
Last year I introduced you to the horror that was Peachtree Carnivore. And what did you do with it? You unleashed it upon the world by electing to make it a free article in December. Now we are all complicit in sin. But who is to judge us? Surely not one of our own kind, wallowing amongst us in the filth. We need a being free of our base needs, our petty vendettas, our carnal desires for the flesh of our mothers-in-law. In the past, this function was fulfilled by God. But God is dead, and we have killed him with our incestuous anti-woke polycules. Perhaps we need not a judge, but a caretaker. A janitor. A… custodian.

Yes, we once again delve into the mind creations of Mark Mitchell, author of multiple X-rated 9 Chickweed Lane fanfictions. But rest easy — there will be no pained descriptions of luscious curves or male emissions in Custodian. As the author puts it, this is a “simple desultory philippic,” which in Mitchellese means “self-insert story about what if a space monster could solve all human problems by using mind torture to create a libertarian paradise.”

Peachtree Carnivore opened with a knock on the door from a beautiful woman. Custodian opens with a knock on the door from a slightly supercilious, innocuous man. Two data points may not be a pattern, but it’s absolutely possible that Mitchell thinks you have to open every story, whether pornographic or didactic, by having a character show up on the doorstep of another. So would that make Carstairs our author insert?

There may not be any actual sex in this story, but there’s certainly a lot of guys jacking each other off. Carstairs is getting the full Mitchell protagonist treatment, having his incisive knob slobbered over by a godlike alien who’s come to earth to stop World War II. Our man immediately takes this as given.

Jones is the designated protector for the Milky Way, can transcend the speed of light, and is capable of influencing civilizations on a massive scale. But, uh, he only just heard about how fucked up humanity is, which is why he didn’t step in sooner.

Jones has revealed himself to the unknown genius that is Carstairs to inform him that humanity has nearly reached the branch of the tech tree that unlocks nukes. Carstairs reacts to this information by temporarily losing his grip on reality and calling Mr. Jones “Smith” for one page. That, or Mitchell just forgot what the name of his god creature was and refused to hit the backspace key because a man of his prodigious talents sees it as nothing more than a shackle of mediocrity upon the titanitude of his superlative perspicacity.

Hold up, though; because Carstairs isn’t the only author avatar here. When Jones lays out his dilemma, Carstairs decides he needs a drink. And since Mitchell completely lacks a theory of mind and can only write characters as extensions of himself, his alien space wizard enjoys a tipple or two.

God I fucking loathe this guy. I bet he thought it was cute that he gave his formless cosmobeast a taste for whiskey, the favored liquor of men who use the word “sundry” and think it makes them sound fuckably clever.

Jones is a brain genius who has read every book on the planet. I’m thankful there aren’t any women in this story, because knowing Mitchell, by now they would be begging to consume his worldly, libertarian seed. Instead, the dueling representations of our author intellectually 69 themselves into a frustrated heap before Jones departs to yell at Adolf Hitler.

Jones kicks things off by disabling the German army’s PVP flag, teleporting into Hitler’s armored train and telling him “nothing personnel, kid” before psychically torturing Göring for making a useless show of hostility towards him. And I mean, I’m not saying the guy didn’t have it coming, but probably not for that.

Now, again, it’s not like the Nazis don’t deserve this. But Jones is an immortal, nigh-omnipotent creature from beyond time and his solution to war is the same one we use to train rats to drive little cars. He couldn’t spike the Nazis with astral MDMA or fire a Holocaust beam at them like Professor X to implant the horrors of genocide in their minds? Maybe he considered all of those and this was just the simplest solution. Or maybe this story is the kind of adolescent wish fulfillment normally associated with bullied sixth graders only written by a powerless elderly man who truly believes that if only he was in charge, there wouldn’t be any war anymore — and everyone would get to inseminate their luscious mothers-in-law, besides.

Not Göring? Maybe he just killed himself offscreen after that embarrassment earlier. Regardless, Jones shuts down the Nazi war machine and hurries off to Japan to have a little chat with Hirohito.

