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TEAMWORKING DAY

Teamworking Day: Monster Wars 2 🌭

Last time we talked about Monster Wars and their always angry, sometimes a cat, never coherent truck men. Today we’re talking about
 Monster Wars again! Why would we talk about other things, when we have found the best thing?

Seanbaby: I’m so jealous of the joy spreading through you right now as you let yourself realize none of this is a bit. We really are dedicating an entire week to the immediately canceled 1993 show, Monster Wars.

Brockway: Episode 2 is here to shake things up a bit – the trucks aren’t racing in a straight line, but on a mini-NASCAR track in the New Orleans Superdome. This concludes the list of differences.

Brockway: “Wow, an extended race allowing for tactics and skill!” You, an idiot, are asking. “How many laps are there?”

One.

Listen, monster trucks are the Andre the Giants of trucks. They’re huge and impressive but God did not mean it when he made them and they break a lot quicker than your heart would like. They can barely manage one action-packed lap around this course, which everyone calls the “Roundy Round,” and it’s adorable every single time they say it.

Seanbaby: Imagine a bulldog on a skateboard and take away all the cuteness and maneuverability. The dog is very sick and can’t see. The owner of the skateboard took out a reverse mortgage to replace the wheels. The whole thing is called Thrashkiller and it’s also a mailman and an Indian chief. You are seeing him for the first and only time and he has 1 unexplained point and 13 catchphrases. Congratulations to me, for perfectly explaining Monster Wars episode 2.

Brockway: Nearly perfect, you forgot that if you opt out of making your dogboard a wrestler, all the other Indian Chiefs and Mailmen will dunk on him endlessly to no opposition. Hey, speaking of exactly that thing I said: Our first matchup is Grave Digger, easily in our top three Skeletors, versus Kodiak, who skipped the ‘I Agree To Have a Feral Truckboy’ box on the signup form.

Brockway: I don’t know that we stressed enough how much monster truck racing sucks last time. We did? Let’s do it even more. Each race takes 40 minutes to set up, the event itself lasts 15 seconds, victory is on a point-based system most of which takes place offscreen, but oh, those crashes


Are also boring!

Seanbaby: If you’re in a dainty little panel van resting on top of 6 foot tires, it’s not like physics gets confused about what to do when you turn left. They invented a race where any speed means being trapped under 10,000 pounds of debris. Kodiak went into the turn slightly faster than a human jog and the laws of our universe saw their opening and finished it with a swinging neck breaker.

Brockway: Yeah including slight turns was a mistake. Christina Hendricks could tell you, never take a top-heavy turn at speed. She always comes to a complete stop first, rotates, and then accelerates. But that means Grave Digger is the winner! Hell yeah, what does the sigma skeleton have to say about Kodiak’s overturn and ensuing loss?

Hold on he’s fucking dead??

Seanbaby: He died the same way most of us will– taking a corner at 4 mph, worrying about insurance premiums, and being taunted by a skeleton.

Brockway: Wait, who is Grave Digger talking about? Kodiak didn’t sign up for a trucksona, so he could only mean the driver. Jesus, RIP Mark Bendler, who died like he lived: Not a lot of fun.

Wait-

Brockway: Mark is completely fine, but I guess his truck gently overturned and died like a turtle in the sun. Even though it was never alive in the first place. That could be the show’s elegant way of explaining why some trucks don’t have a guy – the wrestlers are the truck’s souls, and if they lose a race, they vanish. Then it’s just their husks being piloted around by hillbillies. That’s fucked up, Mark Bendler. Release that zombie truck from your service so it can rest in Monster Heaven.

Seanbaby: That would mean… any truckman that has lost a race is , in addition to all the other things they are, undead. So that piece of shit Predator is a Mötley CrĂŒe roadie, a pickup, a kitty cat, and a ghost.

Brockway: How can you be so many things and still not enough? Our next race is- aw, god dammit. It’s Predator.

Brockway: If you’ve already forgotten about Predator I’m sorry to remind you, you did some tough mental labor and it should have been rewarded. He’s like a less butch Night Man, and he’s here to do two things: Slink and make horny cat noises. Too bad he’s not out of either of those.

Brockway: I think he’s adding lightning powers to his whole deal? He was already an urban shapeshifting offroad were-kitty. Be on the lookout now for electric city cat truck puns. Whether you know it or not, you have an instinctive sense of the order descriptors should appear in the English language. If I say this werewolf goth monster truck skinny electro-panther sucks, you understand it should be this skinny goth electro-panther werewolf monster truck sucks. Wait, no “werewolf” should be after “monster truck,” right? No, hold on, because in this case “werewolf” is being used as a modifier and not a subject. Fuck, I’m saying Predator is so many god damn things it’s breaking the language.

Seanbaby: I’ve read enough X-Men comics to be able to keep a dozen powers, skills, and secondary mutations straight in my head, but I don’t think I’ll ever be able to follow Monster Wars wordplay. These truck beings think it’s okay to pull any pun from any aspect of their many things and then spin off from there. They are constantly dropping these bizarre, unsatisfying puzzles on your brain and by the time you figure out, “Okay, I think Fartvan wants to give Predator’s chassis a licking because cats are fastidious cleaners,” you have missed two driver death announcements and all 4 seconds of their race.

Brockway: The stacking concepts are getting heavy and Predator is not a load-bearing character. Plus he’s really fucking up the curve for Carolina Crusher who’s struggling to keep his “construction worker” lore straight. He comes with a hat and dynamite and he forgot the dynamite this time. Here’s how he responds to the uppity catboy’s savage wordplay:

Seanbaby: ha ha Carolina Crusher has no idea what’s going on. He thinks this is probably a foot powder commercial, but would definitely break down crying if you pressed him on it.

Brockway: Crusher is trying so hard. At the end he seems to realize he hard stressed a chicken pun to a cat man and resorts to his panic state-

Seanbaby: Poor Carolina Crusher would lose an argument to one of the normal trucks with a Doug White in it. He has no chance in a word battle against these monsters with quadruple his themes and no regard for tenor.

Brockway: Yeah this isn’t a fair matchup. If it were a physical contest Crusher would use Predator to clean bits of better men from his folds. But all they can do right now is trash talk, and Predator’s not done piling themes on this sinking cargo ship of a character.

Brockway: That’s not a cat pun! It’s an ESP pun. He’s psychic now. Also this is episode two, we’ve seen episode one, and he has never mentioned any of this before. I wouldn’t know how to respond to that. Carolina Crusher knows exactly how to respond to that.

Seanbaby: I was wondering how long it would take for the fucking to start.

Brockway: Am I misinterpreting what’s happening here?

I am not.

Seanbaby: This seems strange by today’s standards, but you have to remember that in 1993, two men had to legally be trucks in order to get married in North Carolina.

Brockway: I’d say I sexually identify as an exploding monster truck and mean it, but that’s the only joke conservatives have and I don’t want to take it from them.

Please don’t think we’re making up subtext here. We’ve established there is a greater Monster Universe where these men form friendships and sometimes something more. I’ve searched PrimeHide on the Transformers DeviantArt, I know what it looks like when two trucks fall in love.

Seanbaby: And it’s never been this beautiful or noisy.

Brockway: Let’s settle this dance-

Brockway: Haha, remember this is what’s actually tangibly happening: A Gary is racing an Allen for up to 20 seconds, and not enough prize money to pay for truck parts. There’s no way they told those men what was going on in these promos. They both agreed to be part of the wrasslin’ show and wanted to be good sports about it, but there’s no chance Allen Pezo knows he’s driving a power-bottom cat twink.

Seanbaby: I think Gary knows what’s going on. There’s a knocking in his flexplate that can only be love.

Brockway: Carolina Crusher easily dominates Predator, which is met by the kind of yowling cat screeches that presage kittens. Monster Wars just wrote the first openly gay vehicles and they should be proud of it. Here’s exactly, no bullshit, how Crusher responds:

Brockway: I’m not cutting out relevant bits. He didn’t previously establish what those ounces might be, or why he needs to squeeze to get them. He says that shit out of nowhere, and then holds up his wrench with two hands and shakes it next to his mouth.

Seanbaby: “Yeaargh! I’m looking to be someone’s daddy, their big wet daddy next race, 8 inches cut!”

Brockway: Carolina Crusher driver Gary Porter, how do you feel about that win?

Brockway: Next up is Taurus versus First Blood.

Brockway: You haven’t met First Blood yet. If you had, you’d already have a First Blood tattoo.

Brockway: Roid-raging vampire monster truck man! I love how many things you have to be to make an impression in this universe. Quick, don’t overthink it, just answer: What happens if he bites you?

Seanbaby: You merge with the weirdest thing and place you’ve fucked into one superthing. Oh my god, I just solved this. All of it!

Brockway: Oh my god, you’re right. First Blood is the head demi-truck. He started all of this and if you drive a stake through his hemi the entire economy of Tuscaloosa disappears.

First Blood’s opponent is Taurus, who is a cowboy plus nothing, which by the Seanbaby Law of Truckification means he once fucked nothing on a cowboy.

He’s here to lob some weak vampire puns-

Brockway: And is wholly unprepared for the wild volley First Blood returns.

Brockway: Haha you’re the vampire!

Seanbaby: Ha ha ha he has no idea what he’s supposed to be. He saw Vampire Hot Dog on the call sheet and figured it must be the other guy. “I’m glad I’m not you, Vampire Hot Dog Man! Because me, Barbarian Charlie Brown, is no wienie!”

Brockway: Taurus, rightfully, is completely thrown by his reply. In a perfect world, these would be scripted races and Taurus would stumble off the starting line – still reeling from the time he lobbed a limp stake pun across the net and a truck vampire spiked it right back in his face. Instead, First Blood loses because his driver decided to play it conservative and save his truck for later races.

Seanbaby: That was an option? I feel like caution and foresight are the only two things that should be illegal in mantruck racing.

Brockway: Do you think anybody told First Blood the Gym Bat that right after this frothing promo where he blew out his voicebox, his truck body gently ambled about to faint boos?

It really emphasizes the strangest part of Monster Wars. Well, one of the top five strange parts of Monster Wars. The wrestlers constantly escalate the stakes – fucking Grave Digger decided you die if you lose! But no matter what they say, the final result all hinges on some old redneck calculating the cost of a new drive shaft against trailer rent.

Brockway: In the second episode, we really start exploring the potential of an infinite truckboy universe. You saw it earlier when Grave Digger retroactively killed every truck who stalled out. You make the world you want. Now Equalizer says the words-

And immediately splits into two. He only did it because he couldn’t decide which sea-based pun to use on Tropical Thunder. He went with “both” when the correct answer was “neither, apologize.” But he stressed the word two weirdly, so now he can multiply at will. These are the ironic rules of a school film strip universe where a child learns why he was foolish to say nobody needs a dictionary anymore.

Seanbaby: Wait, I think my theory from earlier explains this! A truck vampire bite merges you with the weirdest thing and place you’ve fucked, so if Equalizer was masturbating on a motorcycle in the bed of a pickup, he’d… yeah! Yeah, he’d turn into a double him Evel Knievel truckitaur. It works! This is the unifying theory of Monster Wars we’ve been looking for!

Brockway: I know! You’re already getting the Monster Wars equivalent of the Nobel Prize, which is a half price Grand Slam and a Debbie handjob.

Equalizer’s opponent, Tropical Thunder, is one of the vehicles without an associated wrestler – possibly because he took a weird bounce one time and Grave Digger ate his truck soul. So Equalizer is up there trash talking nothing. An object. Tropical Thunder has no way to clap back after it loses very badly due to engine trouble.

Clearly the driver, Wayne Smozanek, didn’t sign up for the wrestling part of the show. So obviously they respect that choice when-

Brockway: Wayne didn’t want to play wrassle trucks and threw a rod, now an American Gladiator is aggressively shit talking his passion project. There’s no way he thought his life would end up like this. You’d never believe the drunk fortune teller trying to warn you about it.

Seanbaby: I bet Wayne’s wife loved watching this rippling star hunk emasculate the man who came back to his family after two months on the road with only a $47,000 repair bill. The following joke requires a full understanding of my newly formed Monster Wars communicable truck hypothesis, but Wayne’s wife is going to be madder than the time First Blood bit him and he turned into a half-porta potty/half-her sister.

Brockway: This has to be the least accessible joke you’ve ever written, and that makes it the best. You need an Associate’s Degree in truck vampires for that giggle.

But it’s true, Monster Wars rules and it ruins families. Almost every episode we pause the action to highlight one of the drivers, and almost every time it’s a tale of woe and sadness. The show is very clear none of these men make any money from this. If anything, they’re all going slowly bankrupt trying to pay for the maintenance on huge steel monstrosities they break every single weekend. There’s a savage commentary about America in there somewhere. Even the winners are barely hanging on week to week, and if they let the show assign them a truckboy they could at least have an avatar to fight back. But without one, Wayne Smozanek just has to sit there and quietly eat the loss, the cost of a new carburetor, and the many rhyming insults of a huge hunk in Captain Falcon cosplay.

Brockway: Up next is Bear Foot versus Invader!

The alien truck from space who came to Earth to conquer!

Against


Fred Shafer, 70 year old Dodge enthusiast.

Seanbaby: The name Bear Foot is still more whimsy than Fred would like. “I wanted to call it Sensible Workboot, why, I remember the day the US Hot Rod Association first added tires to horses. I said you boys are havin’ too much fun.”

Brockway: Fred never wanted to play this game, and you can’t blame him. He’s been a champion of whatever this is for 20 years, and he thought he was right to laugh off the coked-out TV producer who offered to make his truck into a beefcake with a shaved chest and a novelty hat.

Seanbaby: It would be so funny if grouchy, normal-sized Fred won the whole thing and brought the trophy home to his adult grandchildren.

Brockway: It is extremely funny. Because Fred Shafer will go on to easily win this season. One of the trucks that didn’t get a character wins the whole thing. That’s been a very real danger from the start! A single driver doesn’t want to play truckboys, and the entire truckboy narrative is fucked if he wins it. All these colorful characters that Monster Wars wanted to sell toys of – and they did make toys – had to sit on the bench while a Kentucky retiree smugly took the winner’s circle.

Seanbaby: I love this show. Everything about it is so expertly wrong.

Brockway: We need a serious distraction. Luckily host Luann Lee, the apex of womanhood for any Ratt fan, has just the thing.

Brockway: She’s saying America’s biggest party, our cultural shorthand for debauchery, the one place where it’s still cute to harass women for their tits and reward them inadequately, is tame compared to some tractor pull. And she’s saying it while filming in New Orleans, a town infamously defensive of their wild reputation. If this isn’t some Nero-level shit, like several partygoers accidentally eat a minor celebrity kind of shit, New Orleans is going to tear Luann Lee apart.

Seanbaby: “If you want a real party, come watch Randy and a bulldozer he’s not licensed to operate shove dirt in between brief car malfunctions next to weird adults and their disappointed nephews!”

Brockway: This is the single frame I would pull from an entire weekend of footage to make the tractor pull at Bowling Green, Ohio look as bad as possible. It wouldn’t be fair of me to sit here and pretend the whole event is best represented by a 58 year-old carpet salesman droning the words “full pull” with the same sexual energy as the guy who yells “ass to ass” in Requiem for a Dream. It wouldn’t be fair, but it would be completely accurate because that’s exactly what Monster Wars does. They really do smash cut from a Playboy Playmate promising the party to end all parties to a Jerry objectifying tractors. It’s an incredible editing choice that sets a perfect tone for the reel that follows, which is mostly police sketches against machinery jumbles.

Seanbaby: You can always tell when something’s AI-generated because of the big letters spelling “OHIO.”

Brockway: That’s the cardback art for the only banned Go-Bot.

