He had it. He had it. “Go where you’re not wanted and stay there. Say something fucking meaningless.” Elsewhere, a forbidden hole leading to a world of darkness grew larger.
I have some bad news. We aren’t done with Chapter 1 “Quickies.” After his section on awesome shit you can say to women rejecting you, he wrote a section on awesome shit you can say to women rejecting someone else!
And if you’re standing behind Rich you can say, “The bird and mouse are gone, the third opossum gets your panties, your stinky whore panties.”
Wait, hold on, stop. Did Rich recycle this murdery “One Liner” to use as a “Line if She Blows Someone Else Off?” How? And I don’t mean how could a writer be this careless and lazy, I mean how brain make cuddle line choice? Are you supposed to deliver this after you witness a mauling? “Um, I can’t help but notice you are receiving unwanted attention; I shall like to throw my hat into the ring as well, m’lady.”
“Boy, some of the guys in here are real creeps. I’m sorry you had to go through that. Au chante, I’m Rich Ferguson. Magician. You won’t believe the poop joke I once saw on a refrigerator magnet, and nothing else.”
“So by my logic, ladies, which is quite formidable, that means my penis is off the clock.”
We did it! We made it! This is Chapter 2 – “One Night Stands!”
This chapter is mostly old magic tricks with pervy names and insufficient instructions. For instance, here is how you seduce someone by weaving a tourniquet around your fingers with rubber bands. “Rubber Penetration,” you call it to help women understand, okay, this magician in the bar is hitting on me, not panhandling.
Rich, you idiot. If a woman agrees to a stranger’s request to “pull my finger and close your eyes,” she has already been kidnapped by one of the other murderers.
This might work if you told her, “You dropped your name tag, Karate.”
I’m not trying to be difficult, Rich, but this is bullshit. This has never and could never work and if you were capable of talking a group of women into giving you their phones and playing a rigged calculator game, you would have already talked them into sex.
YOU DROPPED YOUR NAME TAG, KARATE STRAW!!!
There isn’t a woman alive who wouldn’t immediately see through this, but that’s not the point. The point is, you want to trigger a woman’s adrenaline as quickly as possible because it gives her flesh a richer flavor.
Tell your dream-girl, “and that’s how you make nine dollars, you thirsty bitch.”
This is going to be one of those where I don’t make a joke because this guy just suggested you tell a woman you’re not going to put your mouth on her, and then you do, but you also tell her she’s not worth a dollar, only in a fun way to let her know you have a great personality.
Enough of this sincere bullshit. Let’s move on to “Scams.” Here’s a good one where you… wait, this is another one where you grab a stranger and put your mouth on them. “Oh my, I thought you were my friend. She also has very gropable breasts, what a mixup. Hi. Rich Ferguson. Fucking obvious sex criminal.”
“No, see, it’s a hundred dollar bill. Only not the kind you’re thinking of, dummy. The kind where you owe me one hundred dollars. And you agreed, so you have to. Let me explain it again because sometimes my superior intellect confuses lesser life forms. Sometimes ‘bill’ means a second thing and I led you to believe the wrong one, you yeasty, imbecilic animal. The name’s Rich, but they call me ‘The Ice Breaker.’ You remind me of my mommy, I hate you.”
This is the plan of a child who learned what “drunk” meant a moment ago. Rich’s idea is to pretend to be drunk until you’re alone with her and then “instantly become sober?” That’s a fucking horror turn in a movie you thought was a college romp. Can you even call this a scam? This is lying to a woman and then no one sees her again.
We all love a night out with our friends, teaming up to lie to women. Let’s read Chapter 3 – “Threesomes.”
This might have worked on the day they invented women, but it seems almost embarrassing today. It also requires someone to be worse at hitting on women than you, and I would honestly love to see what Rich Ferguson’s idea of picking up a girl would look like if you were trying to tank it. Do you accidentally strangle her rather than joke about strangling her?
You already knew this next one would eventually show up:
“You can change your shirt in front of me. If you w-want. Also, did y-you know that blowjobs are how you say hello in Blind? Help, I’m a character from an ’80s comedy, how did I get in your world? Call me Ice Breaker. Sagittarius. And, oh yeah, I can’t see.”
This whole book has been a collection of criminal-adjacent schemes to rub your elbow up against a furious woman’s boob and call it a sexual conquest. And now, after all that, Ferguson’s whole plan is “send your liar friend over to meet and befriend a whole group of girls and talk them into playing board games. Ah, but here’s the key part no one tells you– choose the one you want to fuck!”
Like every pickup artist, staring at women who won’t talk to him has made Rich Ferguson think he’s good at reading body language. And like every person who runs out of sexual wordplay ideas after three, Rich Ferguson has named this chapter “Chapter 4 – Body Language.”
