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Hi. Have you ever, while walking through the shadows of darkness, found something you hated so much you’d betray your best friend for a chance to unmake it? Hi again, I’m Seanbaby, writing as Todd McFarlane, dark creator of Spawn, to introduce an article about another grotesque John Byrne joke book, 2003’s Joke Busters’ Superhero Stars.

Thanks for the intro, me as Todd. To set this book up, yes, it’s obviously bad jokes about superheroes. But not exactly. John Byrne has created his own zany spoofs of popular superheroes and then made jokes about them. And when I say “spoofs,” I don’t mean satirical takes on tropes or wacky puns. I mean he spelled all their names wrong and nothing else. I’m not exaggerating. Or, as John would put it, “eggs-aggerating” next to a couple eggs.

Unforgivably, “Souperman” has all the same powers as Superman. He does not have silly soup versions of flight or freeze breath or laser vision. If this was a book about Souperman drowning Lettuce Luthor with vichyssoise breath, we wouldn’t be here. This is a “joke book” where some monster added an “o” to Superman’s name and sold it to innocent children.
He doesn’t even have a different secret identity. He’s exactly the fucking same!

You dumb son of a bitch, John. He’s still Clark Kent? You couldn’t make him fucking Clark ConsummΓ© or Cream of Kent? Kal-Eggdrop of Kryptom-yum? That took me twelve seconds, you stupid asshole. And why is Souperman camping out with children on a school trip? He’s a childless grown man. The entire premise of the joke, the punchline of which is spelling “Kent” wrong, requires the most virtuous man in the universe to be stalking little kids in the woods. If there were any laws in place for making bad jokes, the state would chemically castrate you for this and sentence the remaining, non-genital parts of you to twenty consecutive life terms. “Clark tent.” Fuck you.

The fact that Superman’s disguise is only glasses has been a shared joke among the human race for about 80 years. And John Byrne’s take on this, the oldest superhero joke, is using a word with a double meaning and getting one of the meanings wrong. Hey, John Byrne, if someone didn’t want to make a spectacle of themselves, they wouldn’t wear glasses, you dumbass. You idiot fuck, John. Let me show you how stupid you are. This is what a Family Circus cartoon would look like if it was as goddamn dumb as you:

Wait, hold on. Maybe we’re supposed to forgive the dislogic because in Souperman’s case, he would try to be less of a spectacle by wearing more spectacles… no. No, this is war crime apologist doublethink. Luckily, not all of his Souperman gags are as controversial as probably(?) misunderstanding a misunderstood idiom. Some of them are just things happening.

“CONGRATULATIONS, SIR… NOW THERE’S A FLY IN THE SOUPERMAN?” What the hell does that mean? It sounds like BjΓΆrk wishing a spider happy birthday in a Cameo. Maybe you could try, like, a riddle, John?

Again, I need to be clear: aside from eating a fly out of it in a restaurant that one time, Souperman has no soup theme or abilities. He’s simply exactly Superman with “SOUP” on his chest instead of an “S.” So, I don’t know, his favorite game could be some shit like Souper Mario Bros. or Soupo Wrestling, but expecting the audience to make a connection between “BOWLS” and the soup in his name is wild. It’s like asking your reader to suddenly imagine a situation where a spider is having a birthday and someone bought it a Cameo from BjΓΆrk. It’s like saying “someone on the plane must have had diarrhea during 9/11.” It’s so much work to give your audience, and for what? Morbid sadness scratching at the edge of whimsy? You’re the diarrhea of 9/11, John Byrne.

It’s already a terrible thing to intentionally misunderstand an idiom for a lame joke. It’s worse to write in a straight man who misunderstands something there’s no reason to misunderstand for a lame joke. If someone in prison tells you they were framed, it’s not natural to respond, “Now to be clear, when you say ‘framed,’ you mean the only thing that could mean, right?” And to do that– to destroy your verisimilitude for this punchline? It’s inhuman. Yes, art galleries have frames, but who would describe robbing one in such a way? If you were a linguist trying to teach a monkey wordplay and they put this combination of words together you would consider it a frustrating setback. The point is, it’s a pretty weak framing device, no matter what frame of mind you’re in!