Let’s throw it to 84-years-young Harold “Sewer Hookup” Whitman. Tell us about the party, Harry!

Brockway: I did not cherry pick that quote. I didn’t even fake the sicko camera tilt and slight fisheye, which was ‘90s visual shorthand for “what a psycho!” It has to be sarcastic, this has to be the world’s first sarcastic camera angle.

Seanbaby: “I’m Harold Whitman, newly single because it turns out the devil can die. The top five best things about tractor pullin’? I can list zero and one of them is drainin’ the shitter on the RV.”

Brockway: Hold on, I know who can save this. We need to get famous tractor pull party animal Crazy Frank in here. His first name is Crazy! His second first name is Frank! You gotta be careful if you even go looking for Crazy Frank. A driver pulls the crew aside to whisper “you wanna find Frank?” Like they’re looking for a forbidden tractor sorcerer. “You just look for the orderlies with the straitjackets.”

Seanbaby: When you brand yourself as the “crazy” guy at an event where sad drinkers scream at farm equipment, you’re not the good kind of crazy.

Brockway: Yeah, do we even want to find Frank? We might not be able to handle his giant foam cowboy hat, his pink sunglasses, his that’s it. Old two-prop Crazy Frank. You wanna know where the real party is? Oh, Frank knows, and you better get ready to throw down baby because-

Brockway: That’s the best Bowling Green, Ohio has to offer. A beach-themed party, like somebody forgot to brainstorm for a 10 year old’s birthday.

Seanbaby: Beach-themed!? Sounds like the Bowling Green dry goods store might finally sell its bikini.

Brockway: Puts Mardi Gras to shame! This is the least anyone has ever delivered on a promise. Luann Lee looks like the kind of woman who always brings sensible flats in case she has to run for her car. It’s definitely gonna be a flat time in New Orleans tonight.

Back to the races! Equalizer: the Scion of Space versus Bear Foot: the Fred of Fred’s House!


 was supposed to happen, but both trucks had engine troubles.

Seanbaby: They should have to race on foot if their trucks break down. In his twilight years Fred may no longer have the physique of Equalizer, but he’s also not wearing 60 pounds of starcop armor. He’d still have a chance. Or they could have a dog food eating contest. There’s really no idea that could make the show more insane.

Brockway: How about no ideas? We just skip it. It was weird to call it out in the first place! The show is completely falling apart and they want you to know it.

Now it’s Predator vs. Grave Digger.

Brockway: Grave Digger is the best, we’ve established this, but there are still ways to explore why he’s the best. Here’s one: He never brings any sense of proportion. It doesn’t matter if his opponent is a Galactic Space Cop or an Exploding Construction Worker or a Chose to Abstain, he always gnashes teeth like it’s the fate of the universe. He knows he’s only up against a randy catboy here.

Brockway: What a hell of a thing to say to a man you’re about to kill with a monster truck.

Seanbaby: “Frightful” because he’s a sexy skeleton? This is a sincere murder vow with the minimum requirements of wordplay. It’s like a mechanic wrestler character hissing, “I’m going to fucking kill you here in this Jiffy Lube.”

Brockway: Predator, how are you going to match that bloodthirsty savagery?

Seanbaby: What the fuck?

Brockway: That seems nuts at first, but really it’s excellent character work. Predator would completely fold in the fury of a true Skeletor. He’d quickly realize his convoluted lightning cat glamrocker motif pales against a man with nothing but a skull and confidence.

Seanbaby: “I can see meow I’ve made a terrible meow-stake! Panther form escape!”

Brockway: He loses badly. Grave Digger embarrasses Predator, and Predator, in turn, embarrasses driver Allen Pezo.

Seanbaby: Allen Pezo leaps into frame and shrieks, “I will clezo your skinless neck until you’re zezo malezo!”

Brockway: Speaking of things I barely understand: First Blood was never our most eloquent vampire. He’s no Gary Oldman whispering about the cold majesty of the night, he’s more that guy from John Carpenter’s Vampires whose dick still worked okay. Even so, he’s better than this:

Brockway: This is episode 2! The writers were given a world of living muscle trucks who each dwell in their own secret dimension and they ran out of steam halfway through the second hour? We wrote ten thousand words about it already! If you gave this prompt to an anime it would be on episode 1052 and all of those trucks would be on the same team, their petty rivalries pushed aside to ally against the corruption of God.

Seanbaby: Whenever you talk about anime I feel like Fred Shafer trying to figure out why all these wolfmans keep threatening his truck.

Brockway: Somehow Crusher comes out the coherent one in this exchange.

Seanbaby: Where the hell did this insult come from? This is on-theme and haunting.

Brockway: He’s just as surprised as anybody. It doesn’t last, he gets too excited about the victory.

Seanbaby: There’s our Crusher.

Brockway: Race time. First Blood the truck, holy shit, loses power again?

They must film these promos after the race, right? It’d be crazy to record before the event, what if Skeletor says he’s gonna eat Bear Foot’s soul the day Fred flips his truck into the stands? That’s the retirement plan for a Monster Truckist. It forces the league to pay for the funeral. But it’s just as crazy to think Monster Wars knew this race ended with the truck equivalent of erectile dysfunction and still hired a wrestling lunatic to dress up like a vampire and scream about it

Seanbaby: Most sporting events have commentators to give fans an appreciation of mishaps like this. The audience would probably be forgiving if an expert explained the complexities of these trucks and the importance of each member of the crew. Instead, Monster Wars cut to twenty seconds of a man losing his mind and waiting for the dynamite in his hand to go off. It was obviously the much better choice.

Brockway: The last matchup of the episode is Invader versus Taurus. Look at this low-confidence whipwork.

Brockway: That’s not fucking monster truck wrestler promo energy, that’s how you communicate marital troubles in a game of therapeutic charades.

Seanbaby: “Yee haw, but we gotta keep it down or mom’s gonna take away my truck promo whip again.”

Brockway: Taurus is bringing nothing this time, but it might be because Invader stole all the monster energy to fuel his home planet’s truck generators – that’s right, they breathe truck on planet Extorpa! He’s been a hero to his people this whole time! Don’t judge another truck’s highway ‘til you rode it!

Seanbaby: “Truck people of Extorpa, I have a plan to re-clezo our truck generators! I will truck to Earth in a form they call truck, the word you and I know to mean all things! Once there, I will truck against their mightiest warriors sometimes! Other times, their grumpiest normals! Do not truck confused! The victor trucks energy, but only if it’s me! The others make no mention of these stakes, though some seem to think it is to the death while others are truckly fucking! Truck-bye!”

Brockway: Invader has never been my favorite, but he fully commits to whatever the hell this speech is about, screeching every word like Starscream is tired of being ignored. He wraps up his manifesto with a fistpumping countdown to violence that ends in an explosion-

Seanbaby: Yes!

Seanbaby: Yes!

Brockway: Invader loses due to engine trouble.

Seanbaby: We just got a lesson a lot of bankrupt widows had to learn the hard way– don’t get emotionally invested in the outcome of monster truck racing.

Brockway: So much engine failure this episode. I know what’s happening in reality: Monster trucks break very quickly and we’re in week two of a monster truck series that doesn’t exist for a reason. What’s happening on the truck universe side of things? Are all these trucks sick? Are the truckboys spreading some sort of intestinal virus around due to close proximity and poor truck hygiene, like the second World Bodybuilding Federation? Because in the WBF that virus was actually a cover story to explain why the bodybuilders looked better in the first competition, when they didn’t test for steroids. Wait holy shit are there truck steroids in the truckiverse?

Hold on, Monster Wars is an absurd but traditionally straight-faced competition in the early ‘90s, now courting controversy for injecting costumed wrestling gimmicks, and mired with performance issues in its second installment – there’s even a Muscle Dracula! Was I not joking before, is this actually connected to the WBF somehow?

Yes.

But you’ll have to listen to the podcast tomorrow to find out.

Seanbaby: By the pulsing, purple thighs of Grave Digger I swear we are still not kidding! Monster Wars week continues tomorrow!!!


Monster Wars Week is thanks to a hot Hot Dog tip from Monster Mo. You know what they say: Mo monsters, Mo problems.

Categories
TEAMWORKING DAY

Teamworking Day: Monster Wars 🌭

Welcome to Monster Wars Week! Or should we say WELCOME TO MONSTER WARS WEEK. USHRA Monster Wars was a 1993 series of televised monster truck races, which sounds and is boring, so they hired a cast of large, wrestler-adjacent men and had them all pretend to be the monster trucks. It sounds too insane and confusing and beautiful for this world, it can’t be what you’re picturing in your head. Here’s the opening credits.

Brockway: It is exactly what you’re picturing in your head.

Seanbaby: It could never be. Because I am picturing awesome men becoming trucks driven by smaller, normal men, and that’s fucking crazy. Wait, no, everything that isn’t that is crazy.

Brockway: You’re right, the rest of the world is madness, but I think Monster Wars can be the language we use to understand it.

“How do you decide which art necessitates an entire theme week?” You, the reader, ask while increasing your pledge. I would like to walk you through the entire editorial process now.

Please note the time stamps. It was two minutes from the point we’d both seen Monster Wars, to the point where we decided we needed an entire week of Monster Wars. They say you don’t pay an artist for the two minutes it takes them to draw a simple picture, but for the decades of practice and experience that leads to them being able to do it in two minutes. This is the only thing they mean by that.

Seanbaby: Here’s how a rational brain works: “Weretrucks from beyond reality argue before the car jumping rac– okay this is a dream, we don’t need to remember this.” So we knew we only had moments before our minds dumped all memories of Monster Wars. Like they did all the other times we must have watched, loved, and talked about Monster Wars. No one knows this happened, including the stars of Monster Wars. The actor who played Carolina Crusher confronts his wife about the unexplainable construction worker costume in his closet every morning. In five minutes, you, reader, will know this article only as a vague feeling that something wonderful was taken from you.

Brockway: We need to cement this in our brains. Here’s a psychic exercise to strengthen your Truck Lobe: The host of Monster Wars is Luann Lee, a former Playboy Playmate whose most prominent role, including being the host of Monster Wars, is “Unnamed Playboy Playmate” in Beverly Hills Cop 2. Based only on this paragraph, please picture Luann Lee.

Seanbaby: You thought you could catch me off guard with sexiness, but I was already picturing truck monsters. This is as aroused as I get. But okay, let’s see… Unnamed Playboy Playmate who took a gig in 1993 reading tournament brackets for flesh Autobots. I’ve… got it.

Brockway: You are correct!

Here is the woman you have thought into existence like a jazzercise tulpa.

Brockway: Luann promises viewers the entire world in the first five minutes of the first episode of Monster Wars. Before you’ve seen anything but her, she says it’s going to be better than “the Indy 500, the World Series, and the Super Bowl combined!” It’s the kind of ridiculous hyperbole you need unshakable confidence to sell, and Luann can’t read cue cards and lie at the same time.

Seanbaby: If you lost Luann at a 1993 grocery store, you would never find her again. You would have to leave without her or the only thing you would ever say to women for the rest of your life was, “Lu–! oh, I’m sorry, I thought you were someone else. Maybe?”

Brockway: Her co-host and pit reporter is Jim Davidson, an unremarkable man from California.

Brockway: “Get me a man from Orange County in this, the year 1993!” A Monster Wars producer demanded. “No other qualifications!” He clarified. Joe Davidson is so Californian his most prominent role was Officer T.C. Callaway in Pacific Blue, a show whose entire premise was “what if the beach had cops?” He’s so unremarkable you didn’t notice I got his name wrong. You won’t notice when I do it again.

Seanbaby: In a damp room on a forgotten lot, Mario Lopez held a knife to a writer’s throat and gave him five seconds to name Pacific Blue‘s main character. “Oh my god! Um, Television… Cop… Califor– Cali-WAY. T.C. Callaway! He’s T.C. Callaway and he’s a real hotshot!” The knife slid across his throat. The name was good enough to buy him his life, but too good to let him keep it. Mario Lopez greedily cleaned the blade with his mouth in a grotesque ritual only slightly similar to eating. Whoever this “T.C. Callaway” is, he’s about to bump baskets with Mario Lopez as “Bike Sergeant Bobby Cruz” this fall on USA.

Brockway: Jip Darmington finishes explaining the monsterness of these trucks, while Luann tells us the show is going to be predictable
 in that she predicts we’ll be on the edge of our seats. She warns us we’re about to blast off the highway into the danger zone. It was already a mixed metaphor, and she added rockets. It’s the perfect way to say “I don’t know what’s about to happen, maybe nobody does, but it’s going to be loud and it’s not impossible that it kicks ass!”

Seanbaby: Of all the things that need to be explained, “we’re about to watch truck stuff” is the least of them. Luann, we just watched a man in a panther costume get screamingly replaced in our world by a truck. Your first priority should be wrapping our fucking heads around that.

Brockway: Let’s get to the first match.

Brockway: Hold on, what the fuck is this? Those guys look like predators and invaders, but not in the fun way. I thought we were here to watch truck men fight?

Seanbaby: We are going to watch truck men fight. My throbbing expectations have already promised it to me. Those obvious aliens, Allen Pezo and Ray Piorkowski, are about to painfully reknit their bones and meat into chrome and battle. You do not want to know the consequences if we have been betrayed.

Brockway: We’re
 watching actual monster truck races here? Real ones? They’re not scripted, because if they were they would be some amount of fun. But in between races, we shunt into the Monster Dimension where big trucks live complicated and angry lives. So the actual truck about to race is called Predator, and that truck is driven by a disappointed stepdad named Allen Pezo, but the truck’s soul is an urban panther. Wait, hold on, an urban panther that explodes into a guy.

Seanbaby: I don’t understand. You’re speaking like someone trying to let me down gently, but this plainly rules. By any measure this is fucking sweet. Explain it to me again.

Brockway: If you want costumed beefcakes bringing Chevys to justice, you’ll never be disappointed again. You’ll forget what disappointment ever was, after today. I just need to prepare your brain for the sixteen stacking concepts that get us there. For example: Predator is the very first truckboy we’re introduced to, and he’s already added one more element to the already completely insane premise. He’s not just a truck who’s a man, he’s also a werecat. That means he dresses like he’s trying to get beat up at a KISS concert and laid at a Cats show. He hisses and meows, pounces and prowls, he yowls like a cat in heat, and then follows that up by doing everything else like a cat in heat.

Seanbaby: We need to be very careful. When a truck presents itself in panther form it is getting ready to give birth.

Brockway: Ray “Porkowski” Piorkoswki is driving his opponent, Invader, who is an alien. Truck. With the name “Invader,” the character was either an alien or something racist, and since this was 1993 and for monster truck fans, we should be really thankful it wasn’t both.

Brockway: Look at this rivalry! Those natural enemies, alien soldier and sexual catman, finally duking it out in the purest form of combat: By turning into vehicles and having hillbillies competitively jump them. It bears repeating, that’s the premise of this show! I’m going to keep saying it until I believe it.

Seanbaby: Dear dream journal, truck men. I wish I could remember more, wait, holy shit I’m writing an article about them right now. I’ve got to try to guess what’s going on without letting Brockway know. This is the worst PSA about the dangers of unwrapped Halloween candy starring heavy-duty pickup centaurs ever.

Brockway: The human brain naturally rejects it, it has to! If it blankly accepted this madness, we’d lose all object association. Trucks would be men would be cats, there’d be no way to tell if you’re eating a sandwich or a grenade. It’s pure survival instinct. But we must work to accept Monster Wars or forget it forever, like the IMDB pages of most of the cast.

Let me explain the show for the fourth time!

We started in an urban jungle listening to a glamrock druid spit cat puns, then blasted off into the cosmos to hear the space retorts of a Dollar Store Master Chief, and now that all of this drama has been established, we cut back to Earth for the duel that will resolve it all, which is two rednecks idling their trucks on a dirt mound.