Like every pickup artist, shaking a woman’s hand and her leaving his life forever has made Rich Ferguson think he’s good at decoding handshakes. “Here are some things that may or may not be true for reasons you couldn’t possibly know,” says the absolute dipshit.
After 11 tips about handshakes and foot placement, Rich Ferguson remembers smiles. “Smiles are good, reader, I’m helping you,” says the goddamn total fucking dipshit.
As the man faking disabilities to invade the spaces of women, this shouldn’t come up often, you are going to want to look out for open signs of contempt. If a woman is pantomiming her disgust at you, Rich says you have three options. One, harass her friend. She won’t care, she knew what she was getting into when she sat next to your first choice. Two, draw attention to your failure. Everyone! This tease heard almost all of a Gallagher bit and now she’s pretending she’s not into me! Three, do something amazing. No need to elaborate, you’ve always had this option for when the Gallagher stuff didn’t work. Or four, leave her hanging as you leave. Walking away after humiliating yourself is a real power move. I’m leaving, me, because this whole group of man-hating lesbians are the ones who can’t tell a Gallagher joke! If there are any other body language experts in the bar they will know you are the real winner when you slink back to your girl-watching shadow.
Sometimes women bump up against you, but this is never an accident. You must follow them. Or pretend to be offended. Please try anything, this is the closest you have been in years. She touched you, not the other way around this time! You, the main character of the universe! The sexy big boy who could have any woman he wanted but doesn’t because the world is lucky he only uses his powers for good!
“Chapter 5 – Rules of the Game” is not that. It’s a violently random list of 60 things Rich Ferguson thinks he knows about what he thinks is dating. It is sixty phrases a sleeping prisoner would mumble if he was being held on charges of chicken sex.
It only took him five entries before Rich made the rule “When what you want doesn’t match up with what a woman says, she’s wrong.” Oh no, this is a really bad one for me not to add a joke.
“thankyou for the large penis sex prize you awarded to me, lady mayor. i trust my secret identity of karate vigalante is safe with you.”
“oh no this was meant for someone else. hi, this is blond guy from the bar. the one with the knife who recited a poop bumper sticker for you.”
“* blind”
“lol the dumb female is buying it”
“wait that one really wasn’t meant for you”
The last ten entries are Rich coping with the reality of his situation. He wrote an entire book about picking up chicks and it was several pages of 1950’s best fart jokes and the Revenge of the Nerds scenes they had to cut from the television broadcast. It has taken such a toll on him he can no longer get laid in his imagination. “She’s the one loosing out on someone with a great personality,” he weeps, spelling the word losing wrong for the 11th time with his terrible personality.
“Be sincere” says the stranger groper at the end of a book about deceiving women. “She technically can’t reject you if you’re lying,” says the man who just told you to be sincere. I have so much more to say, but like a desperate lonely man insisting you let him do a very long calculator trick and refusing to go away, I’m going to leave you wanting more. Always.
The year was 1974. “Fuck it,” said a comedy book editor. “Fuck everything.”
Vampire Jokes and Cartoons is the skeletal remains of an idea picked dry by mindless boneworms. It was edited by Phil Hirsch, a giant in the dead horse kicking genre. Keen-minded hot dogs might remember him as the man responsible for 101 Hamburger Jokes and two different boob joke collections. He has the sense of humor of an Anne Frank House tour guide, and Vampire Jokes and Cartoons is him on an off day.
“Something about necks, come on think… neck…” is the entire writing process for most of the book’s jokes. And speaking of writing processes, the first thing I do when I read these things is to find the patterns. Authors always reveal secrets and weaknesses when they lazily attack the same problem, and that’s where the magic is. So I started keeping a tally of nonsensical neck references. Blood bank jokes. Misunderstandings of how vampires work. Misunderstandings of how comedy works. I’ve never learned less. Vampire Jokes and Cartoons is the spilled intestines of a beast feeding only on stupid. Two of the categories I was tracking were “Huh?” and “Fuck You” because I thought I could do some kind of “The Only 6 Kinds of Vampire Jokes” bit. But no way. Without exaggeration, 80% of the jokes in this book were “Huh?” or “Fuck You.” Let me show you.
Oh, a vampire lemonade stand? I get it. The lemonade would be blo– hold on, the customers are also vampires? And they… don’t recognize the taste of blood? They thought they were buying tomato juice? Even though they only drink blood? You dumb fuck, did you forget what vampires were in the middle of this? This is like a cartoon of two dogs, but one of them is a psychiatrist and the other says, “You are a dentist, camel.” Pathetic. An embarrassment.