Here he is doing it again. John is desperately stretching for a joke across three word bubbles and he’s still a full step away from a complete gag. If the first speaker followed this up with, “Of course I mean break out of prison, idiot,” it would almost sound like real dialog. My point is, John Byrne is a stupid, sarcastic dick without the sarcasm– all the unpleasant and none of the wit. It’s like BjΓΆrk filming a Cameo for a spider’s birthday, but without the BjΓΆrk. Just a pile of spiders calling a spider on its birthday.

Speaking of spiders and no coherent second concept, John Byrne’s Spider-Man knockoff is Spy-Man, a spidery man with a magnifying glass. Which means his favorite place in the playground is “THE MAGNIFYING GRASS,” a punchline way closer to a Wizards & Warriors powerup than a joke. Spy-Man also seems to have maintained most of Spider-Man’s deal, in that he’s insect-themed and swings around on a web. It’s fucking tragic. John Byrne has a wet smear of chewed gum where an imagination should be. I don’t know how much longer I can watch the neurons in his fading brain limp from one idea back to that same idea with the letters rearranged.

Wait, is Spy-Man’s spyglass a goddamn mirror? John, are you fucking serious? You’re using another misunderstood cliche as the punchline to a totally unrelated setup while also requiring us to reconsider magnifying glasses as mirrors? That’s not a long walk for a short drink of water– it’s dragging a dead body to a dry lake. John, take that pen you can’t draw for shit with and fuck yourself with it. I don’t know if this properly reflects my feelings, but this cartoon is what AIDS would say if it could talk. It’s the embarrassing final words of a research monkey being destroyed in a failed linguistics experiment. Oh, speaking of monkeys:

This one isn’t so bad. It’s the only appearance of Gorilla Man, but he seems to have a coherent theme and John managed to put together a riddle that would make any popsicle stick manufacturer say, “I consider this adequate.” But look at where we are. A Gorilla Man used a mon-KEY to break into a crook’s headquarters and my expectations have been lowered so far I consider it a good try. There aren’t standards by which to judge something like John Byrne. It’s like a flesh eating bacteria asking you to take a moment to rate your experience.

This sells itself as a superhero book, but not much of it has anything to do with superhero activities. For the most part, if you took the masks and underwear off everyone, it wouldn’t change anything. It would just be nude people expressing themselves incorrectly in a miserable impersonation of humor. It’s like John Byrne got 100 pages into something he thought was called “101 Ordinary Put Downs For Unremarkable Pieces of Shit” and his editor called to say, “Tomorrow’s the deadline! How’s the superhero book coming?”

“Come on, John. Think. What’s a joke about Chameleonman’s powers? Superheroes change clothes… chameleons change color. There’s something there. Maybe… that’s it! He can’t catch crooks because he changes color! Take that, doctor who called this ‘the worst head injury he’s ever seen’! Honk honk, I’m a motorcycle!!”

It’s almost heroic how John keeps trying. I mean, he’s seen a joke and has to have thought about how they work. He knows x-rays see through things and he’s heard the phrase “seeing right through you,” but he can’t quite link it all together. John Byrne, if your cartoon requires your audience to create an entire superhero who fakes x-ray vision, maybe the most instantly disprovable of all the superpowers, and then the payoff is only, “well yeah, everyone knew,” you’ve done something wrong. Not only here in this moment, but with your entire life. I don’t have a fun way to describe it. You’re a fake dog poop factory worker who made some dumb shape that didn’t look like poop.

Another character John created is called the Incredible Hunk. I think he tried to draw him “handsome” with the talentless paws he calls hands, but he’s otherwise no different than the original superhero he’s spelling wrong. The Incredible Hunk is a green rage monster. And since he’s green, maybe… maybe something with traffic lights? Do kids run into traffic toward anything green? If they don’t, then holy shit, this joke doesn’t work at all.

“Green is almost the same word as ‘grin,’ right? Come on, John, think! There’s got to be something there. Do wrestlers who also work as crossing guards grin after they lose? Griiiiin… greeeen? Aaand bear it? So he wrestles and loses then greens and bears it, but also punches a wrestling judge? Ha. Listen to me. A cartoonist would have to have absolute contempt for their audience to expect readers to make that kind of stretch. They’d have to hate those goddamn children so very much.”

What else happens to green? Oh! Toddlers bite it!