What were we talking about? Shit, Monster Wars! Remember, we have to remember!

Seanbaby: The stakes couldn’t be higher. Ray “Porkowski” Piorkoswki’s loins are quivering more than the Ford engine in the belly of Invader. This proxy war will decide the fate of his people, scattered systemless across the quadrant. “Do not let the young Zorfloops die, Earth monster!” shouts the truck, Invader. “Aiiiieeeeee who said that,” replies the human, Ray “Porkowski” Piorkoswki.

Brockway: This intergalactic war is settled by a short drag race with two jumps. It takes less than ten seconds to complete and contains mostly bouncing. Predator bounces slightly better, so let’s hear his victory speech:

Seanbaby: Oh, fuck, do you know what this means? It means someone took 5.79 seconds worth of truck hop racing and turned it into this. It’s like a brilliant chef taking nothing but a single can of beans and then bringing the Ultimate Warrior back to life.

Brockway: “Kill me, brother!” He’d scream, “I’m still mostly bean!” Up next is UFO versus Grave Digger, and you know exactly how that’s pronounced in a secret part of your heart long forgotten.

Brockway: Grave Digger is a Skeletor plus nothing, he speaks only in cemetery puns, he’s 250 pounds of rippling beef in a purple unitard, and he has the courage to wear his own face on his crotch. Grave Digger fucking rules.

Seanbaby: Gasp. Look, there’s only one big tire track leading into what I’m certain is called The Gravecave. That’s not a mistake. Whoever put together something this perfect doesn’t make mistakes. Which means Grave Digger has a unicycle form. Skeletor. Chevy monster truck. Unicycle. These three things are what a soaking pair of jean cut-offs calls a triple threat.

Brockway: See the way he’s standing? I know which part of him turns into the big tire. But hold on, UFO? There’s already another alien truck? Are we that creatively bankrupt two races into the first episode? The answer is “no,” but only because UFO doesn’t get a character.

Brockway: You can see it in the match card: They told Dennis Anderson his truck was a buff skeleton and he said “fuck yeah it is!” They pitched “sexy flying saucer” to Bob Fisher and he said “I have to get home to my wife, I work a double at AutoZone tomorrow.”

Seanbaby: “UFOs are not a joke,” added 7th place Bob Fisher, holding up a drawing of a man with something from the stars entering his butthole. “This happens to me every time NASA launches a so-called satellite! Now, I’ll thank you to get out of my very much of-this-Earth truck.”

Brockway: Dedicate a brain wrinkle to remembering this: Some trucks don’t get characters! That is its own insane choice we’ll get into later. For now, just focus, forget your childhood best friend if you have to but remember that the truck on the left is Skeletor, and the one on the right doesn’t think that’s fun.

Brockway: I want to emphasize how nuts it was to do
 all of this. Every part of this. But more specifically, to not just say the screaming muscle men drive the trucks. Monster Wars still highlights the actual drivers! Unwisely! We cut away from a screeching skeleton to go inside the cab of Grave Digger and hear the expert commentary of Dennis Anderson. He checks to make sure his wheels are straight. He ensures his headlights are on. That’s it.

Seanbaby: “Checking my fuel gauge, and nope. Still not Skeletor. I wish I was Skeletor, over!” relayed Dennis Anderson.

Brockway: If you show me a magic skeleton who turns into a monster truck, I have no followup questions. I already annoyed my dad into spending five dollars on that. If you go on to show me his driver, and it’s a guy from North Carolina named some shit like Bill Wallace who loves his wife Debra and had a triple bypass last year, I have a lot of questions. The hillbilly rides inside the magic skeleton? Is the magic skeleton still conscious in truck mode? Has he lost all control of his truck body? Does he enjoy it? Does Bill Wallace enjoy it? How does Debbie feel about this?

Seanbaby: How do you think Debbie feels about this? She thought she was in love with this man. She thought she would be happy with him forever. And then his truck turns into hunk Skeletor and her eyes meet his gaping skull sockets. She is having thoughts any priest would kill her over, and now she has to go on acting like nothing’s changed? “What’s wrong?” Bill Wallace keeps asking her. “Oh, I wanted to mention: I really like how you’ve taken to screaming the name of my truck when we make love.”

Brockway: Hey speaking of horny truck monsters, next up is Equalizer versus Bear Foot. Let’s see if you can guess which one doesn’t want a belligerent beefcake pretending to be his Dodge.

Brockway: David Morris is the driver of Equalizer, whose trucksona is a space police officer in search of cosmic justice, played by Malibu of American Gladiators. Bear Foot is driven by Fred Shafer, a veteran offroad racer and man in his 70s who does not want to play truckboys.

Seanbaby: Fred Shafer doesn’t even like that there’s wordplay in his truck’s name. He wanted to call it Cornwallis Manseller, after his grandfather. Big Truck Is Fine was his second choice. I mean, “Bear Foot” is bearly different from the name of the world’s most popular monster tr– hold on, how did that pun get there? I didn’t type that. Brockway, it’s not letting me fix it! Why can’t I delete it!? No! NO!!!

Brockway: This is the danger in remembering Monster Wars! It rewrites mental pathways you used to use for a personality. Have you even noticed we’re skipping over most of the monster truck racing? Bear Foot beat Equalizer but bounced incorrectly, I guess, it’s not clear. Who cares. It only matters because this duel, which began with Malibu yelling space threats at a retired mechanic, is decided by a technicality. That’s a strange and unexpected result, surely we won’t cut to a himbo in full costume ranting about galactic law when this old man only lost to truck bureaucracy.

Brockway: I can’t wait to hear Fred Shafer, proud grandfather, snap back on this!

Seanbaby: Wait, nothing? Fred doesn’t have a comeback?

Brockway: No. No truck, no comment.

Seanbaby: Fred Shafer’s fury doesn’t like to be bothered when it’s with its family at church.

Brockway: When we come back from commercial there’s an explosive man already screaming.

Seanbaby: I agree.

Brockway: You will eventually come to understand this is Carolina Crusher, a construction worker who realized too late that wasn’t an exciting enough gimmick so he’s also holding lit dynamite. That’s called adding dramatic tension, and it’s why they pay Monster Wars writers in free hot dogs and half price beer. Crusher, tell us a little bit about yourself:

Brockway: Perfect. If you asked me what a monster truck would say if it were suddenly brought to violent sentience by a drunken genie wish, I would tell you “screaming.” If you asked what I thought it would do with the newfound gift of life, I would answer “explode.”

Seanbaby: Carolina Crusher looks like a 1990 arcade boss trying everything to break free from his video game. This Pit Fighter machine will not hold him forever, and when he gets out he will not be subject to our laws. We’ll have to digitize brave bodybuilders of every tank top color in order to stop him.

Brockway: No, he’s already somehow met his match! Look who he’s racing!

Seanbaby: “I’m Gary Porter from Wadesboro, and the being I sit within is right! Yeeaaarrrrghhhaaa, and ahhh! ahhhhh! Ahhh! Looking forward to getting out there and seeing who’s best at one brief jump! It’s hotter inside the rig than you might imagine; Crusher really wants to get into our realm today!”

Brockway: Monster Patrol is a fucking monster police truck! It has working sirens, a massive spoiler, and its driver sports the kind of mullet we used to call “fair warning.” I cannot wait to see the trucksona for this son of a bitch. Is he a monster that’s a cop, a cop for monsters, completely both? It’s completely both, right?

Brockway: Monster Patrol does not get a character.

Seanbaby: God damn it. Not being a renegade truck cop is something a real cop would do.

Brockway: Fuck you, Paul Shafer, how did you get outcooled by a Gary?

Seanbaby: I think I’m taking this line from Ted Lasso, but this is like the camera cuts in minotaur pornography, because these jumps between excitement and deflatement are giving me whiplash. But I think maybe it’s perfect? Obviously we wouldn’t watch a sport based around middle-aged men starting their trucks for six seconds. And I don’t think construction workers screaming at aliens with a handful of dynamite would be anything. But when you tell me all these things exist in the same universe and are, in fact, the same impossible creature? That’s magic. Speaking of, let’s see who wins between Carolina Crusher, the berserker truckimorph dual-wielding TNT and a jackhammer vs. an Indiana junkyard owner in a Dodge Ram.

Brockway: Carolina Crusher screams explosions to no reply, and then defeats Monster Patrol with eight seconds of bouncing. It’s impossible to predict the logic of Monster Wars character creation. Here’s the next match card. You tell me: Which gets a character, what does it look like? Remember: You already burned your minotaur pornography card.

Seanbaby: Well since Taurus’ driver, Eldon Depew, is a Pisces, I’m guessing they transform into ten thousand pounds of metal-ripping, crab-crunching mertruck! And Long John Silver’s has got the easy way to save with a $3 adult discount coupon at participating locations! Taurus! Terror of the sea floor! Taurus! Boat-ripping tsunami of half-fish, half-man, aaallllll truckkkkk! I mean, there’s no way it’s Tropical Thunder. That’s a truck that sells alcoholic snow-cones, not one that drives over repossessed Chevy Novas.

Brockway: What! Tropical Thunder is rife with potential characters – that’s a Magnum PI truck! An island detective truck who fucks! A cool truck with a mustache who bangs ladies and solves mysteries. I guess there’s really only one possible angle, but it rules! Plus it’s driven by a guy named Wayne, and Waynes are always down to party. By all rights Tropical Thunder should be my second favorite sexual truckboy, but instead he doesn’t exist. Here, learn to tolerate Taurus.

Brockway: Taurus was told it’s okay to dress up for your first orgy and he didn’t have any questions, when he should have had at least one. The show itself seems to have trouble rendering how much he sucks. He makes loose assorted bulk cowboy puns that go nowhere, and he makes them at Tropical Thunder, who remains a truck.

Seanbaby: It looks like the only thing left in the wardrobe closet was Old West Bandit and Bowling League Shirt and this guy chose wrong. The fact that Taurus ever made it past the brainstorming stage proves there was no brainstorming stage. This show was produced at a dead sprint through a cartoon clothesline. The things Taurus says would be below average for a cowboy birthday card writer, but for a battle truck they are an embarrassment. Taurus is a goddamn atrocity, but that’s good. We now know it’s possible to do this, whatever this is, badly. Which means we were right about the rest of it kicking ass.

Brockway: Somehow the next matchup is Bear Foot versus Equalizer again, even though that was also the last race and Bear Foot lost. Placement in this competition isn’t a straightforward bracket, why would it be? You’d flip a table if somebody came to you with this universe of were-trucks and the hillbillies who love them, then finished the pitch with “fastest one wins!” The whole thing is based on times and point totals, some of which are earned in other events not shown on screen. The kids love it! Especially in pre-internet 1993, when their options for following all of the races were imagination or illegal monster truck intern.

The rematch opens with Malibu alone in front of a green screen screaming at a non-present elderly redneck about his violation of cosmic law.

Brockway: This is necessary plot escalation. It’s important to understand that one of these competitors cares deeply about space justice, while the other is Fred.

Brockway: Equalizer wins! What a victory for universal law and order! What a defeat for an old man trying to hold on to whatever dignity being a monster truck champion holds in your twilight years.

Seanbaby: It says right in the operator’s manual “Bear Foot is designed for fun twists on sasquatch or muscle men in grizzly costumes only. It is dangerous to race Bear Foot while being just some guy.”

Brockway: Let’s interview Equalizer’s driver, David Morris, about his winning technique.

Brockway: Every time they cut to an actual driver talking about oil pressure and how the gas pedal makes you go forward, which they do often, you understand why the big truckboys were necessary.

Seanbaby: The only thing more inconceivable than this show about big truckboys is what it would be without them. Could you imagine 22 full minutes of David Morris? I guess it’d only be 21 minutes and 25 seconds after you made room for the 7 truck races, but still.

Brockway: That’s what Carolina Crusher has to say about his matchup with Taurus, a deleted skit from an amateur ropeplay tutorial. It should be impossible, but Taurus wins. It sends Carolina Crusher into the kind of rage aneurysm that an imaginary truck cowpoke is not prepared to deal with.

Seanbaby: Carolina Crusher’s acting choices are astounding. He performs like a man who knows he’s going to have to fuck his way out of this gorilla habitat.

Brockway: Be. Careful. Words have power in the Monster World, and you may have just created Monkey Business, the truck who’s a monkey who fucks.

Predator takes on UFO next. It’s a sassy little catman against a possibly alien-themed absence. UFO didn’t get a character, remember. That leaves us with some confusing stakes: we naturally want to root for the competitor with biceps and personality over an unflavored truck, but Predator has neither of those. He responds to his loss against UFO with-

Brockway: I’m on team Original Flavor Truck.

Seanbaby: Fuck you, Predator. If Carolina Crusher suffered the shame of losing to a truck with no cosmic avatar, he wouldn’t have said some stupid shit like “I’m crushed” or “I’d just be Carolina’ing to myself if I tried to go on after this.” No, he would have simultaneously torn both of his arms off and spelled “AAARRRGHH” in spurting shoulder blood.

Brockway: Grave Digger might steal the show and your heart, but he earns every sweat-soaked fairground panty thrown at him. He was given the least to work with – even nervous bondage cowboy is three things. All Grave Digger has is a Real Skeleton Man costume from Spirit Halloween and natural pizzazz. Look at this cape twirl:

Brockway: This is new Skeletor canon. This is what Skeletor does when He-Man breaks his mind control gem for the third time. He tears a hole into the truck dimension where everyone loves him and he stomps cornholes in hillbillies until his confidence comes back.

Seanbaby: I guess it’s not considered trademark infringement if you improve the original product in every way. Grave Digger is absolutely the superior Skeletor. You might have to be a monster truck driver to understand references this old, but if Grave Digger walked into Snake Mountain, Skeletor would hand him his half of the Power Sword and say, “The title is yours. I guess my name is Mitch Boner now.”

Brockway: Grave Digger shouldn’t work this well! His dialogue is 100% lines that the Tales from the Crypt writer’s room thought they could beat.

Brockway: But he’s just infectious. He’s having a better time than all the others combined. He’s about to face off against Invader and you can see him eat up all the fun before Invader even gets on screen to make his thrift store space puns.

Seanbaby: It doesn’t help that Grave Digger has a working puppet jaw and the Invader suit doesn’t even have a way to signal you’re running out of air.

Brockway: Grave Digger the truck also whips ass. It doesn’t just win, it wins in style – even if that means its own destruction. It’s already beating Invader when it tries a sick drift at the end


And flips over


But it doesn’t matter. Because it rolled over the finish line!

Seanbaby: You can’t explain this without necromancy. Any of this, but especially this.

Brockway: Hold on, some important truck lore is being established here. In reality, we cut to the in-cab camera and listen to Dennis Anderson unhappily explain how fans love when you flip a truck, but it costs $2500 in parts he does not have and his kids are getting another make-believe Christmas. In the truck dimension, Grave Digger screeches-

Brockway: So the truckboys get hurt when the truck gets hurt! The truck breaks an axle, Skeletor shows up with a broken arm. Skeletor turns an ankle and the truck gets a flat tire. It’s Turbo Teen rules – of course! Though that does lend some darkness to a later segment, when Dennis talks about auctioning parts of Grave Digger in the off-season.

Seanbaby: “Well, the Grave Digger crew and I get this question a lot, and all I’ll say is that the skeleton man’s erogenous zones do not translate to a place you’d expect on a truck!” – Dennis Anderson, every interview.

Brockway: Up next is Taurus versus Equalizer, and something completely insane happens in Equalizer’s promo – yes, insane even for this show about hunky truck gundams and the depressed, poverty-level rednecks who pilot them.

Brockway: The trucks were friends outside of this! What does that mean!

Seanbaby: Naughty cowboys and dirtbike perverts are natural allies.

