
Year 4 of 1900đ has begun. Can you believe it? Weâre no longer plucky young comedy rookies hoping to make an impression on the chief, but seasoned veterans of the Hilarity Wars nursing whiskeys to block out the memories. This is an establishment now. An institution. One more year and we can start growing fat and corrupt, earning our inevitable comeuppance!
This place could exist nowhere else, and in no other way. Look at this ragtag crew of rough ridinâ motherfuckers.

In year 3 of Hot Dog, Seanbaby wrote an article entirely about his friendâs weird puzzle collection. Imagine pitching a comedy article about going into the basement of a friendâs house and making fun of the pictures on old puzzle boxes. Absolutely nowhere else on the internet would allow him to do this. Thereâs a contingency in place to blackball you if you even try.
In year 3 of Hot Dog, Lydia Bugg wrote a followup piece on the man driven completely insane by Garfield-themed food. I know it only ran a couple days ago, but itâs fucking crazy! We not only accepted an article about a dude who invented an off-brand Garfield fursona to wage war on Garfield, but a followup about that story like weâre reporting on a town poisoning. The people need to know!

In year 3 of Hot Dog, I brought you Billy Karate. Letâs break down what a bad idea that was: I asked an audience of non-filmmakers to read a screenplay, a format never meant for public consumption, and I asked that they do it for fun, which nobody â including and especially filmmakers â will do, and then I gave it to them five pages at a time over a period of months. Pitch that idea to any other publication and theyâll take your Writing Badge and Normal Gun. But here everybody loved it, it landed me representation. I had to pull it because it may be a movie someday. Impossible, laughable!
In year 3 of Hot Dog, Seanbaby and I teamed up for our first and only piece of SEO friendly, timely content. We wrote about Elden Ring while it was still hot! We dedicated the entire article to making up shit about Elden Ring that sounded like it might be true, but wasnât. We are full-throatedly spitting in the face of success.
In year 3 of Hot Dog, Tom Reimann discovered his passions, which were the year 1997, and weirdly horny Mormon Doom novelizations. Go sell either of those things to our surviving competitors, all none of them. See if they accept â1997: The article. No? Okay, how about this: a long-forgotten video game tie-in book by a closet Mormon about desperately wanting to fuck, but not fucking – never fucking!â
In year 3 of Hot Dog, Brendan McGinley realized he couldnât make fun of wrestler Kevin Nashâs comic book hard enough without actually making a Nash comic of his own. Thatâs an insane amount of effort to land a few excellent punchlines, and nobody else would ever authorize it. Youâd have to explain the idea to lawyers who would hilariously insist you couldnât violate the Nash IP like that, as though it wouldnât be twice as funny to be sued by Kevin Nash for this!

In year 3 of Hot Dog, Alex Schmidt discovered that all he wants to write about is Pierce Brosnan movies. Youâre hired, we love it, said nobody except us.
In year 3 of Hot Dog, Sissyneck wrote a piece about visiting the museum of Frank Frazetta, the godfather of van art, and it wound up being a touching exploration of family businesses and failing legacies. Lots of places would accept that article. âAnd then itâs written borderline illegibly, as though transcribed from the ramblings of an exploding tire injury victim recovering in the back room of a Jiffy Lubeâ is less likely to be accepted.
In year 3 of Hot Dog, we added Dennard Dayle to the tubed meat crew, and many respectable publications are proud to host his brilliant, intelligent, viciously funny work. Would they accept his multi-thousand word essay on the 1970s pulp novel about black staff waging war on a country club? That was his first piece for us. âItâs perfect!â We told him. âNever leave us!â
In year 3 of Hot Dog, Jason Pargin, respected and critically acclaimed author, wrote us a substantial column about how you can track exactly when people jack it to YouTube videos.

In year 3 of Hot Dog, we did Anime Week! We donât talk about Anime Week. We certainly donât link to it.
In year 3 of Hot Dog, we podcasted for the first time about Mountain Monsters, the reality series about hillbillies fighting bigfeet. Other podcasts wouldnât even mention that. We dedicated a whole podcast to a single episode, and then did it again. Weâll keep doing it, thereâs no accountability! We got Ty Franck, co-creator of The Expanse â one of the biggest original science fiction properties in the world â on our show. So what did we talk to him about? The Grabowski Shuffle, Mike Ditkaâs bizarre direct-to-video attempt to ape the Superbowl Shuffle. We got Josh Barnett, former UFC champion, on the podcast: We talked to him about Lone Tiger, an underground martial arts movie about how all wrestlers must murder a hobo to become a pro. We sang the weirdly romantic theme song to him. He loved it.
In year 3 of Hot Dog, our store hosted AI generated comedy shirts whose entire point was how bizarre and incomprehensible they were, and then we gave all the profits to charity. Fuck you, profit! We added a site mascot that we deliberately did nothing with. We didnât even name him! This was always the plan, because we thought it would be funny. You literally cannot force us into a viable business model.

You guys got in on it, too: In year 3 of Hot Dog, you motherfuckers ruined Paul Danoâs entire life. We actively encouraged our fanbase to harass a beloved celebrity! To this day, if you search âSensei Rainbowâ on Twitter youâll find Paul Dano fans responding with bewilderment and betrayal. No corporate lawyers okâd this – in fact, if you tell a lawyer we did this, weâll fucking find you. Thatâs a 1900đ Guaranteed Actionable Threat!
What a journey itâs been. And itâs not over, no matter what the haters say – if we had them, which we donât, because weâre so beloved. The beauty of 1900đ is that itâs a place for comedy writers to shine, not beholden to traffic, to metrics, to ad dollars – we are only beholden to you wonderful freaks and I think Iâve just proven youâll let us get away with anything. We can talk about whatever the fuck we want. For example, Iâm going to pause in this recap of the third year of our amazing independent comedy site to write about why I canât write about Coleman Moore.
Before you do anything else, watch this video for Colemanâs pop ballad, âOrigami.â

Weâve trained you to think source material is optional in our articles, itâs not here. You have to watch that whole video to understand anything thatâs going to follow.
Okay, you saw that, right? Iâm serious. Donât continue until you do.
What you saw was an insufferable hipster sucked into a cult recruiterâs Myst clone.