What’s the joke supposed to be here? This is a group of vampires going to see a movie about a vampire. I suppose they would do that if they existed. Are you fucking telling me this cartoonist wants me to imagine a world where vampires are real and nothing else is different and something about that would magically be funny? Maybe if they were buying tickets to Two Hours of Diabetic Cowards Bleeding Out, you’d think, “Oh, I get it. Undead monsters would enjoy different entertainment than us.” But this? This is nothing. Only a goddamn idiot wouldn’t know that, Phil Hirsch.
Later in the book they do try to come up with funny vampire movies. It is catastrophic. Shameful failures cowering under the shadow of a mouse drawing. “A SCAR IS BORN?” How? On what? The dead body you were sucking on? Dead bodies don’t heal! Or do you think there’s a coroner out there referring to the gaping fang wounds on a desiccated corpse as “a scar?” And what the shit kind of sad effort is “GRIEF ENCOUNTER?” And don’t start with the excuse of “oh, the family of the guy the vampire ate will feel grief, and that’s why the hilarious pun works.” I’ve heard it all before, you fucking hack. You wrote this in 1973. You only had to flip one letter upside down and you could have had Cleobatra Jones. It was right there, you trash.
Are you starting to see what I’m talking about? What could this mean? Is this vampire sarcastic? Or in this world of vampires, are movies about vampires always funny? And if so, why? Do they get “real” vampires wrong? That can’t be it, because the authors and readers of this book are using those vampire movies as a reference, which would make this joke literally impossible to understand. No human mind should have been capable of a thought this pointless. Which means, okay, this is going to sound insane but here’s my theory: this book is for people who find vampires hilarious. Under any circumstances and in any context, to them, “vampire” is a complete setup and punchline. With this in mind, let’s continue.
“Could it be that easy? Am I already done?” asked the man staring at the words VAMPIRE SNOWMAN. He was.
“I really need some time to set this gag up,” decided the man staring at the words REFRIGERATOR FULL OF BLOOD. He didn’t.
What!? Aiiiiieeeee, WHAT!? No no, we can figure this out. Okay, I think a group of men wrote a letter to this unnamed bureaucrat about a vampire balloon that scared them. So far, amazing. Perfect premise. Next, the letter arrived and the important man finished every task with a higher priority of “some guys scared by balloon.” Finally, he called his secretary into his office to take down his reply. It’s a great joke and it works perfectly except for one thing: there’s no way all of this could happen while the parade was still going. Checkmate, Phil.
Take off your Daredevil Doug Safety Gogglesâ„¢ and let’s get started, Little Scientistsâ„¢! With your parents’ help, mix 5mg of aluminum sulfate with three drops of the menses of an innocent. You fool, you have summoned Dracula.
I get this cartoonist is going for irony, but a vampire writing a vampire book in a world where vampires exist would be subject to the same criticisms as a human writing a human book in our world. The only thing that happened here is a dipshit tried to imagine a world where vampires were real but then accidentally didn’t. A better caption would have been: …the handsome vampire’s fangs slid easily into the engorged penis like two penises penetrating a blood-filled penis. A passing parade startled him from his penis feast, leaving twin crimson geysers erupting from the penis like two ejaculating peni– “Jesus Christ, this is HOT. I don’t need to read another word, the receptionist job is yours.”
The book makes a few attempts at “real” jokes, but Phil was so lazy he couldn’t remember which punchlines had already been used. Sometimes they used classic jokes with a vampire twist, but they couldn’t quite get them to make sense.
This is one of the rare times you can’t just change the word “gorilla” to “vampire.” Because “anything it wants” isn’t the answer to the question of what you feed a vampire. It always wants blood, you dumb shit! It’s the only thing it eats! Which means at least one person contributing to this vampire joke book lied on their resume when they checked the box “I know what a vampire is.”
Well, yeah, you dick! What else would he do?
And now you’re telling me that after being bitten by a creature of the night and given the power of bat, snowman, and chemistry set, he’s still a “panhandler?” So he feasts on the blood of the living, but only after begging them for change. What a desperate stretch. You’re humiliating yourself like this, and for what? For two thirds of a joke you already told? People can fucking see you, Vampire Jokes and Cartoons.
“I kind of remember something about wooden stakes through the heart,” thinks the cartoonist accidentally drawing a vampire murdering his wife. Or maybe this was no mistake? In which case, ha ha ha die, wife!
This is… I’m not sure who the Vampires of America are spoofing. The Boy Scouts? A plumber’s union? I think the audience needs more to go on to understand the punchline, which is just a song about night, which is when vampires go outside. As a framework, there is nothing lazier than inventing a vampire organization and calling it “Vampires of America” so you can reference any of the thousands of ones about night time. Nothing will ever top it and I’m not setting up a bit.