This is a strange one– an interview with a villain named The Green Gobbler whose zaniness is based on how he enjoys eating? And since he eats so much, he’s green? How? Why? I don’t mean the Green Gobbler’s thing. I mean what happens to the concept of green after it enters John Byrne’s brain? Has anyone studied it? The first neurologist to crack this maniac’s head open will discover an entirely new disorder. John Byrne thinks people charge toward green and babies eat green, but you also get green if you eat too mu– oh my god, it’s tits. Never mind, neurologists, this is only some kind of titty code. Unless… oh damn it, I think he might mean he’s green like he’s nauseous– a cannibal in a kid’s book adorably happy he’s about to puke. I hate that if you squint hard enough and pedantically enough you can exhume the skeleton of a joke concept from some of these.

Not all the Hunk jokes have to do with people losing their minds near the color green. Here John asks what would happen if the Incredible Hunk fucked a rabbit? Here’s your answer: that’s nuts, and he strangles Spy-Man! Oh no, wait. Is the word “cross” here referring to making him mad? That would make the rabbit and the rabbit fucking red herrings, and that’d be– hold on, was the “crossing” in the Hunk joke earlier also about the kids pissing him off, or were they still only running towards him because he was a nude monster the same color as traffic lights? Look, guys, I’m sorry. I didn’t know it was going to turn into this.

I’m not comfortable with how often the people in this book finish a joke by saying “I don’t know the punchline!” and strangling the nearest person. This cartoon is something John Byrne’s wife found right before he appeared behind her and asked, “Why are my private things in your hand, dear?”
And she said, “B-because I c-can’t pick them up with my feet?”
“Can’t pick…? Ha. Ha ha ha HAHA HAHAHA HAHAHAHAHAHAHA!“
Mrs. Byrne slipped out quietly. He was getting worse. She didn’t know how much more time she could buy.

And of course, John has hilarious things to say about how hunks roar and the way superheroes are always lifting up shops. Good luck decoding his thoughts on lasers, though:

This is the Mein Kampf of toast cartoons. Look at it. If they spelled your beloved grandmother’s name “Farts Cadaver” in her obituary, you’d say “that reminds me of the worst thing I’ve ever seen in print– the time all that rotten gas burped out of the corpse of John Byrne’s imagination in the form of a laser toa… no, never mind. Let’s just focus on honoring Farts.”

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This article was brought to you by our fine sponsor and Hot Dog Supreme: Ozzie Olin, also known as the Flish (like the Flash but part fish) who responded to the question “how are you doing, The Flish?” With “I’ve BREAM better!” This is our longest dedication ever because that’s how far you have to journey to land a John Byrne joke.

2021 was a fantastic year for nerds: you got big swinginβ dork movies, huge video game releases, and nobody stuffed you in a locker unless you had lockers in your house and married a bully β which you probably did because the sex is crazy. But most of all, you got all these prime nerding days!

What if Star Trek had less money, no morals, and a boner? Lydia found out!

New Adventures of Megaman Part 1
A Brazilian Megaman comic? Why, that’s probably just the story of Megaman battling Cut Man and Guts Man in Portuguese, right? It certainly couldn’t be about a robot boy horny for his sister while unexplained new characters rant about local politics, right?

New Adventures of Megaman Part 2
If you were thinking the author got ahold of himself, and his urges, you didn’t learn a goddamn thing from New Adventures of Megaman Part 1.

Everyone the Wonder Twins Rescued Should be Dead II: The Drag Race
Let the whimsy of Seanbaby, inventor of being funny on the Internet, deck your halls as he adds altered words to unaltered screenshots from the hit ’80s cartoon The Super Friends! What a card! A Christmas card, that is!

Rob Liefeld is a hard thing to explain, but the art, storytelling, laziness, derivativeness, and complete collapse of 2021’s The Shield does a pretty good job. A man who can’t draw, and doesn’t want to, made another attempt at rebooting a Captain America character, really blew it, and abandoned the project to someone who wasn’t quite sure what was going on.
Rated T
Cover price: $3.99

There’s an arcade game I love called Growl. It came out in 1990 and it was about Indiana Jones killing poachers. Not a gang of poachers, but every participant in an industrial poaching complex living in a country made entirely of barrels each of which contained a machine gun or rocket launcher. It only had four different enemies, and only two of those weren’t women or children. Every night I stare at the fourteen Pac-Man strategy guides I own and whisper, “I wish just one of you useless pieces of trash was about Growl.”
Well, somehow the darkness answered. On my bookshelf this morning was 13 Pac-Man books and this…



























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This article was brought to you by our fine sponsor and Hot Dog Supreme: Neil Bailey, who knows that vengeance smells like burning gorilla flesh, and it does not come out of khaki.