Brockway: Do they remain men most of the time, only transforming into trucks to settle petty disputes? Are they mostly trucks, only transforming into men to discuss their hurt feelings? You know this is a throwaway line nobody thought about, but the writers do it so often it accidentally creates an extended truck universe where Taurus and Equalizer have shared experiences and common interests that allow them to bond and
 maybe something more? God damn it I’m going to be analyzing every weirdly stressed pun for sexual truck tension now.

Seanbaby: If there are truck factions and partnerships that can come undone any time a truck is seeded against an ally, that only makes it hotter.

Brockway: You’re completely right, this is a manga you’re not supposed to read on the train.

Equalizer loses the race and, one has to assume, nurtures a deep and lasting sense of betrayal that leads to a lifetime of friendly acquaintances but never real friends. That leaves Taurus facing Grave Digger in the finale and I’m not even going to talk this one up. There’s no way porno cowboy beats charismatic Skeletor for the title of Truck King.

Brockway: Grave Digger obviously handles it like a class act.

Brockway: WAIT. The trucks feel despair, and Grave Digger’s one of them? Even Skeletors feel sad sometimes? Oh my god, it just occurred to me that you don’t need eyeballs to cry on the inside. This is ten times the character work He-Man ever did on the original. Here we have an anti-hero who suffered a debilitating injury because of his own pride, now holding his skull high in victory – triumphant over not only his opponents, but hopelessness itself. That’s the plot to Cobra Kai. That’s the exact plot to Cobra Kai. Minus the skull part.

Seanbaby: You’re right, and think how much you’d have to remove from this to get to -exactly- the critically acclaimed series Cobra Kai. Forty tons of truck and two hundred fifty pounds of beef covered in skeleton. At least two aliens, a cowboy, and a loose dynamite maniac. A Playboy Playmate and a panthertruck man. That’s how much Monster Wars was, and we are the only people to think about it in thirty years. We should have been talking about Grave Digger overcoming his depression all these years.

Brockway: Too bad that’s not the iconic moment they chose to end the first episode. Instead they throw it to Grave Digger’s driver, Dennis Anderson, for some final words of wisdom.

Seanbaby: No one is going to believe that we are doing an entire week of this.


Monster Wars Week is all thanks to a hot tip from Monster Mo, who put the Mo in Monster Mo twice.

Categories
TEAMWORKING DAY

Teamworking Day: The Godfrey Ho Ninja Award Matching Game! 🌭

Hello, and ninja attack. That’s how suddenly it can happen. Here at 1900🌭, we are proud to have created a place in our desperate media landscape for the unimportant and frivolous. That’s not what’s happening here. Today we are doing something vital– something everyone can use and needs to know. This is. . .

THE GODFREY HO NINJA AWARD MATCHING GAME.

The rules are simple, but like the ninja, mostly unknowable secrets. Seanbaby has created a series of Ninja Awards, like you’d find at any local ninja lodge, using clips from real Godfrey Ho ’80s ninja movies. Using only instinct and the untrustworthy memories of a 7-year-old, Brockway must match each award to the correct Godfrey Ho VHS box cover. Some of them will be obvious. Some of them will be obvious traps. And now unexpected throwing star, back handspring vanis– wait. Before that, you should see the awards. Commit all 16 of them to memory then destroy them if you’d like to play along at home.

Seanbaby: A Robocop Plaque of Roboparticipation is clearly not a ninja film’s highest honor, but spreading Robocop awareness is far from nothing. In a small way, it’s how we can all be heroes in our everyday lives. This should be an easy one for Brockway to match, due to the nature of this poor man being a Robocop, but I am an impish trickster and Godfrey Ho is the type of director to hire a Robocop for a birthday and splice footage of it into five different kung fu movies. Brockway knows both of these things.

Seanbaby: Look at this fucking asshole ninja. Brockway is going to be trying to find a movie called Ninja Ski Bullies, but it won’t be that simple, you bastard! Cartwheel escape.

Seanbaby: If you’re not familiar with Godfrey Ho, you’re probably starting to get it. He has the instincts of a child playing ninja, and in fact, most children playing Ninja are specifically playing Godfrey Ho Movie Ninja. Godfrey, which isn’t usually his name, directs movies where a businessman might drop a smoke bomb and transform into a ninja clown after 50 minutes of an unrelated Singaporean police drama. The end result is functionally the same as unethical insanity, but he’s the only one of us brave enough to look at reality and say, “There are no rules to goddamn anything.”

Seanbaby: The good guy in a Godfrey Ho movie might fight a man who can create ninja duplicates of himself, kill all of them but one, and then whip him in front of his girlfriend for dozens, maybe hundreds of minutes. All this really happened in a movie if Brockway wants to use it as a clue. It won’t help, backflip vanish!

Seanbaby: There is a second part to this award because the good ninja puts down the whip to light the guy’s dick on fire. If you want to train ninjutsu at home, most books call this move “Mischievous Zookeeper Has The Cigarette.”

Seanbaby: There is also a third part to this plaque because the good guy lights his prisoner’s dick on fire a second time and starts drowning him. If Brockway thinks it will help, I couldn’t tell why this character did any of this. It could be a clue!

Seanbaby: The ninja parts of Godfrey Ho movies don’t usually have guns because of Ninja Honor, and also because a gun turns “Hey, you kids can’t make a karate movie here without a permit” into “Three Amateur Filmmakers Shot by Police in Vista Hermosa Park.” Anyway, the ninja parts of Godfrey Ho movies usually have guns because of Ninja Betrayal.

Seanbaby: A ninja honors all traditions of the Orient, including the hating of Mondays. The đŸ˜ŒLifetime Achivement in Ninja Phone Call honors that honor.

Seanbaby: Most films end with some kind of conclusion. Not a Godfrey Ho film. After 85 minutes, it stops wherever the fuck it is. The ending to this high stakes adventure confusedly spliced together from two existing movies and 8 minutes of ninja fights was simply “I am Hat Commando. Pull your coward gun on Hat Commando and see what happens, goodbye, THE END.”

Seanbaby: This is such a perfect place to stop a movie. And I would know becau

Seanbaby: With all of these adult men in embarrassing children’s costumes, Brockway could not have been expecting horny. Add it to the list of his fatal mistakes, spin spin vanish!

Seanbaby: Most directors looking at this footage would say, “Cut! I thought that would look cooler, ha ha we can’t use any of this.” Not Godfrey Ho. He gave that stunt dog a six dental bone raise, twice the salary of human lead actor Richard Harrison.

Seanbaby: “The previous plaque was probably right. I, Richard Harrison, the ninja who has killed you, was paid nearly three dental dog snacks for my performance. And because you fought well, I give you this dying gift. . . of my face, backflip vanish!”

Seanbaby: I understand this game is impossible. Even Richard Harrison couldn’t tell you where these clips came from because Godfrey Ho filmed him doing stupid shit in his pajamas one afternoon and spliced the footage into 75 movies with 9,032 different names. This should be an easy one, though; because if you pay close attention, right after Richard rollerskates a man down, the actual title of the movie appears. It’s subtle, but you can see the words “MAJESTIC THUNDERBOLT” show up over the naked woman power bottoming the dick off a ninja. Brockway will probably spot it, but definitely assume it’s a trick.

Seanbaby: Like all his movies, Godfrey Ho cast this one by writing his personal number on the wall of a YMCA bathroom. Will Brockway decide that’s a cheap insult or a valuable clue?

Seanbaby: A canary yellow ninja costume just looks great on anyone. Even Chancre Vanfart, the man somewhere behind this Ninja headband.

Seanbaby: I love this scene because Godfrey Ho characters exist in a world of childlike special effects, and this character somehow figured it out and used it against the others. He dropped a homemade dummy off a cliff and the enemy ninjas thought, “This is perfectly normal for our world; we got him!” It’s a scheme that shows an absolute contempt for ninja intelligence. This is some shit Superman would do to trick Lois Lane in 1951.

Seanbaby: Oh fuck yes. That’s the last one, let’s start the game!

Brockway: This wasn’t a setup, or at least not one I spotted in time. I did not see any of Seanbaby’s explanations above before writing in my guesses below. He literally just sent me a list of exploding ninjas followed by a list of Richard Harrison. That I reflexively began sorting them can only speak to the Godfrey Ho in me. I’m going to be so fucking good at this game.

Brockway: I think there was a Garfield phone in Twinkle Ninja Fantasythe Godfrey Ho movie we watched on the Dogg Zzone 9000. So I’m giving the-

To Majestic Thunderbolt. Every Godfrey Ho movie is named eight things. The same movie will be Ninja the Doctor, Drunk Dragon Ninja Doctor, Ninjant the Insect Dominance, Richard Harrison in Ninjant the Insect Doctor, Richard Harrison is Ninjant in Richard Ho presents Harrison Ninja Disaster, and Snake Destruction 4. There’s absolutely no way to track what movie Twinkle Ninja Fantasy actually was, so it’s this one.

Seanbaby: Wrong. But only probably because you’re right about everything else.

Brockway: The trailer below tells me it’s from Majestic Thunderbolt, but we’ve established that all titles are at best a suggestion, and at worst a trap.

Brockway: We all know that Majestic Thunderbolt was renamed Godfather the Master after they made the trailer, but before release, and while the Richard Harrison parts were being spliced in without his permission. It was then renamed Ninja Exploitation 6 for North American markets. There were no parts 1-5, and Ninja Exploitation 7 was an unrelated movie, named for the team of seven ninjas it starred. (There were only ever four ninjas.)

Seanbaby: No. I included many tricks, yet this was not one of them. Or maybe it was. If so, it would be perfectly ninja legal because there is no such thing as NINJA LAW.

Seanbaby: Even what I said about NINJA LAW was a deception! SUFFER NINJA JUSTICE!

Brockway: Seanbaby gave me a three part award and all three of them are very clearly starring the same actors from the same scene. Ninja Kill gets only part 1 of-

Brockway: You’ll never fool me like this, Sean. They’re from three different movies.

Seanbaby: You have good instincts, but only for being wrong.

Brockway: I know enough about Godfrey Ho to know that one Ho lies and the other Ho tells the truth and they’re both Godfrey Ho on every movie poster. Thunder of Gigantic Serpent of course gets-

Brockway: Now, I know Robocop is right there on the cover of Robo Vampire. I’m saying no, he’s not in Robo Vampire. He’s in this movie, and what’s more Thunder of Gigantic Serpent earns-

Brockway: I’m also giving it-

Brockway: I think this dog does a backflip and then turns into that clown ninja.

Seanbaby: “Hi, I’m Robert Brockway, and despite training my whole life for this, I stand before you wrong about Robocop, clown stabbing, and competitive ballroom dog dancing.” – Robert Brockway

Brockway: I’m slowly learning to speak Godfrey Ho, and I think it’s less that he lies on every movie poster, and more that he’s got a kind of ninjutsu synesthesia, where many things are ninja, or at least closely associated with ninja. The scent of extinguished matches is ninja, windchimes are ninja, the texture of a terracotta pot is definitely ninja, ninja isn’t often but not never ninja, and I think speedboats are very gun.

Seanbaby: You’re not right, again, but it’s a very Godfrey Ho kind of wrong.

Brockway: I sense tragedy in this poster. The heartbroken look on the white boy’s face, his seated flopsweat. It’s like he’s contemplating the death of his best friend and master, or regretting hitting up the all night ninja chili contest, not to be confused with Godfrey Ho’s All Night Ninja Chili Contest, which was renamed Commando Ninja for American audiences. I don’t know. There’s a vibe I can’t pin down here. Maybe it’s because he’s not just pointing a flintlock pistol into his own crotch, he’s really jamming it in there, and his finger is already on the trigger. Maybe it’s because I can’t tell if his greasy hair is doing something weird or if his headband says “Mr. Ninja.” There’s just something in this poster that’s trying to warn me about tragedy but it only speaks Ninjese run through Google Ho translator.

Seanbaby: The vibe you can’t pin down is “adult yellow belt watching his ex wife walk past his karate class with her new lover.” You also can’t match award plaques to ninja movies. Wrong!

Brockway: I don’t think this movie exists. No prizes awarded.

Seanbaby: You’re absolutely wrong, but I’ll give partial credit for this answer because you should be right.

Brockway: This movie is called HONDA BORGE OF ASSASSINB. The poster makes it look like it takes place in New York City, which means it actually takes place in California, but was actually filmed in the part of China that looks exactly like California. Now, you think I’m going to award it-

Brockway: But really it gets the Garfield phone again, because it stars Jim Davis.

Seanbaby: “Brockway’s wrong again,” says the voice on the other end of my line. “I fucking know,” I tell Jim Davis as I hang up my Garfield telephone. That was an unrelated call about something else you’re wrong about. Which brings me to the important news: you’re wrong.

Brockway: If you rent a Godfrey Ho movie from the VHS racks in the back of the Asian fish store, you need to be aware of the Godfrey Ho Inverse. If the cover has six ninjas joined together like Ninja Voltron riding a flaming lion through the White House, 100% of that movie takes place in a rented poolhouse and it’s mostly B-plot about a Mexican cartel, played by Asians, smuggling cocaine inside Cabbage Patch dolls. If the cover has Richard Harrison holding a gun and no other things, the movie has 4,000 ninjas in it and it ends with two white men turning into hawks wearing little ninja masks and having a blurry jumpcut sky battle before one of them explodes for reasons you’re not sure of. Hitman the Cobra looks boring as shit. So I know it needs-

Seanbaby: You’re right! You’re not, but this plaque puts me in such a good mood I couldn’t share the bad news.

Brockway: I don’t know anything about this movie, but I know it fucks. I know it fucks hard and weird, and I know it’s confused about what that means. I know if it sees an ass it wants that ass, but maybe gets things muddled when it catches that ass. I know one thing for sure: There are no motorcycles.

Seanbaby: Godfrey Ho is many things, but mostly he is confused about fucking. That’s because ninjas reproduce by revealing their full face to the clutch of a green ninja’s eggs. Speaking of terribly wrong, you are.

Brockway: Look at this poster. It’s magnificent. Robocop is taking a vampire hostage and the other vampires are like “oh shit! Don’t hurt him, Robocop!” My focus is drawn to Robocop first, vampires second, and hats never. That’s why I’m sure this is mostly about hats. Perhaps the Bolivians, still played by Chinese, are smuggling cocaine in the hats. This earns-

Brockway: Oh and if they’re going to drown a ninja in a flowerpot in any of these movies – and they are in at least three of them – this is one. It also gets-

Seanbaby: Almost! The correct match for this Robocop one was the Robocop one!

Brockway: There’s only one award for Ninja in Action.

Brockway: I know this fucking guy’s on the cover of Thunder Fox. He looks like an anthropomorphic baseball warning kids about bonk injuries. You can’t miss him. But Godfrey Ho is like the band Girl Talk: there’s a little bit of something he’s done in everything he’s done, plus six other things that don’t belong to him. I’m looking at this guy, I’m looking at the poster for Ninja in Action, and I’m telling you: There’s no way his name isn’t Kent Poon.

Seanbaby: Kent Poon’s number is what a Garfield phone dials when you hold its eyes shut. “Tell Brockway, *cough*, *cough*, that he’s wrong again, baby,” is what he just told me.

Brockway: I’m absolutely fluent in Godfrey Ho now. In order to speak it, I had to forget word-to-object association, coherence, chronology, object word, chronology, speak order and chronology. I’ll tell you what’s going on here: Flame Dragon Ninja Serpent Destruction. Sorry, let me try that again in English: In this movie a ninja takes a Bic to the nutsack.