It was a bit. I have betrayed you. As the book goes on, American vampires register different corporations and LLCs to allow for some barely Dracula creed or theme song. The author thought they’d found the cheat code for infinite vampire jokes the same way a pumpkin owner thought they’d found the cheat code for infinite sex.
This is something you should only say if a doctor is telling you, “Most of your brain was destroyed by what we’re currently calling bat AIDS.” Anyway, I think you get the idea. Let’s get back to the other kinds of botched vampire jokes.
Forget that there’s no punchline because as a premise, this one is incredible. A child is keeping a vampire in the attic and has brought him so many bloody marys his mother is getting suspicious. How many did it take? From the word choice it has to be at least three, right? I think it’s fair to ask why this woman made her child even a single cocktail much less many. “Another bloody mary!? Hmmm… you’re almost suspiciously tying one on for a 4-year-old. Either you have a vampire upstairs and you’re both confused by simple concepts, or you’re a very functional alcoholic. Celery or no?”
If I could speak directly to the author for a moment, bitch, did you mix up vampires, the one thing you’re supposed to be writing about, with mummies? What kind of stupid asshole types “OF HUMAN BANDAGE” during a list of BEST-SELLING VAMPIRE BOOKS? Are you telling me your desperate mind fluttered around and landed on the wrong monster before it landed on The Novelization of Cleobatra Jones? Fuck. You.
Sure, it’s a witch humorlessly reading a list of dead nursery rhyme characters to a goblin. I don’t think it’s going to get a laugh, but the author had a clear vision. He pictured a world where the undead ruled the night and tried to imagine what their children’s books might look like. He never got past the dumbest idea, “all the popular characters are dead, dead, drained of their blood,” but at least there aren’t any mistakes here. Nobody forgot what vampires eat or whether or not they’re mummies. And why just look at the detail in this… torn asunder baby?
My point is, it’s an improvement from earlier, where a miserable dumbass was working backwards from “Fangs for the Memory.” Let’s see if they can keep it up!
I have betrayed you again. It was a bit.
“Maybe Batman is a bat man? Oof. That’s pretty bad. Hopefully I can top it before tomorrow when I’m to be executed by the state.”
So the vampire is looking for a job as a “body snatcher.” And the punchline is, “yes, it’s confusing here in this fictional world as well, reader.” I don’t even know what to do with it. It’s all lampshade. It might as well say, “Unusual situation being pointed out, but poorly. I think vampires are mummies but the only thing eternal is parade.”
I sort of love this one because it wouldn’t be much of anything elsewhere. However, in this vampire joke book it’s a startling subversion of expectations. It somehow jumped right past vampires and hit baseball? It’s like watching The Sixth Sense and Bruce Willis turning to camera and saying, “Nobody’s dead or anything weird. I just always seem to know what my cat wants.”
This family is watching their son walk into the darkness with an eel-handed ghoul and they say, “I think it’s time for Junior to have a little brother or sister.” What could it mean? Do they know he’s never coming back? This is something that would make a clown’s wife say, “You know, you don’t need to tell me about every dumb little fucking dream you have.”
This cartoon requires you to know a doggie bag is for bringing uneaten food home, yet somehow be mistaken that you have to bring your own empty one to the restaurant. But if you ignore this tiny flaw in the punchline, the idea of sneaking into a woman’s bedroom and tearing her into leftovers is a solid joke.
As crazy as this sounds, a lot of the jokes in this book suffer from overthinking. The author knows vampires do blood stuff, and so do doctors, and knew there could be something there. So he pictured a hospital. The doctor is talking to a patient… he’s mostly nude, getting massaged by a busty nurse. Normal stuff, but also a vampire…
… who is great, no notes. However, instead of a “joke,” the author dedicated all eight words of his caption to establishing this conceptual link he found between doctors and vampires. They both take blood, you see. But no doctor would use a vampire for several obvious reasons. One, monsters. The list goes on. You can skip past this fundamental understanding and make a real joke. The caption could be “If you have payment questions see our new financial administrator,” or “We found the maniac who took your hair,” or “this is our new thoracic motorcycle surgeon, Hepatitis Mike.” It doesn’t matter. What I’m trying to say is, you’re overthinking it. Try a vampire joke where you go from your gut.
Yes! Perfect! It’s stupid as fuck, but the right kind of stupid as fuck.
No! God damn it, no! I warned you about this. See, you took the term “blood money” and rolled it around in your brain until it had lost all meaning. And instead of abandoning it, you sent a vampire to the IRS offices to talk about his blood money deduction, a thing no one does at a place you wouldn’t do it. This is a failed adaptation of the riddle “How does a vampire buy his bow ties?” If this is a world where vampires pay taxes and can’t deduct blood money from their taxes, why is he doing it? How confused is he? How confused are you? You’re telling me this guy turned into a bat and flew to Washington, D.C. during vampire-exploding business hours to get lectured on tax evasion by his food? The only joke here is you. Wretched.