He dances like this.

And I donât think youâre supposed to laugh at it.
The video is full of self-indulgent, pretentious tropes like Coleman singing woundedly straight to camera with a third eye painted on his face.

An old man replaces him to sing the next line, because thatâs like saying something, anything, about youth. Or maybe time. Elder abuse? Whichever gets you the most handjobs in the green room.

The lyrics are terrible, but theyâre not over the top bad. You see what heâs getting at. Itâs almost an elegant way to say âyou undo meâ – but just clumsy enough to be hilarious.
So hereâs the catch. You decide, right now: Is this a joke?
Is this a very well executed parody, or is this a genuine effort by a parody of a human being? You commit to your decision this second. Joke or real?
I thought it was sincere, and that it was extremely funny in its oblivious earnestness. This is the realest art Coleman Moore could make, and heâd literally never understand the words out of your mouth if you did anything less than praise it.
The comments prove my point.

Or wait, holy shit is that comment a parody? Whatâs with the fake-out at the end? Why would you fake-out a compliment in a comment? Is he false flag attacking his own video? I am losing my grip on reality and it was never firm.
All right, now that you have your decisions recorded, watch Coleman Mooreâs video for âPrecum.â

Right from the title itâs a joke. Itâs somehow the same vibe, but executed to a degree that has to be parody. Hereâs a shot from that as he makes goofy precumming faces while he sings the chorus.

Hereâs that chorus:
âI did not make a move / but I got precum all over from cuddling all night with you / these unintended spoon feels / honey I can hardly deal / dark stains, party jeans / your face, a memoryâŚâ
So is that a joke? Probably yes. Maybe yes. Iâm not sure anymore. Hereâs where it gets crazy. If thatâs a joke, does that mean âOrigamiâ is now a joke? Is the whole thing a bit, or is he wildly veering between sincerity and parody with absolutely no cues to distinguish between the two? Because that is also a completely insane thing to do.
I know whatâll help. Hereâs his bio on Bandcamp.

That doesnât help at all!
Hereâs another wrinkle: If itâs all a joke, itâs one heâs been making for five straight years.
To an audience of 88.
He has 88 subscribers. Start a YouTube channel right now, tomorrow youâll have 75 bots subscribed. This guy is creating music videos with decent execution and reasonably high production values for an audience of 13 real people and four of them are me. These videos have 500 views and 400 of them are also me. If itâs a joke, heâs been doing it for five god damn years with nobody, not a single person, ever getting the punchline until right now.
Maybe!
Jesus. That kind of unrewarded dedication is too crazy to contemplate. It speaks of a supernatural madness. Thatâs Lovecraft shit. So it canât be a joke, right?
Right. I have changed stances. You might have, too.
Now hereâs a documentary about Coleman Moore that he filmed himself. Itâs only 15 minutes and youâre committed now, just watch it. No really, itâs vital. You can be the 335th view in three years.

All done? Good. This is a good use of your time.
In the film, Coleman meets and pitches himself to a prospective agent⌠who dresses like John Waters making fun of Chuck Norris, and walks like a necromancer animated his skeleton but not the rest of him. He moves like his bones are steering his flesh.
They grab a mall pretzel together.

Hereâs how Jack Skellington trapped in a meat prison sits down.

Hereâs one of their conversations.
AGENT: âYou got that shirt-open mentality. And I um, wanted to ask you. Donât your torso get cold?â
COLEMAN: âYeah my belly button. It activates.â
AGENT: âIt activates your belly button?â
COLEMAN: âYeah. It tingles.â
That conversation is immediately followed by one about how Coleman is a serious person at heart, and he wishes that being playful came more naturally to him, but thereâs nothing goofy about his art. This deadpan conversation about Colemanâs feelings on art and sincerity right after the bellybutton activation shit serves as a perfect setup/punchline⌠if this is all a Best in Show style gag. If not, itâs pure psychopathy.
So, vibe check. What do you think now? Is this real, is it a joke? Is it somehow both? Is it crazier if itâs both, or neither? Do terms like âsincerityâ and âparodyâ even apply to whatever this is? Itâs a comedy mystery thatâs haunted my brain for months and I have no idea what the answer is.

I canât write about it because if itâs all real, this is just a quirky queer boy doing art the best he can and I donât want to publicly mock that, even if his leprechaun dance gives me giggles every single time I see it. But if itâs a joke, then itâs a savage and cutting one that deserves more attention. Itâs completely surreal and executed brilliantly, a high-budget effort spanning five years to an audience of exactly nobody.
Except me.
And even Iâm still a maybe!
This is impossible to writeâŚ
For anyplace but 1900đ. And even then only as an aside to show you the kinds of things your patronage allows me to get away with.
So thanks for making this beautiful, bizarre, lawless portal to comedy Valhalla possible. And for telling all your friends about it constantly, which we assume youâre doing. Because if thereâs one thing year 3 proved, itâs that weâll never let success, profit, or job security get in the way of a good joke. Thatâs why you love us, thatâs why we deserve to be loved by you, and itâs also why we will die in the gutter if you donât keep getting people to sign up for this. Weâll never do it!
And thanks for sticking around for year 4: the year we finally rally our 2000+ Hot Dog army to attack and invade a small coastal American city!





















