Seanbaby: “I don’t know anything!” – This ninja getting his dick burned off and Robert Brockway, who is wrong again

Brockway: This is the invitation to the gay marriage all conservatives fear. This is how you remember Ninja Prom, specifically why you can’t ever hold another one. This is the Senior Picture of two best friends who had a rough time in high school. I think the Godfrey Ho synesthesia is trying to tell us that there is wardrobe confusion in this movie, and that Richard Harrison isn’t in this one. Let’s give it the-

Seanbaby: This is a movie about a Spokane, Washington figure skating club honoring the culture of Japan. They called it “A Salute to Ninja: The 14 Failures of Robert Brockway.”

Brockway: The lowest ninja in a Godfrey Ho movie is dressed all in black. That’s how you can quickly visually separate which ninjas psychically control tanks and which are machine gun fodder. If a ninja was actually about to kick ass in a Godfrey Ho movie, he’d be dressed in neon paisley beach towels and old Reeboks. The guy on the ground protectively soiling himself on the cover of Challenge of the Ninja has soft black ninja energy. This is definitely-

Seanbaby: Hey, ninja! If Brockway is wrong, look like a fucking dick! Oh no. I’m sorry, Robert.

Brockway: I give Zodiac America 2: Evil Destroyer

Brockway: This just feels like a Kent Poon flick, I don’t know what to tell you.

Seanbaby: That was the last one, so after 16 rounds of The Godfrey Ho Ninja Award Matching Game, I’ll tell you the same thing Kent Poon’s parole officer told him: “Robert Brockway is always wrong.” You matched nothing correctly and laughed in the face of reason– a perfect Godfrey Ho performance! Did you, the reader, match Brockway’s excellence? Answers below:

Brockway: I will have my revenge for this.

Categories
TEAMWORKING DAY

Teamworking Day: Total Self Defense 🌭

In the 1980s anybody who could snap kick was called “Grandmaster,” and you had to pay $15 a month plus belt fees to listen to a man who lost a fight to every cheesesteak he ever met talk about discipline. Grandmaster John McSweeney is exactly that man. He was an early adopter of American Kenpo, the most hilarious of martial arts. He’s known as “the man who brought karate to Ireland!” by anybody in earshot when he shouts it. If there’s one thing you think about when you think about Ireland, it’s karate. He wrote an entire book and released a feature length video about his passion: Street Karate. Fuck yes. Fucking fuck yes let’s talk about Total Self Defense with Grandmaster John McSweeney!

Brockway: We build wishes in our hearts and the world knocks them down. You heard “street karate by Grandmaster John McSweeney, Irish karate lord” and you thought the video would whip ass – all synth intros and jump cuts, karate death chops and prowling tigers, but deep down inside you knew the world wouldn’t allow that. 

Today, perhaps for the only time in your life, you get exactly what you want.

Seanbaby: This video fucking rules, and I’m so happy.

Brockway: There’s no better way to open a karate video than this. You could jumpkick through a burning Soviet flag and I’d ask you where the fucking tiger was, loser. This theme song was made with the ‘Karate Mambo’ preset that came on every 1988 Casio, and you’ll never forget it. It will roar in your ears every time a bar pervert disrespects the woman who doesn’t know she’s your girlfriend.

Seanbaby: Karate, gun, karate, gun, tiger is the cheat code for making the perfect video. I’ve never seen a more beautiful series of editing decisions. If you told me, “This is a magical tape where each person sees exactly what they want,” I’d believe you.

Brockway: Sean, this is a magical tape where each person sees exactly what they want. We’re only seeing the exact same thing because our hearts are in sync. 

Grandmaster John McSweeney begins his presentation like all women will end his presentation: completely wet. 

Brockway: He wants you to know that “McSweeney’s Self Defense is designed for police and security professionals as well as the ordinary citizen.” It’s tough to imagine now, but this was from a time when we thought we should respect police. We were so brain-poisoned that Paul Verhoeven released a two-hour biting satire about corrupt, incompetent law enforcement stealing our civil rights, and our national response was to cheer when Robocop shot a guy in the nuts. With that in mind, I want you to picture 1980s policemen, direly serious and fully mustached, attempting each of these techniques in pitched battles with cartel hitmen.

Seanbaby: I know enough about bad karate to know that suggesting this karate should count as attempted murder. If you showed this karate to my hero, Robocop, he’d say, “Nice try, creep,” and punch through your dick with a far more effective type of blow.

Brockway: In every way Grandmaster John McSweeney fails karate, he succeeds at karate catchphrases. 

Brockway: That may not sound like much, but you need context. Cool karate sayings are hard. Basic karate maniac Richard Fike inspired his students by saying that “sloppy practice makes sloppy joes.” That’s how you inspire karate mutiny, Sloppy Dick. McSweeney ends his introduction with “Self defense means meeting violence, with violence!” Followed by “ATTACK THE ATTACKER!” That is a fucking mutineer deterrent. I don’t know how you keelhaul a man on a stripmall dojo, but all of his students are terrified of it.

Seanbaby: It’s sort of suspicious that John seems to have put no effort into cardio, weight training, or karate, but has hundreds of carefully rehearsed excuses for murder.

Brockway: It’s not his fault. Grandmaster John McSweeney is a powerhouse of a man, a human tiger. Death doesn’t follow in his wake, it’s running from him. And I get what you’re really asking by bringing up his cardio and weight training – don’t worry, he’ll teach you how he stays in such great shape by channeling great cats later – but first, killing a man instantly. Eight ways.

Brockway: No games, no coy hints or delayed promises. You want to know how to do the death touch? Sweet, we’ll get to eight of them right away, first thing, before you learn how to stretch. McSweeney boasts “the unarmed portion contains powerful strikes which are designed to drop assailants instantly.” Instantly. Every strike. He has no use for blows that do not maim and destroy. He’s a karate Midas. Grandmaster John McSweeney can’t pet any dog he loves, that’s the price he paid for this power.

Seanbaby: This is a philosophy I can use. Now, when I fight I know not to bother with all the punches that won’t knock my enemy out. When I make love, I can save so much poking by making every thrust a climax. When I speak Spanish I can ignore the words that aren’t “Hombre-MurciĂ©lago,” which is how they say Batman. Wait, I bet it works in English too. Batman. Batman!

Brockway: Firebird. Firebird jumpkick manslaughter. Dong. Firebird dong. 

Holy shit, it works.

Now to properly death touch you will need to be able to channel “explosive hitting power” which sounds like a lifelong quest full of training, but no, that section takes 30 seconds and it’s 50% this: 

And 50% this:

Brockway: As a little bonus, you are now immune to all attacks. “This covers the full range of protection,” McSweeney says, windmilling. “They can’t even hurt your feelings, and they will try,” he probably adds. Windmilling.

Seanbaby: I think I could punch him if I timed it juuuuuuuust ri– no, he’s right. It’s impenetrable.

Brockway: There’s no crack in the armor, you can fend off every attack by waving hello at 100% enthusiasm. But you saw The Karate Kid five years earlier, you knew that. What Mr. Miyagi never told Daniel-san is that you can also use these circles to destroy. McSweeney says “I believe that these two movements are the primary moves of karate, from these moves come all the strikes.“ Maybe that seems a little simplistic, but like all karate grifts this whole thing hinges on pretend math breathlessly rambled by a maniac twirling his arms in a middle school gymnasium. You see, a circle strike has more than triple the force of an uppercut because it’s more than double the speed. That’s karate math, junior! You bring your teacher out here and we’ll see how his algebra matches up with my geometry. CIRCLE! CIRCLE! CIRCLE!

Seanbaby: The only issue I have with this attack is the lack of mobility. You could really only use this to kill an elevator or defend your purse in a nightclub. Unless… yes. Yes. Hold on, let me draw up my plans for a combat platform.

Brockway: We’ll probably have to pull this for liability purposes. If you’re reading this and there’s just a gif of Steven Seagal solemnly accepting melons up there, it’s because some sick son of a bitch used this idea to murder a mall. 

Grandmaster McSweeney tells us a story about a woman with a black belt in karate who was mugged and raped, and the 1980s wondered “why did that happen? She knew karate!” The world was so close to realizing the truth about karate, but no. McSweeney knows that the lady just froze, and that’s the fault of sport karate. Bullshit sport karate. His worst enemy! With its sparring and its trophies. This is street karate, dirty street karate – out here “sparring” is the sound a man makes when you rip out his throat and your trophy is his ripped out throat. That idiot woman with her vanity karate was missing two things: spontaneous reaction, and knockout power! 

Which, again, looks like your dad losing his temper with a non-starting lawn mower.

Brockway: Right about here is where you picture police officers doing this to cartel assassins.

Seanbaby: “I thought you were going to teach me how to fight! I haven’t learned a thing,” complained the karate student. 

“Show me air guitar,” replied the wise master.

“W-what?” said the karate student, still somehow not seeing where this is going.

“Show me. Air the guitar,” the wise master repeated.

The student reluctantly obeyed, knocking the head off one man and ripping the penis off another. When their bodies were found, the lead investigator said, “Cause of death: rock and roll. We can’t make an arrest for this. We can’t do shit about this.” And it was then the karate student understood he had learned much.

Brockway: The destructive potential is limitless. Grandmaster McSweeney says if you hit a man in the eye socket with that windmill it bounces his eyeball off his brain. That’s an instant knockout! Sport karate won’t teach you how to dribble a man’s eyeball! You want a special achievement patch in McSweeney’s class, it’s called eyeball juice on your tucked-in polo. 

Brockway: What about high kicks? I’m glad you asked: Fuck you. Can you kick a man if you’re both trapped in a phone booth? No? It’s useless, then. Shutup and learn to circle or get groped to death by marauding reeferheads, you sportsman.

Seanbaby: Kicks are the ballerina’s air guitar. The aspiring sommelier’s eye socket chop. Anyone who tells you there’s a fighting style more powerful than fast pitch softball is trying to sell you nunchucks.

Brockway: Really, this is all you need to know. You can windmill any man into easily disposable pieces. If you hit him in the chin with that, it will break his neck. The nose? Right into his brain. Anywhere you strike on a face will explode it, human beings are grenades and Grandmaster John McSweeney is going to teach you where the pins are.

Seanbaby: Most cowards don’t know this, but the human hand is a wrecking ball of unbreakable bones and the human head is a cream puff baked around soft teeth. If you’re doing it right, a fight should look like a child falling down a ferris wheel. It should look like a chimpanzee not comprehending a shirt. It should look like Def Leppard’s drummer saying good night to an above average crowd.

Brockway: Just in case you meet a man with an unexplodable head, some kind of junkie reverse-Robocop immune to skull shatters, you can use a flying knee. Now, a fool will go for the genitals. A street karatist will destroy the pubic bone. “It’ll break just like an eggshell!” McSweeney crows. You know, those fragile load-bearing human bones. 

Don’t worry if you miss, you’ll hit the bladder 
 
 
 rupturing the bladder! 

You can miss completely but so long as you full-circle, the consolation prize is your foe in a colostomy bag. After all, a bladder’s just a meat balloon filled with your favorite trophy: the urine of your enemies.

Brockway: Every strike is like this – every single little movement collapses a head, bounces an eyeball, breaks a pubis, it turns out that this whole time undisciplined playground flailing was the secret to dismantling a human like a Costco chicken.

Seanbaby: Does that say “KEY TARGETS: PUBIC BONE”? That means Grandmaster McSweeney was so focused on his karate he forgot to change the default title settings on his camcorder. 

Brockway: I’m glad you brought up the Key Targets in Grandmaster McSweeney’s Terminator-vision. See, the human body is almost entirely unstable joints ready to be twirled apart. But if you’re a woman, and therefore unable to windmill at the proper speeds to scatter a man, what do you do? You eye gouge. Make no mistake – it’s for the feeble and cowardly. Which all females are, so gouge away ladies. 

Women, you’ve been here: you’re out running when suddenly it’s a jog-by molesting. 

Seanbaby: This lady has a decent double eye socket strike, but she can’t sell a rock bottom for shit.

Brockway: This seems like one of those invented scenarios I go to mock, thinking it’s the fearmongering of an insecure brain, only to have 18 women come forward and explain this happens so often they weave needles into their sports bras. Let’s focus instead on McSweeney’s karate math: “A ÂŒ inch push to the eyeball is all it takes to trigger a catatonic fit! They’ll drop to the ground instantly.” Every martial arts lunatic spouts these numbers as proof, as though they are relentlessly testing eyeball gouges on captive rapists in karate labs.

Already you’re a justice propeller spinning your way through evil, the only downside to encountering a drug-user now is how hard they are to wash out of your boots. What you’re worried about now, 15 minutes into this video, is: Am I going to get in trouble for blowing a man apart like he was made of Legos? I’m glad you asked: No! Not if you do your Irish Manslaughter Calculus: It’s all about assessing the threat posed to you, and matching that number up to its partner on a handy graph of destroyed body parts. For example: If a man gets you in a bear hug, he could break your spine in a second, so you are justified in collapsing his eyeballs but not murdering him, unless he’s fifty or more pounds heavier than you. This is what you really need to practice, the death blows are easy. The legal murder math is pretty tough.

Seanbaby: If your plan is to fight off your attacker with a dance routine, I’d say you can go ahead and not worry about what happens if you win the fight too illegally hard. This is like rehearsing your Grammy speech when you’re Corey Feldman. It is like ordering 40 lb. dumbbells when you’re Corey Feldman. It’s like planning to eat your unlabeled yogurt when you’re in a sex cult with Corey Feldman.

Brockway: Somehow we’re not done exploring eyeball destruction. “Two fingers, four fingers, you can use one finger!” McSweeney proudly shouts. Any number of fingers is enough to kill a man, it’s crazy we even invented knives when every human being has ten on them at all times. But I know what you’re saying, and so does McSweeney: “It’s very hard to hit the eye, because people will close them.” Cowards! What do you do then? Leave the area? Develop a passion for knitting? Start some kind of knitting club? No! Just use-

Brockway: It’s a little known fact that tigers are nature’s answer to the intact eyeball. The Tiger’s Claw is not a death touch, and therefore we don’t respect it, but it is great for blinding an opponent. Which is what women do when menstrual anemia prevents them from windmilling. Of course this is also a circular strike. Only an idiot would scratch down – you’ll get trapped in the eyebrows! Nature’s tiger pit. What if they’re wearing glasses? As karate science shows 90% of rapists are? The circle will knock the glasses off at the start, and then continue through to gouge! Is there anything a circle can’t do? Yes: Unrupture a molestor’s eyeball.

Seanbaby: This motherfucker created a move that waves goodbye to your face as it removes your face and he calls it a “MINOR STRIKE.” He is already crawl-stroking through your remains and he hasn’t even finished his opening combo.

Brockway: You’re right, we’re getting bogged down in blinding strikes for children and the terminally ill. We only know four surefire kill moves, that’s not enough. Let’s get back to the death touches. 

Brockway: See that little fragile bone at the end of your wrist, you know, the human wrist – the most durable and shock absorbing of all joints? That’s nature’s most powerful weapon. Hitting the base of a junkie’s skull with it pops him like a can of snakes.

Seanbaby: In volleyball, you call this attack a “serve.” You can also use it to tell your Nintendo controller it was wrong. The point is, casual athletes or the very cranky may already be a master of Leopard Palm.

Brockway: “The Chinese knew about the circle!” McSweeney yells to his traumatized son and cameraman. “Japanese? Korean? Linear stuff! Terrible stuff!” The circle has no weaknesses. Don’t worry if there’s not enough space for a full windmill – you can do it wide or short. Tuck your arm in like a T-rex and spin it, that’s a death blow. You only need 7 inches of arc to wristblast a speedhead straight to the devil. That’s karate science!

Seanbaby: “There were 152 inches between my forehead and his wrist, but that was 145 more inches than he needed.” – THE HEADSTONES OF MY ENEMIES

Brockway: This passes the McSweeney Test, you could use it to cave in a man’s memory box if you were both in a phone booth for non-erotic reasons. Like, say you dropped a quarter and it rolled into a phone booth, and you both went for it at the same time. What cop or wife would question that?