What. You’re telling me this vampire doctor keeps up his medical certification so he can go to his patients’ homes, leave a clear paper trail, and eat them? Are sick people that much more delicious? You know what? Let’s say we ignore how this is a terrible idea and you’d be outed as The Fucking Vampire Doctor immediately. What’s the joke? That a vampire doctor would make house calls? To whom would that be funny? That sounds like a test to see what part of your brain is impaled on a fence. If you whispered that into a child’s grave, their parents would forget they ever existed.
Oh, great. The old business man with a bat gnawing on his neck asking the operator to connect him with God gag. If you’re not going to try, Vampire Jokes and Cartoons, I’m not going to either.
“Hey, Nancy, you live in a world where children, possibly dwarves, set you up on blind dates with vampires, but you’re the only person who can recognize them. Here’s one now drawn with a really different pen than me. Oh, did you drop dead rather than exist in such a world, Nancy? Because we haven’t gotten to the punchline, Nancy. I was going to say he wants to borrow a cup of blood, Nancy.”
…
This article was brought to you by our fine sponsor and Hot Dog Supreme: Rachel, the old bat from Great Neck, New York who sucks. Blood.
Most of the game is about the hilarious sexual mishaps couples have to navigate like smoke alarms and farting, but there’s also cards. So many cards. It’s part sex education, part Newlywed Game, and part advice column simulator. It’s an entire seventh grade health curriculum taught by silly coffee mug from an era when reverse cowgirl was still diagnosed as a mental disorder. Sixty percent of the gameplay is premature ejaculation, and that’s not because we were playing it wrong.
Look at some of these cards:
These are two Interaction Cards, where players can unlock powerful sexual weapons to use against other couples or pause the game so you can humiliate your limp-dicked husband. As you’re discovering, Dr. Ruth’s Game of Good Sex is many things, but first and foremost it is the least horny way to destroy a marriage.
If you land on Sex Clinic, you draw these multiple choice questions. Each of them is either unspeakable or stupid as shit. For instance, someone might ask, “My husband’s dick is too small for sex, Dr. Ruth! What do I do?” And then you have to decide the right way to respond. Do you tell him his tiny penis really is a problem? Do you tell him to buy a dildo as big as your last husband’s penis? Do you bottle up your emotio– wait, holy shit, is that other card telling us to help cover up a sex crime!? What is this fucking game!?
This is the third type of card you can draw on the 130-space game board. You might be thinking, “Jesus, how long does it take to play this?” Well, the instructions (all 8000 words of them) say “about an hour,” but that’s absurd. Not only are your game pieces constantly premature ejaculating off the board, sometimes you land on these ASK DR. RUTH spaces and have to deal with six Omega Class psychic attacks. Look at these questions! These read like a 2024 Florida textbook. You may never fuck again after listening to this podcast! Like and subscribe!
I want to make this clear right away: this book is called PUNCHES. It’s by a Texas cop, it’s called PUNCHES, and this is the cover:
Self-published in 1988 with minimal proofreading, PUNCHES is a novel about a Texas cop, Sergeant “Jumpin” Jack Kellog, as he “takes on the Crime Confederation’s invasion of Texas.” The stupid among you might be thinking, “Texas cop? Invasion? Nothing about that sounds racist to me,” but you’re wrong. It’s a 1988 Texas cop trawling his imagination for crime he wants to punch. W. Hock Hochheim didn’t even know you were supposed to hide your racism. He probably has commendations for outstanding racism in the line of duty.
Speaking of great honors, my copy of PUNCHES is autographed. Which again, has this cover:
It’s stunning, and honestly, more than enough to make it a contender for Best Thing. But let’s read some of the words inside.
It opens with a group of three thugs stalking a nice suburban neighborhood. Here in the opening chapter W. Hock Hochheim’s words dance. Monstrous murder weapons have muzzles ready to bark death. K-Mart disco shirts are sleek and flapping. He gives shotguns mysterious histories.
The second man steals pants, is stereotypes, and has a dirty afro. Strangely enough, “afro” is the haircut all the book’s black characters have. Maybe 1988 Texas barber shops only had the one choice, but it’s possible W. Hock thinks “afro” is the generic term for black hair? I’m trying not to get too hung up on the racism, but it’s not a great sign when the black guy in the group has less backstory than the white guy’s shotgun. Anyway, he has a crowbar and his name is, I don’t fucking know… how about “Crowbar.”