God, imagine trying to commit ritual suicide and the sword just disappears like a gag knife when you plunge it into your belly. You’d look so fucking stupid. Thankfully, Jones never thought to nerf poison!

You don’t need to read all of that. I just include the whole thing to point out that around here, Mitchell breaks into the same pattern as he did in Peachtree Carnivore, where he just starts writing a character’s name before their wall of text dialogue. Long story short, Hirohito is worried that the population is going to descend into chaos and Jones tells him to deal with it before fucking off to destroy Stalinism.

Stalin sneered ragefully in a sneering rage. But he sneered no longer! He was no longer capable of sneering, for his brain was under assault by Harold’s god magic! You have been rendered sneerless, Comrade!

Jones delivers a big speech about the reasons why Stalin sucks, and you can imagine Mitchell tearfully reciting this aloud in the mirror. “This is what I’d say if I ever met Stalin,” he thinks. “And if I had superhero powers! Then I’d marry a beautiful busty woman and put my throbbing rod in her mother’s birth canal!”
There’s just one last stop on Mr. Jones’ tour of world leaders. We know how this goes at this point.

Surprise! FDR is the Nice President and Jones doesn’t Force Lightning his ass. This is supposed to happen in 1939, so I guess in this timeline FDR doesn’t sign Executive Order 9066. Nice! Funny, though, how Jones shows up just in time to stop America — but not any other country — from taking its most loathsome actions during the war. FDR, for his part, asks Jones if he can help extricate humanity from the grinding logic of capital.

Don’t do socialism, FDR! For every socialism you try to do, I will explode your brain.

Colonialism? That’s not part of it. Jones doesn’t deal with that. We’ve got to wrap things up here. Jones offers to reverse the ravages of polio on FDR’s body, but he demurs, saying it wouldn’t be fair to everybody else. He does, however, accept Jones’ offer to supercharge his organs and ensure that he stays President for a long time to come. His work done, Jones returns to Carstairs, who effusively congratulates him on an accomplishment that never had the slightest chance of failure.

Again, there was absolutely no possibility that Jones’ plan wouldn’t work, at least in the short term. Humanity didn’t learn that it could short-circuit The Pain through the recitation of the Litany Against Fear, nobody invented an anti-Harold Stealth Cloak to commit sins without him seeing, and Batman didn’t even try to use Prep Time to defeat him. Still, The End.

Stories in which overwhelmingly powerful beings descend to earth to impose order usually have some kind of argument to present. Scratch that, stories in general usually try to make an argument about how the world is or should be. Olivia Butler’s Xenogenesis trilogy depicts the horror of an alien species that rescues the remnants of humanity from nuclear annihilation only to reshape them and the planet as they see fit. Arthur C. Clarke’s Childhood’s End has the alien Overlords impose a kind of utopia on humanity at the cost of creativity and culture. And my novella Vampirocene — sorry — explores the fantasy that someone is coming to save us from ecological disaster, but posits that for better or worse, we might not be willing to accept them.
Custodian isn’t interested in questions about the legitimacy of power or the implications of externally-imposed rules and restrictions. We don’t learn that preventing WWII leads to a much greater tragedy down the line, like mass nuclear war or Dennis Miller remaining on SNL well into the 21st century. It’s just a more pathetic version of the old Hitler time travel trope, only Mark Mitchell couldn’t just give his protagonist a Glock and a Delorean, he had to make him a Silver Surfer-level demigod. And as always, trying to write a superintelligent character when you’re kind of a dipshit just makes you sound like Mark Millar. I’m not sure which Mark that’s meaner to.

That’s all for Custodian. In the Mitchell corpus, it’s certainly less imaginative and depraved than Peachtree Carnivore — whether that makes it better or worse depends on your perspective. Come to think of it, at this point I’ve probably read more of Mitchell’s work than anyone else on the planet. By default that makes me your biggest fan, Mark! So, what’s next?

Nope. Give me The Pain.

This article was brought to you by our fine sponsor and Hot Dog Supreme: Honk, an unrelated but better all powerful and genius demigod. Honk only uses their power to replace every instance of Honk with the word Honk, though.





































