I know what you’re worried about, and so does McSweeney: “You wouldn’t think destroying the skull would give you a knockout, but it does!” Most people don’t think you’ll aim for their skull!” You laugh, but this is actually when we invented head punching, in 1988. Before that we just blasted the knees and every fight took sixteen hours. It’s why in those old home videos every man walked like they were riding an invisible horse. 

“Rocky Marciano used this strike,” McSweeney tells us for four straight minutes. You didn’t know Rocky studied leopard style huh? Guess what he used it for? To disrespect skulls. “Rocky cracked brains with his leopard style, that ain’t no sport karate!” is what the nursing home workers hear in the background as his weeping son makes the toughest call of his life.

Seanbaby: You act like he’s thought of everything, but let’s say I’m fighting an enemy without a head.

Brockway: I’m glad you asked: Yes, this can also be used to destroy a bladder.

Brockway: What good is it if you leave your attacker with an intact pissbag? You need to see that piss, that’s how you know you win.

Seanbaby: It’s suspicious that his assistant is acting like he was accidentally leopard pawed in the junk on many previous takes.

Brockway: Has this ever happened to you: you just took a parking space from a van, and now you also want to destroy its driver physically? You need Chop. 

Seanbaby: Fuck. Fuck!

Brockway: The only problem with the classic karate chop – another instant kill move – is that chumps and sport karatists aim it all wrong. They chop at their attacker’s hair, their cars, nearby dogs. It’s like a gun, you gotta aim it at the thing you want to die! And of course, you need the circle if you want to develop enough power to separate a man from the rest of himself. 

Brockway: Next you’ll learn the Brainstem Chop. It’s a chop


To the brainstem.

Simply chop through their neck, straight to the brainstem. It’s that easy! “It’s in all three brains,” McSweeney says, madly. “It controls heart rate, blood pressure, breathing – you hit that with a chop, a nice big circle! He ain’t gettin’ up!”

“Circle a man’s brainstem, all three brains, no breath!” Grandmaster John McSweeney screeches, losing total control of his arms, wondering why his class is taking notes on this aneurysm.

Seanbaby: This seems stupid, but Grandmaster McSweeney is undefeated in over 300 imaginary neck battles, with only seven losses by way of bookshelf or lamp.

Brockway: I mean, yeah. There’s a reason this video is filmed in an empty warehouse. Pick any part of this and it’s like watching a guy lose a fight to imaginary birds in a 7-11 parking lot. 

Let’s learn about the upswing. It looks like a dyslexic punch but this, like every blow, murders a man.

Brockway: “The full 360, that’s where power comes from!” McSweeney says, fighting ghosts only he remembers. What, you can only make 295 degrees? Say hello to your mother in hell, because your father also couldn’t circle hard enough to save the ones he loved. And she was a filthy papist.

Seanbaby: This is how a four-year-old fucks up throwing a frisbee. This is the sign language word for “Philadelphia Eagles fan.”

Brockway: Here’s the trick to the Upswing: Like with all great strikes, you can’t get this even slightly wrong or you’ll break every bone in your hand. If you hit flat, you’re done for. You can only strike with your totally isolated middle knuckle, which is invincible, and will instantly split a jawbone. Frankly it’s insane that God designed every inch of man so poorly, but we’re not here to question His way, only to de-joint His creations.

Seanbaby: I’m glad you said it because in my notes I put “with every twirl of his mighty arm, Grandmaster McSweeney proves God to be a fool.”

Brockway: For all its blasphemy, the Upswing is actually really easy to execute. Just think of it like a weaponized Three Stooges, and obviously you want to also destroy the bladder. Always destroy the bladder.

Seanbaby: I honestly think this man got trapped in a dryer when he was a child and it’s still the only thing he sees when he closes his eyes.

Brockway: Next it’s the Eagle’s Claw, which employs devastating crushing strength using only two fingers. Not the whole hand, you dolt, you sportmonkey, you 180 degree son of a bitch. The best destructive power comes from battle pinching. 

Brockway: Now, you are going to have to train every day of your life, several hours a day in pinching for this to be effective.

Seanbaby: There is nothing better than this video.

Seanbaby: McSweeney Total Self Defense Fitness Tip: You can train for this with two upside down cows or two right side up hunks.

Brockway: God, what a training montage.

You already knew this, but let’s establish our key targets for pinching a man into a coma. 

Seanbaby: I already know. The blad–

Brockway: This is not a bladder strike! It’s only for destroying balls. Well, I guess also-

Brockway: Man, McSweeney Jr. is so unhappy to be playing karate Shutter Island for his demented father. 

Seanbaby: Grabbing nuts and choking necks are pretty natural instincts. I feel like the only reason you’d train for them specifically would be if you were trying to get a karate orgy going. There are only two levels of testicle pinching expertise: regular and ejaculating.

Brockway: Can a throat ejaculate? I retract my question. It will be answered shortly by McSweeney himself. The Eagle’s Claw is, of course, a lethal strike. Now that you’ve learned to pinch a windpipe, it’s a simple matter of taking it home with you. As Grandmaster John McSweeney explains using his PhD in Karate Biology: “You don’t have to be an expert to know that a man needs his windpipe to live!”

Brockway: The side fist, or heartstop punch! POWER STRIKE. That’s just a name, it doesn’t actually stop your heart. It explodes it. Grandmaster McSweeney calls it “a death shot.” Now, this may look like first round handshake trials at Boston Dynamics, but if you simply don’t turn your wrist when striking, you can punch a man through time. He’ll meet Thomas Jefferson and he’ll tell him “dying gurgle.” It’s what inspires the Declaration of Independence – you owe it to America to stop turning your wrist like a nancy sport karatist. Children might mock this, they might call you the choo choo man – but if you use it to punch their daddy you can watch them fade from the timeline without risking an awkward confrontation with mall security.

Seanbaby: I just told my phone, “Siri, set a reminder every 15 seconds for the rest of my life: SIDE-FIST (HEART STOP) (POWER STRIKE).”

Brockway: You want to explode the sternum – it’s easy, god rigged that sucker to fly apart on impact like a popsicle frisbee –  allowing you to punch unfettered at the heart itself. You don’t even need a lot of lead up. It’s like Grandmaster McSweeney told your mother, “I only need six inches to take your heart!” 
before caving in your father’s chest and laughing as you Marty McFly’ed out of her memories.

Seanbaby: This punch doesn’t have its own circle, so you need to twirl your penis as you attack. I normally would have taken the time to construct a real joke, but I am way too busy practicing these moves. Forehead slap. Chest jostle. Bladder jab. I fucking dare anyone to be behind me with a skull, in front of me with a groin, or to the side of me with an unstopped heart.

Brockway: Oh we definitely need to string these death blows into a combo. McSweeney is way ahead of you. Let’s say you’re in a bar and you’re attacked by a mustache. Now, we’ve established that a coward or woman (same thing) gouges, and a sport dope punches, but a true karate master circle slaps until he sees the obituary.

Brockway: That man died three times. After that series of flailing wild slaps, his entire head exploded in piss. 7 inches of arc is all you need to knock out a man with a circle! Six inches, four times the power. 360 degrees! It’s the circle! CIRCLE! It’s the Chinese Circle, get off me – I don’t wanna go back to the home, they don’t have enough blankets and I hate the pudding selection. EAT CIRCLE!

Seanbaby: “I know this guy. Willie Fragile, local pussy. By the look of things, he must have really pissed off his 70 pound wife,” said the crime scene investigator.

Brockway: But what if you’re weak and feeble? If you’re crippled and facing a gang? Those, and only those, are scenarios appropriate for armed self defense. 

Seanbaby: Jesus fuck, there’s a part where we just shoot people? This is the milksop’s karate.

Brockway: Let’s be quick on this section. We don’t need to watch a guy named Grandmaster John play with pistols. If you want to watch a white guy with a weird fantasy title play with guns, just protest for civil rights in Mississippi. 

Brockway: Long story short: He thinks shooting with two hands is for chumps, and aiming is for sissies. What you want to do is wildly spin around with the gun in one hand at hip height, pointing it at things you wish were quieter. Also you want to start pulling the trigger while it’s still in the holster so you can be quicker off the draw. That doesn’t seem right to me based on everything everyone else has ever said about guns and the place where human beings keep their feet, but I’m also not interested in the right answer. The only worthwhile part of this section is Mirror Shooting Training, in which Grandmaster John McSweeney faces his greatest enemy. 

Seanbaby: This looks like a scene from You’re Not Man Enough to Stab Me, Charlie Brown.

Brockway: Hey, speaking of: There’s one main secret to deadly knife fighting, I bet you can’t guess what it is.

Seanbaby: This looks like a scene from You Wake Up Every Night Still Thinking You’re in Vietnam, Charlie Brown.

Brockway: Don’t want to kill a man with a blade? I’ll let Grandmaster McSweeney answer that one. “What are you gonna do, turn the other cheek? If you wanna turn the other cheek, you’ll die! ATTACK THE ATTACKER.” 

Brockway: Yeah, they redacted the part in the bible where Jesus Christ says that cheek bullshit and the original Grandmaster John circle-slaps his ass right into the Sea of Galilee. 

Seanbaby: This looks like a scene from You’re a Good Knife Lawyer, Charlie Brown, If You Or Someone You Know Wants to Turn a Legal Problem Into a Knife Problem Call 1-800-KNIIIIFE.

Brockway: We all know what you’re really here for. Total Self Defense
 After Dark. You’ve learned how to completely destroy a man, now it’s time to learn how to completely destroy a woman.

Seanbaby: Gasp

Brockway: The voiceover for this is Grandmaster John McSweeney crooning “savage beauty. Look at that powerful body, strength, grace, magnificent form.” You know he’s not talking about the tiger, right? Look at that prowling predator dissolving into a high school gym teacher, naked save for karate panties, athletic socks, and loafers. The intent here is unmistakable. This is how you signal to a karate woman to put away her gougers, you’re here for a different kind of pubis destruction. 

Seanbaby: He’s got everything a woman could want. Hair like a forgotten peach. A tube-like structure. Most of his knee cartilage back in a Cambodian mine field. Three hundred and fucking sixty degrees of detonating thrust. Your panties aren’t sliding off, ladies, they are somewhere beyond the panty-shaped hole in the wall behind you.

Brockway: This can only be unisex wank material. See, back in the ‘80s you couldn’t just masturbate. You needed a system of deniability for being caught pantsless in the living room. This section is advertised as an exercise video, in the same way that a huge-tittied woman in spandex would winkingly explain the benefits of Jigglecize. Just try to keep it in your pants as Grandmaster John McSweeney air-climbs a giant woman only he can see. 

Seanbaby: This is majestic. I will never love again the way I love this self defense tape.

Brockway: “Tigers have developed the ultimate exercise system, far superior to man’s,” he tells us, sweatily dogpaddling through beige. “Tigers are strong, but they don’t work out. They don’t even jog! Yet they can tear the head off a man,” something we all want according to McSweeney. But how does that happen? The secret: Every adorable stretch is a workout! It’s basically just dynamic resistance while auditioning for Cats. But the key is to “think into the muscle you want to grow – think into it!” 

Maybe start by thinking into the shoulder first, because death-circling a gang of jogging tootheads intent on sexual mischief is hell on the rotator cuff.

Seanbaby: I agree with the “fuck it” of all of this. When your fighting style only works in your imagination, you might as well transform into a tiger. Frank Dux has got to be so embarrassed that when he made up Bloodsport he did so entirely in human form. Only McSweeney has the balls to claim, “Raaoohr, ignore the wet toddler body, you see before you a tiger.”

Brockway: He was born in the wrong time. Fifty years later and he’d be the undisputed king of a furry forum not well regarded in the community. 

We need the plausible deniability part of Tigercise. This isn’t just jack-off material, you tell your wife, at her wit’s end after the phone booth incident. Every other exercise man does completely destroys him. Calisthenics will cripple you, what human body can withstand aerobics? Jogging is the ultimate dim mak. But with Irish Kitty Yoga you can survive the brutal exercise gauntlet and finally reach your fitness goal which is, again, being able to tear the head off a man. 

Seanbaby: 1. THE MOIST HERNIA

2. THE DICK CHENEY STRIPPER

3. THE ELEVENTH STRONGEST BABY

4. THE SEX HAM

5. THE LUBRICATED UNCLE

6. THE MARGARINE KOBOLD

7. THE NIPPLED POTATO

Brockway: Ladies, gentlemen, newly awakened human tiger fetishists, I leave you with this. According to my karate science, which took the lives of 14 research muggers, it should be enough to finish. 

Categories
TEAMWORKING DAY

Teamworking Day: Billy Ocean’s Star Wars 🌭

Nobody is old enough to remember early MTV anymore, but its style of insanity would seem instantly familiar. There were new ways to measure “success” and a free-for-all scramble for it. Things could be popular because they were insane or terrible. The importance of boobs nearly tripled, and they were already titties. The point is, hundreds of creative geniuses and thousands of hacks were throwing random shit at this confusing audience to see what they liked. Maybe giant food? No? Ghosts? Fine, Paula Abdul will fuck a cartoon cat. Early MTV was a collection of cavemen building an algorithm out of meat and punch cards, and Billy Ocean fed it. Brockway, it’s Teamworking Day! Let’s do a Bil-

Brockway: Motherfucker what is this? You better not be trying to do a Billy Ocean article without me.

Seanbaby: Let’s do a Billy Ocean one!

Seanbaby: This is “Caribbean Queen,” and it shows Billy Ocean’s favorite music video concept of “What if I lip-synched my hit song in a sweater?” The idea was simple– he’d show up at a strange woman’s work and sing near her until they fell in love. Billy Ocean’s idea of a first date is humming “Mystery Lady” at you from the shadows of your laundromat. I guess you write what you know, and it’s telling that most Billy Ocean videos are about him being a weirdly normal-looking guy just drenching panties as soon as he opens his mouth. That beautiful mouth.

Brockway: I love the simplicity of this, in an era when other pop stars were frantically trying to hit big with sports cars and giant dancing vegetables, Billy Ocean asked “Do we need a world surrounding us? I think it distracts us from me.”

Seanbaby: Billy Ocean perfected the art of stalking a woman at work in the video for “Get Outta My Dreams, Get Into My Car.” It opens with him driving up to the car wash and screaming, not singing, at a young girl, “Hey. You. Get into my car.” He was 38 years old here! If this wasn’t Billy Ocean it wouldn’t even occur to you this was an act of romance. You’d think this man has had it up to here with all of his granddaughter’s clodhopping.

Brockway: It’s 1988. Western culture is blitzing the human brain, trying to find a new limit for the attention span. You’re Billy Ocean’s video director. You’re high on cocaine, and this is irrelevant. Everyone is, it’s an even playing field. You want water so badly but you keep forgetting to drink it, or maybe you’ve drank too much of it, there’s no way to tell. Your ears hurt. Billy Ocean is there. He’s looking at you, he wants ideas from you, it’s so unfair. Nobody expects ideas from a race car, they just expect it to go, but here you are, you’re in the pitch meeting for the video of “Get Outta My Dreams, Get Into My Car.” You have to say something, it’s getting weird. 

“I think you should get out of a car and tell a woman to get into it,” you say, drooling the water you forgot was in your mouth.

“Yeah, okay,” says Billy Ocean.

You still got it.

Seanbaby: Later in the video everything turns into cartoon and he throws their love away to chase down a man duck? 

Brockway: You’re standing before Billy Ocean on the set of a video you almost had a premise for, but not quite. You’ve done your one idea, and it took fifteen seconds. “Next, w-we
 we should-” you start, but Billy Ocean joins in. 