“Crowbar” was so good with a crowbar that many undertakers, even talented and experienced ones, saw “Crowbar’s” victims and were like, “this will be my masterpiece.” Jack or no man messed with “Crowbar”! He and Shotgun had a friend named “32” because he used a .32 which he never lost, except for twice. Wait, that sounds insane. Let me find the exact quote.
The book says, “He’d always ‘tote me a piece’ – carried a .32, never had lost one yet, unless you counted the two police confiscations that resulted in two trips to the Texas State Penitentiary in Huntsville.”
So, okay, “32” carried a .32 except for the times he went to prison specifically for carrying a .32. I dare any author to imagine a more terrifying criminal. W. Hock Hochheim’s years of law enforcement experience has given him an insight into how the criminal mind works better than anyone. Just take a look at Shotgun, Crowbar, and 32’s plan:
This was a standard 3-man cop revenge mission. These bad guys came together to kill the man who arrested them, Jumpin’ Jack Kellog. They were going to get into his Victorian-style home, probably somehow. That part would be easy enough that waking up and killing the guy should still count as Part One. Part Two of the plan? IMPALA FLOOR WINE.
This is an author who hunted actual fugitives for decades, and his understanding of crime seems like it comes from a half-remembered Fruity Pebbles commercial. This plan isn’t stupid. This plan is a stupid person’s idea of stupid. And shockingly, their idea to bring their famous signature murder weapons and hope somebody left a window open does not go well. Jack greets them the only way he knows how: PUNCHES.
The second rule of a fist fight is to never stop to catalog your opponent’s armed robbery convictions. Jack broke this rule, but luckily Shotgun broke the first rule of a fist fight: never smile. One thing I noticed from W. Hock’s writing is that he has no idea how people think, but weirdly, he also has no idea how they fight. And weirder than that, I can prove it. Because this novelist is also a karate author. Let’s look inside W. Hock Hochheim’s 2005 guide to close quarters combat.
When you have mastered the art of combat like Hochheim, you need a challenge. You have to start defeating men using only a four directional Donkey Kong bonk. Seriously, though; his fighting system is a marvel of unlikeliness. He writes exclusively for people who want to live an embarrassing life and die in their first fist fight. If you’ll indulge me, let’s look at another of his techniques.
Hochheim’s advice here is to pound on your enemy wherever, for a while, until they’re hurt. It’s not “wrong,” but is definitely the winning entry in a dumbest shit you can say without being wrong contest. And then he shows you how to sit on someone’s face? I understand a middle aged Texas punch commando isn’t going to be a world class grappler, but this is fundamentally bad advice. A body’s natural flailing will escape from this position and a child with minimal horseplay experience should know this, much less a “martial artist.” Your enemy can now either bite your dick or leave. This is how you aim your ejaculate away from a CPR dummy, not kill a man. Come on, Hock.
Back to the novel:
Jack is a maniac written by a karate nerd who can’t fight, so he bites his enemy’s nose to begin a deliberate gun-disarming maneuver. This is a fundamental part of W. Hock Hochheimer’s fighting style. Here are some of the effective ways readers can take someone’s gun:
Scenario 1 is the simplest. You fucking bash the shit out of them and take their gun. It’s sort of complicated, so he explains in greater detail on the next page:
You might be thinking, “Great idea. But what if my enemy isn’t some nerd? What if my gunman is cool?” Great question. Hochheim demonstrates the defense against this is Scenario 12:
What you want to do is grab the gun and the rest of this sentence is just the word titties twice because now you have their gun, titties twice. Obviously, you’re ready for the two most common gun situations, none and grabbable, but what do you do if your gun enemy is far away? The one thing they’d never expect…
Fucking flying! Gun grab! Back to! The novel!
Jack is pretty sure he killed his home intruder, and he takes a minute to appreciate how heroic that is, in a fiscal sense. Sure, he’s dead, but think of the Harris County taxpayer savin– ARRGH! CROWBAR!!
Hochheim knows what the reader wants: justifications for off-the-books state executions and the mechanics of bludgeon-blocking techniques. He spends a lot of time explaining the masterful grips and tactics of pulling things out of another man’s hand– it seems a little cerebral for a crowbar fight. Even the author agreed 17 years later in the axe fighting section of his karate book:
I think all axe battle techniques get developed like this. Someone swings a weapon at you, and you either invent the perfect block by accident or you die before you get a chance to remember the wrong way to do it. Back to the novel!
Two men grapple! One for revenge! One for his very life! But first an author lustily explains each step of the choke escape he had to learn to get his yellow belt. This is bullshit, Hock. Pinky pulling!? Let’s get to some punches.
Yes! This is how you get out of a headlock! Dick punches to keep those legs busy!
Crowbar, the fool, tries a punch of his own, but Jack’s idea is better– punches. Specifically punches to the head, punches to the head. It’s not clear how many he threw, even to the author, but two of them were good ones. They knock Crowbar into Jack’s bar. “Stay for a drink,” he doesn’t say. “I have a bar and no friends,” he doesn’t realize.
After winning the fight, Jack executes Crowbar with a gunshot to the head. As he does many times in the book, the author explains how this technical– no listen! He had every right to legally kill these men by county law! In a lot of ways, this is good for everyone! Who is this equivocating for? Does he think I’m going to argue with him? I’m reading fucking PUNCHES. Kill whoever you want. In fact, shut the fuck up about everything else.
Though well within his rights, this killing of two and a half home intruders isn’t relevant to the rest of the story. It’s just to let us know Sergeant “Jumpin” Jack Kellog punches and kills a lot of guys on and off the clock. But he’s back on now, and on the tail of a man known only as The Knifecaller Rapist. He interviews a witness named Ida.
As an author, it’s your job to create imagery…. to help the reader create the scene and the characters in their mind. Watch, I’ll do it right now: W. Hock Hochheim sat at his typewriter wondering how to describe an African American woman. He sipped a warm beer, grimacing at the taste. “Later,” he told his dusty desk nunchucks. They, like his son, had long gotten used to the neglect of the dedicated writer. Though a White through and through, Hochheim’s police work put him in contact with many black families. He racked his punch-bashed brain for things about them he remembered. A sudden smirk formed on his thin, stupid lips. He had it. “Fatherless choldren,” he typed, racistly.
Hochheim writes like Ernest Cline in that he’s counting on his reader’s weak imagination to fill in a lot of blanks. For instance, Ernest Cline might say something like “Oh geez, it looked exactly like that scene in The Last Starfighter,” and hope you’ve seen that movie, and Hochheim will say something like, “She was black,” and hope you’re a cop.
Ida swore, to the Lord, she would never tell people about the Knifecaller Rapist whose attack she survived, but Jack’s face was too kind. Do you know what this means? It means each member of the different races has identified the other as one of the good ones. It’s beautiful when two people from such different backgrounds can come together to betray God by reporting a sex crime. Sorry, I’m making this scene sound crazy. Let me put it in another way. Jack met a sad black lady who looked like she would work harder if she could, and she betrayed her God to tell him about a sex crime he already knew about. This made ten legal decisions surge through his head and all of them were punch.
Jack starts his investigation, and he plays by 1980s cop fiction rules, which means he’ll play by your rules, all your goddamn hamstringing rules, but he’s not going to play by the rules.
There are a lot of moments like this where Jack ignores some kind of procedure that would only mean anything to a cop. And I guess you write what you know, but Hochheim dedicates at least 20% of this novel to law enforcement regulations. Is Jack Kellog a badass or a scumbag for violating statute 3A-2 of the Houston P.D.’s Code of Ethics? Author W. Hock Hochheim is so glad you asked, and will go over all the implications as Jack escapes this strangle.
You’re not going to believe me, but I swear to God, to the Lord, that pages 61 and 62 of PUNCHES are just an immunity agreement given to one of the characters. And I don’t mean a long-winded lawyer is explaining the details of it. I mean right before a marijuana plantation raid, the book goes, “here is the full legal text of the immunity agreement they gave this guy; let’s stop and read it.” I guess I’m a little disappointed he went so hard in this direction of Cop. I was expecting a bitter detective taking the frustration of his ex-wife’s restraining order out on crime, not all this paperwork bullshit.
Oh hell yes. This is what I wanted, Hochheim! In the chapter “SHITFIRE YANK!,” our hero meets up with a van prostitute! And he turns down a couple holes on the house not because of some fascist workplace safety guideline, but because the worn out old hag just didn’t get him hard like she used to. This is the kind of Cop fiction I like.
Soon Jack runs into an old boxing rival named John Handell where we learn some troubling news about our hero.
Sergeant “Jumpin” Jack Kellog is obviously an author insert, so part of his backstory is that he’s terrible at fighting. W. Hock Hochheim has seen himself fight, and he does not have a strong enough imagination to picture a man such as he winning a boxing match. Not once in eleven fictional, amateur bouts. Sure, he can picture himself squeaking out a victory in a pinky-maiming, nose-biting scramble, but in a test of skill and strength? Psh. Get real, reader. None of this ninja crap works.
Ow! Fuck!!
Ha ha ha this is maximum Cop. Our hero got so mad at this guy for making fun of him that he vowed to find something, anything to arrest him for. Then he got so fucking mad he forgot about that. It’s incredible! It would not surprise me if Hochheim starts one of these chapters by saying, “Shut up, wife! I command it! Sorry, I meant to scream that, not type it.”