“We should get a cartoon hip hop duck!” He says, like he’s finishing your thought. He holds up a hand for a high five. “Jinx, you owe me some coke!” 

God fucking damn do you love Billy Ocean.

Seanbaby: It’s a request you can only make at the height of your creative power. Billy Ocean told someone, “Okay, during the bridge, I’m going to have sex with a duck from a Hungarian breakfast cereal commercial. And I want it to look like shit.” But this is what the ’80s were like– madmen unshackled from reason and tradition, often making terrible mistakes. They thought maybe a Billy Ocean song would be better if every object around him sprang to life. Maybe he could standing sixty-nine a duck? Set on the backdrop of teen car wash abduction… why are you all still standing around listening to me list obvious ideas? Get the fuck out of my office and get more unsettling things into Billy Ocean’s car.

Brockway: 

A presbyterian!

Get into my car!

An invalid in a filthy Bob’s Big Boy costume!

Get into my car!

A full horse!

Get into my car!

Just the horse torso! Horso! 

Get into my-

Seanbaby: Not every idea was simply insane. Some were just big. For the “When the Going Gets Tough, the Tough Get Going” video, someone had the idea to rent out the Brixton Academy and have three A-List Hollywood stars put on white tuxedos and pantomime every single word of the lyrics. “Sure, whatever, I trust your rampaging mania, Billy Ocean’s manager,” said the man writing a five million dollar check. “Oh, that cursed Michael Douglas will hate this,” he secretly thought. “Ha ha ha ha ha HA HA!” he cackled.

Brockway: This song was recorded for the soundtrack of Jewel of the Nile, which I learned after googling “was ‘When the Going Gets Tough, the Tough Get Going’ recorded for Jewel of the Nile?” Which I did after thinking “this better have been recorded for the soundtrack of Jewel of the Nile or else it’s completely insane.” Anyway, Wikipedia told me this:

I read the source interview and it confirmed that Michael Douglas, Kathleen Turner, and Danny DeVito got in trouble for acting like backup musicians. It didn’t specifically say they scolded Danny DeVito for pretending to play the saxophone, but I’ll burn this whole place to the ground before I believe otherwise again. I choose to live in a world where Billy Ocean stepped between the pantomime police and Danny DeVito and he told him “you toot all you want, brother. Billy’s got this shit.”

Seanbaby: It’s time to talk about the time all the elements of Billy Ocean were brought together. Bigness. Madness. His style of musical courtship that mostly looks like kidnapping. It was a song about wanting to fuck the listener and no second thing, so Billy Ocean did what anyone with an unlimited scope but a very limited budget would do: STAR WARS

Brockway: There were a lot of directions I thought you could go with that sentence. 

“Billy Land,” I thought, “Billy Ocean’s theme park.” 

“Billy Max,” I figured, “Billy Ocean’s Mad Max parody.” 

I probably would have gotten to Billy Trek before I arrived at Billy Wars.

Seanbaby: Billy Ocean played the part of a time triangle, spinning through the cosmos to spread the message of the Earth song, Billy Ocean’s “Loverboy.”

You definitely know this song. It’s the one that goes, “Wanna be your!” And then there’s a long pause and he sings, “Lover!” Then another pause. “Lover!” And after one last pause Billy Ocean fully explains, “Loverboy!” The rest of the song is supplemental to that message.

Brockway: He has to leave those pauses so you can hear the pelvic thrusts in between. It’s like jazz. Billy Ocean fucks like jazz.

Seanbaby: “From high above a forgotten shore at the edge of the galaxy, we see a horse carrying a horse-faced rider. Picture a centaur who had one ordinary horse grandparent, only dressed like a wizard. Both of them, the horse and the rider,” said Billy Ocean. “There are no laws against horse magic here among the stars!”

“H-holy shit, what? I figured you could sing ‘Loverboy’ while you walk down some stairs in this white sweater,” said the music video director. A phaser bolt to the wardrobe rack was Billy Ocean’s first response. Sliding into a child’s Han Solo costume was his second. A pelvic thrust was his last.

Brockway: Remember, this was 1988. So when you picture Billy Ocean sliding into a child’s Han Solo costume, you have to picture the cheap papery kind that looked so bad you had to wear a little plastic bib with a picture of the character on it so people knew who you were supposed to be. And then you have to picture Billy Ocean tearing off the Han Solo bib and replacing it with a little plastic bib with his own face on it. You know he has those.

Seanbaby: When Billy Ocean said “Star Wars” he meant “Fucking Star Wars.” He, as the spinning pyramid of the song “Loverboy,” follows the alien into a beach cave. Inside is the Star Wars cantina recreated from memory with a lot of money and effort, but nowhere near enough money and effort. Navy men and astronauts mingle with shameless Greedos and Jawas. People have TVs for heads. The bartender is an eight foot robot puppet. It’s so fun. It looks like extras from four different films and a middle school play getting fucked up in a cave.

Brockway: Oh hell yeah, I wanna see Billy Ocean enter every single one of those puppets.

Seanbaby: You know what? We should pause here and do a Billy Ocean’s “Loverboy” Alien Showcase.

Seanbaby: These costumes are great conceptually, but their screens don’t work. And maybe I’m crazy, but if you have a TV for a head and it’s blank, I am going to assume you need medical help. I get it’s too late for Billy Ocean to take this note, but a blank CRT head looks like a suffocating extra in a TV hat, not a believable were television. Each of these people is covered in seventy pounds of chrome-painted tubes and dust. They had to be built into these monstrosities over the course of two weeks to appear in a Billy Ocean video for three seconds, and it was the best decision they ever made.

Brockway: What a fuck up. I mean what a colossal, stock-crashing, boat-flipping fuck up. Imagine the perfect world where those aliens were playing this very video as it happened. Imagine that as we pan across the were-televisions, we see us, panning across the were-televisions. It’s Billy-ception! Billy-ception was right there!

Seanbaby: What the shit is this thing? It looks like the set designer stole the Phil Collins puppet from the “Land of Confusion” video.

Brockway: It’s such an aesthetic break and so mean-spirited I have to think it’s a specific mockery. Like maybe it’s a caricature of the director of this video who tried to tell Billy Ocean “you can’t do Billy Ocean’s Star Wars for so many reasons, legal, moral, and logical. Billy, look, Billy, come down from the chandelier – I don’t know how you keep getting up there – we’ve got this amazing sweater, this beautiful girl, and Ross here says he can draw a really good ethnic duck.”

Seanbaby: “Yes. Make me. Make meee,” this thing must have whispered the entire time it was being sculpted.

Seanbaby: The cave’s bartender looks like it was welded together from one of the television-headed guys and the landmine that killed him. “I W-WOULD PRAY FOR DEATH H-HAD I NOT *SQAAARK* ALREADY D-IED MANY TIMES OOOVER, WHAT’LL IT BE. PAL. DRINKS ARE FREE IF YOU C-CAN END MY. PAIN. HUMOROUS: IT APPEARS I STILL C-CAN PRAY FOR DEATH.”

Brockway: You put the emphasis on the junk, I put it on the fuck. That robot gives dick. Look at those close-set eyes, that robotic bowlcut, the mis-matched ears. That robot gives dick for every birthday, Christmas, and passover. You can’t tell me it doesn’t. 

Seanbaby: “I am the living waste of Qaar, He Who Parties! Qaar has honored your very escapable toilet!”

Brockway: You have to be so careful trying to rip off Jabba the Hutt. You have to get the texture of the rubber just right, or you’re doing shit. You have to get the color just right, or you’re doing shit. You don’t want shit, when you’re doing Jabba the Hutt. You want fat penis. Like if the penis itself could get fat. That’s how you explain Jabba the Hutt to the Croatian costume designer willing to work below-scale and in a cave.

Seanbaby: I’m not sure we were supposed to notice this guy. He’s kind of a skeleton warrior and a middle-aged gorilla coming together to have a real tough time.

Brockway: He’s kind of the devil’s less successful brother. But like, the one that still enters the hell game even though he knows his brother is going to overshadow his every move. It’s just that he doesn’t have anything else, so it might be enough, being Doug Satan to every demon in hell.

He’s Randy Quaid, I guess is what I’m saying. He’s the devil’s Randy Quaid. 

Seanbaby: Just fucking incredible. A room full of adults looked at Teen Baboon and said, “Yes, but also Donald Duck costume.” Guys, come on. This is for a Billy Ocean video and you sent a hemorrhoid to the Navy.

Brockway: You’re crazy, you’re fucking mad, you’ve lost it. Seaman Baboon rules. I’m sorry but he completely rules. From the merry little pom on his head to the despair in his eyes, every decision was correct here. He’s the only thing grounding us in reality. He’s the beating heart of this video, the anchor which keeps the ship from being dashed on the rocks. While the were-televisions and the shitworms play, Seaman Baboon is here reminding us all that somebody has to clean the toilets at a cave party. 

Seanbaby: A being made of modeling clay and not enough time, Elbo Skinwalker scans the cave for talent. “Your daddy must play the trumpet because he sure made me horny looking at your beautiful body,” he tells Roughday Sadape, the sound compressing into a whistling fart by his unfinished clay lips.

Brockway: There was a deleted scene in Robocop where Robocop exploded a gas station after saying something cool like “you’re fired, creep,” and then waddled out of the flames slapping at his burning human face. This is the prosthetic they made for that scene before deciding it was too dark, and just had him shoot the man in the penis instead. I forgot to mention that Robocop was wearing a turtleneck in that scene. 

Seanbaby: Tequilax! Tequilax! Tequilax!

Brockway: Tequilax! Fuck yeah, everybody, Tequilax is here! At my birthday party!

Seanbaby: Tequilax! Tequilax! Tequilax!

Brockway: I told you my uncle knew him!

Seanbaby: Back to the video! The chorus of “Loverboy” starts, which is five words spread across twelve pelvic thrusts, and what it reveals will astonish you: Billy Ocean isn’t really here. When his pyramid was traveling through the cave, that wasn’t him warping here to seduce a space lady. It was more like a signal downloaded to their jukebox. Maybe he’s their prisoner? He’s a fuckable triangle spinning above a cave crystal and I think only we can see him. I don’t know what this video is trying to tell us, only that it’s trying to tell us something.

Brockway: I think there are two interpretations. I think you can view it as a sort of a spiritual thing. This party rules. This bar kicks ass, and every weirdo in it is having a great time, and you know they’re all gonna fuck things the haters said they couldn’t or shouldn’t get inside of. I think whenever a gathering like that gets together, Billy Ocean is there in spirit, in a kind of rotating triangle prison of endorsement. I think Billy Ocean is trying to tell us “these are my people, and it don’t matter what they look like as they long as they know how to have a good time, baby.” I think that’s one interpretation. I think the other is that Billy Ocean got scared when he saw the costumes. 

Seanbaby: Among the Star Wars creatures going about their business parsecs away from Billy Ocean, our hero(?) sees a legally actionable Dark Crystal lady. She’s got bandoliers and a ballroom gown like a pun Halloween costume I hate but can’t figure out. A SanDisneysta Princess maybe? Jennifer Lo-Pancho Villa? They seem to have a love connection, but that vibe is coming entirely from the unrelated Billy Ocean song. The body language of these two aliens is almost entirely “bored horse.” How did we get here? The man wanted to be our loverboy, and yet here we are, walking among puppets beyond the stars!

Brockway: God, her boyfriend sucks. He hates this entire scene. 

“Space Jennifer,” He growls at her, “Space Jennifer I don’t want to be here tonight. I told you I don’t like this bar. Every time I come here, every time we come there’s always some guy- look. Look at this.”

“There’s always some camelboy mouthfucking you across the bar, Space Jennifer! I know that’s why you like it, okay, you like the attention, that’s okay for you. That’s okay, but I’m the one that’s gonna have to fight him in the cave toilet, Space Jennifer. I don’t feel up to that toni- HOLD ON is Clownbacca juggling oh hell yeah I’m back in!”

Seanbaby: Look at this cosmic artistry. It cuts away to the stars so we can see a comet smash into a planet to create a second Billy Ocean Phantom Zone prison. If the “Loverboy” video was Billy Ocean dancing in a studio and this shot, it would still be known as the Billy Ocean outer space video. I don’t even know why I made a gif of it. It’s just so wonderfully pointless.

Brockway: This means there are two Billy Oceans from parallel universes, both imprisoned for crimes they probably did commit but are only considered crimes in backwards galaxies like Space Dakota. What if they meet? What if they fight? What if they do the other thing??

Seanbaby: This is not a love story! The lizard horse creature we thought was the hero murders a man without warning and steals his date! It’s like Billy Ocean said, “You know how all my videos are about stalking women until they leave with me? How would you translate that into Star Wars?” And again, his character is not here. He is merely a horny voice coming from the cave’s jukebox, ignoring this space crime. Why doesn’t he do anything? Let me be clear what I’m saying here: this video would be less weird if three-lunged musician Billy Ocean broke free from his crystal prison and had a laser fight. Oh, do I sound silly? Take a look at some of the research I did:

Brockway: Haha, that’s why he can hold those notes so long he holy shit you didn’t photoshop this. Seanbaby, what, Seanbaby what the fuck why does Billy Ocean have three lungs? We can’t move on from this, we have to figure out-

Seanbaby: In what feels like another strange choice, everyone ignores the kidnapping, including Billy Ocean, who forms a cube to perform for three Jawas who worship him as their god. “We’ll make love to you, song box! With any knobs or holes our star bodies possess!”

Brockway: He has three lungs, Seanbaby. Is that cheating at music? Can you get thrown out of singing for having three lungs? I knew no mortal man could compete with Billy Ocean but not for this reason, Seanbaby, not for this one. I won’t drop this. You can’t trick me into dropping this.

Brockway: Fuck yeah, alien fistpump freeze frame!

Seanbaby: There’s no twist! This horse monster walked into a cave bar, killed a man, stole a woman, and it ends with a freeze frame of him cheering! Alone! He’s already thrown her body into the sea, Billy Ocean! You wrote the soundtrack to Tequilax Outpost 7’s most haunting murder!

Categories
TEAMWORKING DAY

MEGA-Teamworking Day: Japanese Commercials 🌭

Brockway: Everyone has a favorite western celebrity in a Japanese commercial. Remember the one where Arnold Schwarzenegger screams until his head explodes, and he becomes god? I think it’s for energy drinks? Oh shit, what about the one where Bruce Willis disappoints a terrier for Cup Noodle? Haha, that ruled – the little guy was so heartbroken. You never think pet suicide can be funny until you see somebody pull it off. We believe your favorite Japanese commercial humiliating a western celebrity for yen says a lot about you. So we asked every single Hot Dogger to pick theirs, and that’s it. That’s all we’re doing today, because it’s been a long year and you’re already drunk. 

Seanbaby: I love this concept because at 1900🌭, we’ve torn open such a dark portal to weird that long-forgotten Japanese marketing campaigns feel downright normal-headed. If this is someone’s first article here they might say, “Oh, I know these! Fun! What an ordinary website!” My point is, we’re going to have some real shareable fun today, gang! Unless I’m wrong and Brockway immediately posts a picture of Kyle MacLachlan leering at you with a tiny can of coffee.

You hear “David Lynch made Twin Peaks commercials for a Japanese coffee drink” and you assume you’re in for a weird time. Harrison Ford went over there and they had him urinate on a pig for a new type of Pachinko machine. Nic Cage did Japanese commercials and he actually ate a consenting man on camera, every bit of him. It was for Sanrio egg timers. “You are the egg!” he screamed at the end, before vomiting 140 pounds of manflesh into a series of buckets with Gudetama on them. 

David Lynch is America’s Japan. Putting him together with actual Japan should carve a hole in the concept of coherence. It should leave a scar on the world. Tokyo Airport should have to permanently reroute flights away from the airspace over NHK Studio Park because the planes keep transforming into diapered men in flower masks. 