This is getting too dark. I’ll clip a cute one.
Jack takes off all his clothes and gets a good look at his naked body. “You disgusting piece of shit,” the author calls him, the character clearly modeled after himself. “Look at how you’ve let yourself go,” he continues. “Go from what? You were never anybody,” he adds, and holy shit this one isn’t cute at all. Sorry!
You already knew this, but one of the themes of PUNCHES is how things used to be better in the old days before all these, whatdoyoucallthem, civil rights. These soft sons of bitches in their tiny panties… how is anyone supposed to tiptoe through this liberal hellscape of 1980s Texas, America? It used to be men were one of two things: Punched, or White. Why, it’s got me so mad I could… I could…
… FRONT ARMBAR TAKEDOWN!
Speaking of 1980s Texas, Jack nabs himself one of those damn Communist hippies and has to dance around all the fancy regulations to get him to talk. Can you believe he’s only allowed to refuse the prisoner legal counsel and threaten him with sexual assault!? After holding him as a person of interest in a Cuban friendship? You can’t clip a cop’s wings like this and still expect him to soar. It’s like you fucking want crime.
W. Hock Hochheim writes Latino characters the same way he makes fun of a Chinese waiter– with the full cooperation of the Harris County Sheriff’s Department. Sorry if it seems like I’m leaving out a lot of plot and only showing you the violent rants of a racist idiot, but that’s what PUNCHES is. Jack fusses around like this, complaining his way through irrelevant frustrations. He’s forced to let the Knifecaller Rapist go because all he had was eyewitness testimony and evidence, but no knife. And by Punch Law, you can not make an arrest without a criminal’s signature weapon. Hold on… “not make an arrest?” That gives Sergeant “Jumpin” Jack Kellog an idea.
Jack finds “Tramp” Rasp, the Knifecaller Rapist, and does what any good cop would do– he stomps on the son-of-a-bitch’s feet and legs. He’ll kick a confession out of this scumbag if he has to! I’ll skip ahead to that part…
No, he’s still working those legs. Okay, let me jump ahead to the resolution…
Well, sure, nobody’s going to confess to murder from some light ankle beating. Jack adds some elbows, dick kicks, and a knee drop. Now he’ll talk.
Jack has a few more things he has to say before… holy shit, this is just a rage fantasy. Let’s skip ahead.
Okay, Jesus Christ, Jack. So he’s splintered most of Tramp’s leg bones and pelvis, hit him with a finishing move, choked him, given him a fierce talking to, slapped him, punched him, and threatened to cripple, blind, and torture him. Then most of those a second or third time. Tell him what he wants to hear, Rasp!!!
Oh, he’s still going. We’re at the “unrecognizable meat” stage of police procedure. This is, and I mean this in the clinical way, medically crazy. If you’re enjoying PUNCHES at this point you’re either an actual murderer or Hochheim’s ex-wife’s divorce lawyer.
Is this art? Has the attack become metaphor? He’s calling Tramp “the Tramp” now, which is either a typo or Jack stopped his attack on Tramp to kill a witness. This is something a werewolf would find in their typewriter after a full moon. Get it together, Hock.
Wait, what? “Then Jack snapped?” Fucking THEN? We are nine hours into a shrieking trash slaying!
Oh holy shit. Oh, holy fucking shit. That’s how he ends the book!? This… worked!? W. Hock Hochheim really said, “The guy in the book who is me won the garbage fight against the bad guy by so much they never did crime again, the end.” I have nothing to add to this; it’s beyond my every expectation. Punches.
… This article was brought to you by a hot Hot Dog Tip from Javo.Â
It’s Dogg Zzone 9000 Day, and this week we are talking to our very own Lydia Bugg! We brainstormed on a fascinating topic she would love, and we both instantly and simultaneously said, “The way of the blade! The bond between man and sword! THAT SHOW ON NETFLIX WHERE ADULT NERDS CAN’T CUT THROUGH FISH!”
FOOTNOTES: Behold, listeners, The Saga of Karl, 55-Year-Old Boy Samurai. It is eighteen screenshots of Karl’s sad rampage through the Knife or Death knife course, completely unaltered– no silly word bubbles or sound effects. Enjoy his journey as we did, with your heart soaring. You will believe in the spirit of the samurai:
At the risk of spoiling the ending, after this middle aged man slowly gave up and failed his way through a sword-chopping obstacle course, he did not, in fact, end up “being the winner!” But we can all learn a lot from Karl. Follow your dreams. Every day is Halloween. Losing is just winning, probably. When something is hard, play something else. Sensible shoes are a comfortable way to fix any sword. Never. Take. Fish. For. Granted. Thank you, Karl.