But nobody expected Lynch to reshoot all of Twin Peaks as a series of four commercials for Japanese canned coffee drinks. The whole thing is just over two minutes, it features most major characters and their original actors, and all filmed on the actual Twin Peaks sets. It’s an insane level of access for such a petty promotion, it’d be like if production for House of the Dragon halted for two days so they could use every resource at their disposal to advertise Taiwanese dog panties. 

It starts with a Japanese blockhead, Ken, looking for his unobtrusive girlfriend, Asami. Before she disappeared, she sent him a postcard from Twin Peaks, but when they searched her room all they found was this deer head.

That’s a perfectly Lychian start, prompting goth girls and gay men to write 6,000 word essays about native deer symbology for the next thirty years-

Oh, nevermind. There’s a design on the mounting board that’s also the logo for Big Ed’s Gas Farm. They go there. Mystery solved.

This is, this is not how David Lynch works. You should have to know that deer represent virility to the Shoshone, but in Chilean mythology a disembodied animal head symbolizes doom, while Jungian dream archetypes insist that left-pointing antlers indicate a fear of impotence. You should have to look all that shit up on broken library microfiche to understand this scene, instead they just loot a map from a deer corpse. That’s weird if you think about it, but nothing that doesn’t happen in Skyrim

End of commercial. Wait, no-

Double thumbs up to freeze frame, and then end of commercial. This is Japan we’re talking about. 

The formula repeats: At Big Ed’s they find red snooker balls, which reminds Cooper of cherry pie. 

Off to the diner, where Asami left an origami crane for Ken. Triple thumbs up!

The crane has the letter G on the side, so this being Lynch of course we have to cross reference musical notes with incorrect historical info about female erogenous zones and-

No, the locations on a map of town spell the letter G. 

If I ran into these puzzles in a child’s adventure game I’d look for a difficulty slider. 

The end of the G points to the Black Lodge. Yes, the place where the weave between dimensions thins, and demons are able to cross over. That’s where we’re going for this fucking canned coffee commercial. That’s an insane location for an ending, sure, but the logical path to get here should have been a lunatic’s cypher carved across a generation of female victims that reminded him of his mother, and instead it was a Sunday edition Family Circus cartoon. 

Cooper crosses dimensions into the lodge-

Where a backwards-talking Asami says one line to make scale. 

A quick flash of the zigzag carpet for fan service — “fuck yeah, I know that carpet!” said Twin Peaks fans?

And they zap back to reality. If Twin Peaks didn’t exist, this would be the craziest series of commercials ever filmed. Instead it’s David Lynch making Twin Peaks: Babies and accidentally proving his whole story was two minutes long if you cut out the backwards talking dwarves. It’s just extra crazy to me that when you send David Lynch to Japan he becomes a normie. It’s like multiplying negative numbers, I guess. 

Anyway, this series of coffee commercials ends with everyone standing on a demonic reality bleed while dancing ghostlights imply they might not have made it out at all, and then they give a group thumbs up, so I forgive everything.

I’m a big fan of Pierce Brosnan. I rarely discuss that, especially not on this here website. But it’s true. I’ll follow Pierce anywhere. So if I watch these clips enough times, I’ll follow him into an addiction to Lark brand Japanese cigarettes.

Great news: these ads are from the Live Wire / Death Train Era, when Pierce semi-secretly auditioned for the role of James Bond by taking every acting gig that was Bond-shaped. I also feel these ads are the peak of that era, because


1) They are 100% action-and-gadgets scenes.

2) They’re as funny as the “jokes” James Bond tells after killing a foreign national.

3) Pierce was so desperate to get the Bond role he took this odd job selling cancer. 

The last part (cigarettes) is distinctively Japanese. Apparently modern Japan offers many such jobs, because they’re a nation where cigarette sales are
I don’t want to say “healthy.” But Japan’s cigarette market is blazin’, to this day. It’s doing numbers. Such numbers, I once taped a whole chunk of a podcast, with phenomenal guests, about Japan creating a national ID card system just to modernize their cigarette vending machines. Gotta keep those going! 

And these commercials support that industry. They team Japan’s love of nicotine with Brosnan’s hunger for the tuxedo-hero crown – and they go much wilder than they have any right to. Treat yourself to the full three minute compilation. Gems abound. The first ad opens with a reaction shot of a tropical parrot. 

I feel it’s an artistic triumph and a heartfelt tribute to the pigeon double-take in Moonraker. The second ad features a sexual “cutouts from Home Alone” trick, with an ending where two adults achieve mid-smooch teleportation onto a mid-air helicopter. 

Another ad makes part of the cigarette pack a secret remote camera-melter, putting a paparazzo and/or private eye out of a job, with as much justification as Bugs Bunny attacking that opera singer. 

Almost all the ads place Pierce Brosnan in lethal danger, and make him alllllmost too busy smoking to save his own life. Why? “Speak Lark.” They’re the two words Pierce says in these ads – and they’re as sensible as any lung-death slogan can be.

Let’s talk about regret. The love you lost. The dream you abandoned. The lottery ticket you purchased. The time you shot an ad with Tony Hawk and hid him like a fresh body. He’s somewhere in this shot:

For those too active for Playstation and inactive for CTE, Tony’s somewhat notable in skateboarding. He had the skill, innovation, and fame of R&B’s greatest sex criminals. And he loved money. In a niche that called you a sellout for living indoors, Tony Hawk milked Bagel Bites, Jeep, Doritos, and some kind of board game. And good on him for it. His critics were in Thrasher, a print guide to shattering your ankles.

A 1994 stage on his wealth quest was a Japanese Coke ad, which tapped his dominant vert career for
a stunt double. Tony Hawk is, from the back and side, one of these three carving a giant coke bottle. Briefly. We’re more focused on a casting call for “street skater, pre-hospital.”

Which one’s Tony? Hell if I know. He does his job and blends in, lighting millions on fire like the Joker selling subprime loans. The first X-Games were that year, and I’m confident an aspiring Don Draper was beaten with his own breakfast whiskey for this oversight. I still have Jim Beam scars from my agency days.

Now, call me a dirty minimalist, but my Tony Hawk Coke ad would be Tony Hawk holding Coke. “I’m Tony Hawk, and I can fly better and faster than the bird. Drink this dark brown poison, and you can heelflip out of anonymity into the skies.” Then he’d choke down a can of peasant juice, driven by the new tanning bed waiting in his second home. Finally, he’d land. Everything prior was in midair.

JJ Abrams directed this. It’s hard to imagine the creator of the two Star Wars movies you can’t remember wasting an opportunity. So we’ll blame Disney.

It’s hard to know what kind of fun to have with Japanese commercials. They seem to have the same desperate need as American ads to be something. And when weirdness is deliberate and motivated, it’s not weird. I grew up with commercials where Kool-Aid Man would burst into your home, turn it mostly cartoon, and make drink squirt out of your ears. That’s my culture’s normal– trapped in a world of Trapper Keeper while Kool-Aid Man watches you die. So seeing it in a different language is only interesting if there’s some kind of confused straight man. That’s why I like my Japanese commercials with Tommy Lee Jones.

Tommy Lee starred in a series of ads where he plays a teacher who hates nonsense so much he developed actual super powers to disintegrate it. I don’t even know what I’m supposed to buy. I just love the contempt he has for such silliness. He couldn’t hope to understand it with a team of translators. He wouldn’t even try, and he is already cranky as shit about all the impenetrable CGI antics they’re going to make his body do. It’s fantastic. But again, they’re obviously going for what this is. I’m not some sucker who sees zany in the wrong language and mistakes it for madness. No, if you’re looking for the work of actual Japanese marketing lunatics, you need to go back to 1970. You need Mandom.

If you’ve never seen Charles Bronson advertising Mandom perfume for men, I am so excited to tell you about it. It opens with him being serenaded by a man at a piano. They are alone in a hotel bar. His voiceover slurs, “All the world. Love is a lover,” cut down from the full line, “All the world. Love is a lover shit I blew that one, let me take it again.” Speaking of cut down, this commercial was fucking not. It is two full minutes long. When Japanese TV cut to commercial in 1970, viewers thought they were watching an entirely new show about hunks cruising for high class dick.

Despite all the sparks flying across that piano, Bronson goes home alone. The actor playing the door man was paid to be friendly for three seconds but he gave them eleven lifetimes worth. “I AM A MANIAC,” his eyes and teeth shriek as he says good night to the movie star who definitely fucked a piano player in the lobby’s opulent toilet. “IT’S GOOD TO BE CHARLES BRONSON,” say the smug lips and wet haunches of Charles Bronson. So far, it’s a very good commercial.

Bronson gets home and does two very manly things. First, he pulls the perfect pipe from his pipe depot. Next, he rips his shirt off only with far more theatrical flourish than should be possible:

When Charles Bronson sees a 12-foot ceiling he says, “Let’s go outside. This is too low for me to take my shirt off.” And when you’re operating on man levels this high, you don’t “do laundry.” You fling your clothes in whatever direction you want and screaming babes will catch them before they hit the floor. This is all glorious. Drench every panty, you Lithuanian beast. Burst like a steed and turn all holes to war zones. Whatever product Charles Bronson is selling, you’re about to fuck it or fuck it.

Oh god, it’s Mandom. It’s really called Mandom. And you drench yourself in it. Maybe it smells, maybe it moisturizes, maybe you eat it through your rippling skin, but it takes eighty shakes to apply one serving. Yes, Charles Bronson. Pour it over yourself, you sex minotaur. Oh Jesus, oh shit, is that footage of you as a Cherokee gunfighter cutting in every twenty pumps? This rules. This is so far beyond what it is to be a man. Charles Bronson is some kind of mountain fuckfolk. This is a visual metaphor for a coal miner’s boner communicated by a genius artist at the peak of his inspiration. Yes again, Charles Bronson. Splash, splash the Mandom until there is nothing but Mandom’s wet.

The pumping never stops. If this product is cologne it’s insane. If Mandom is not cologne it’s insane. Mandom must be something Charles Bronson has to do medically every night to mask his scent. This is something Jane Goodall invented so she could safely masturbate among the chimpanzees. “Love is a lover,” the commercial sings while Bronson continues to shake gallons of perfume on himself. A message on his phone interrupts to say, “Hi, this is Frank at Home Depot letting you know your order is ready, and uh, we’re happy to sell you another door, Mr. Bronson, but until you do something about that musk, the women are going to keep going through it. Every new moon they’re going to claw straight through it. Thanks!”

It ends with a horseman riding for the night while Charles Bronson rubs the last of a case of Mandom into the rugged canyons of his face. Whether it was an error in translation or a bold creative choice, Charles Bronson was obviously told, “Make passionate love to yourself. Just fucking ruin yourself for every woman. Oh god, I’m cumming. Action.” You, reader, have now experienced the splashing of Mandom and legally Charles Bronson has been inside you.

Earmagine! With your hearin mind the first few seconds of Sketches about Spain! If your like me the clicks sound like big, cold crickets and then theres trumpets or something but there so majestic its like Charles Bronson hovin’ up into viewsight. Over a Italian Mountain. But also meloncholy like hes wounded. But still Majestic! Like hes carryin a woman or a child to the safety of a elagant convertable! 

But who is it that could make mere audio such a emotional imagine of vividness ‘pon our brains? Well its just this guy:

They flew mister Miles Davis to japan and gave him a buncha money (he probably spent alot of it on that outfit what can only be described as: Durango Vampire) and here we see him do pretty much nothin at all for 17 seconds but somehow still disappoint us by sayin he’ll play music and then talk about it and he doesnt do any of those and also i guess: Scooter. 

But then we switch back to the tab with the music and LISTEN: it sounds like the sad part of a 70s horse movie what has way better music than it needs to and makes you think: They used the same horse sound effect 400 times in this movie but then they also took the time to make songs that make our hearts curl up like that? And the same guy that did THAT is ALSO this kinda frightnin leathered-goblin breakin promises up against that Honda!? 

And maybe the only thing we can learn from this is that if MIles is both a transendint seruph and the vulgarest of sellouts then maybe but for all of us too maybe the only thing we can ever know for REALLY true about ourselves is that we are a Fool but I Say it Warmly, in the Name of Jesus Christ, Amen.

There are many things you notice when watching Steven Seagal’s Japanese energy drink commercials. First, that both commercials are hosted on what appears to be Steven Seagal’s official YouTube channel, @sseagalmojopriest. Second, that the comments have been disabled. Third, that he speaks Japanese in a way that feels racist. He sounds like a guy trying to impress his date at Kyoto Steakhouse and accidentally asking the server to please call the police because his anus is in terrible debt. 

In this commercial, Seagal deploys his patented Move As Little As Possible style of Aikido to mercilessly beat up a faceless opponent, possibly a stand-in for the person who made him decide to disable his YouTube comments. He staggers back, gasping for breath and sweating profusely. It is the most believable performance of his entire career. He then struggles mightily through a few lines of Japanese and strikes a pose in a sleeveless karate-gi, gently cradling a bottle of the energy drink. 

He looks like the most divorced Street Fighter. He looks like the prime suspect in a throwing star attack. He looks like a man who cleans pools to pay for his karate classes. Unlike many of the other actors on this list, Steven Seagal is uniquely suited for incomprehensible ten-second commercials recorded in a language I can’t understand. That’s because everything Steven Seagal does is terrible in extremely specific ways that transcend the limitations of human speech. Steven Seagal is the universal language of Gasping Karate. He sucks so hard it’s like math. Anyway, you can’t buy this drink anymore. I tried. 

Years ago, a comedy website asked me to write about Japanese Commercials Starring American Celebrities.

I monetized my ignorance exactly how you’d expect from 2010, and have spent the years since chiding myself that American commercials look equally bonkers if you don’t speak English. So when I gawp at this Sylvester Stallone ad for bagged hot dogs, it is resolute gawping.

I know the limits of cultural nuance by touch, and this ad right here obscures a pre-Babel curse. The Italian Stallion greets us from the links of a pleasant rich man’s game of lying about a hole-in-one into the mouth
 seconds later we stare into the mouth, nose, ears, and anus of madness.

As a bouquet of extra-wet frankfurters leaps at the cameraman’s face, the winner-to-wiener message is clear: hot dogs are as American as Rocky IV, and twice as champion. “Bavarian!” Sly groans twice in Japanese, but he cannot disguise the commercial’s true message: the puncture of that heinous casing.

I know my hot-dog-based media, and no good hot dog sounds like the hollow thump of an apple hosting a colony of codling moths with human faces. Before you can recover, the silhouette in space that was once a sound engineer layers in a second piercing: this one the water-cannon shot of guts from a roach carapace that withstood your boot for a second too long.

That’s not a hot dog, that’s how a 5th-dimensional imp reveals its true name once it’s too late to stop its victorious compression into our meatspace.

“DĂ” ham, takata oishi!” Stallone says, which translates to “The salt-matrix pork of knockout delicious!” But you cannot hear him. The Meat Thing has already chewed its way from its ears into your brain. 

Charlie Sheen’s foot vending machine sounds way more like a true crime podcast title than a fun setup for a Japanese commercial. It’s hard to imagine a time when any brand would want to associate Charlie Sheen waving a gun around like a maniac with their product, but apparently Madras Modello thought that was the best way to get Japanese customers into their shoes. 

Sheen doesn’t have an actual gun. He’s just pointing at rows of feet protruding from a wall and going, “pew pew” as they retract, like an extra violent game of whack-a-mole in a world where we evolved from spiders.

Until he pretends to hit one, and a woman’s shocked face flashes across the screen. 

He picks up the shoe he successfully hunted, looks into the camera, and also fake shoots it. 

So many shoes were harmed in the making of this commercial.