In the mid ’90s, Nintendo created the Virtual Boy and it’s going to sound like I’m making it up if you haven’t heard of it. It was mounted on a little tripod at the height least likely to line up with a human face, which is what you put into it to play. It could only display two colors, and one of them is not one you would think. Also, it hurt. And like with all new video game technology, someone had the obvious and awesome idea– oh shit, with this we could take Mike Tyson’s Punch-Out!! to a whole new level.
And like it happens every time, this “whole new level” ended up being “worse, only also insane.” Let’s talk about Teleroboxer for the Nintendo Virtual Boy.

That cover is a 10/10. It’s a game about punching robots and the artist painted that so hard he didn’t leave enough room for the title. “Maybe the robot could be punching the logo right into the viewer’s fucking eye?” said a genius who gave perfect notes. But this does not represent the tone of the game. This robot looks like something Frank Miller’s Batman would build to punch-torture information out of Aquaman. But the actual game is more like Japanese producers adapting Frank Miller’s Pornhub searches into a kid’s show. I’ll explain, but first let’s adjust our Nintendo Virtual Boy Face Console IPD Game System.

At least the first three pages of every Virtual Boy game manual were delicate instructions on how to adjust the knobs and sliders to minimize headaches or seizures. That’s not important to this article, except to remind you Teleroboxer would have been played semi-nauseously as your brain and eyes disagreed on blurry shapes. If you’ve ever had an insect crawl into your ear while you realized you’ve failed again at making homemade binoculars, that’s Virtual Boy.

You may have already come up with this take on your own, but the name “Teleroboxer” fucking sucks. It’s no way to refer to a robot punching game. Teleroboxer is something Jeff Bezos would develop to replace your hometown’s factory workers. It’s at least two too many attempts at cute like calling Robocop “Robofficer CompuAndroidetective.” And I think they know, because the stupid word “teleroboxer” makes up at least 20% of all text in the manual. It’s as if they thought saying it over and over would make it work. It never does. “Teleroboxer” is a home office solution for your shipping needs. It’s an Esperanto word for underwear you found in a kitchen. It’s anything other than a first person mech kumite built out of blood-colored pixels.
The first enemy you face is a British man named Johnny who pilots a … let me see if I can describe his boxing robot. It has fish lips and a skull pried open to expose its brain. It has large entry holes on the nipples and handles on the sides of its head in case it needs to pull its own face off during a fight. Here, I’ll show you what it looks like through the Virtual Boy console:

This looks like something Vincent D’onofrio would pilot in a video game version of The Cell. It’s a robot CyberSatan would build to torment unfaithful fishwives. I don’t understand the tone of this game at all. Let’s look this up in the manual and see if we can find out more.

The man in that pain fetish suit is a punk rock baseball player? From a team called “Cookies?” And hold on, it says “he doesn’t like to dress like a punk rocker” right next to a drawing of him dressed like that. I imagine everyone has a different idea of what “dress like a punk rocker” means, but if someone was shirtless and holding their camouflage pants up with spike suspenders, you wouldn’t assume they were in a ska band. I don’t think Engrish and bad creative decisions can explain this madness. Maybe Virtual Boy manuals were how Japanese intelligence officers sent coded messages?
Anyway, I beat Johnny and found out these people aren’t inside the 12-foot-tall robots. They’re a few steps behind them, driving the teleroboxers with VR headsets. Which seems way less cool for almost the exact same amount of danger. Johnny, if you’re going to leave baseball to die in robot combat, do it from the center of a robot explosion, not accidentally stepped on after the future world champion invents “robot shoving.”

The next enemy in the game is a balding man with white hair named Rick, who might be lying about his age (32). And maybe the Teleroboxer developers knew the last robot was a little weird, so they made Rick’s pretty standard. He just pilots a very pregnant skeleton with spiked combat titties. You know, seeing me type this makes me realize I have some questions. Let’s see what the manual says about Rick.

Oh, (Big) Rick’s robot is SPOKONG, so that’s probably a gorilla tummy, not a post-term pregnancy. And look at the back story thrown together for Rick. He drove his twin brother away at age 15 and then became a teleroboxer to track him down? This sounds like a story an elderly man would tell you to explain how he got trapped in a robot. “I’m thirty two! Have you seen a mech pilot? Looks just like me? Hates me? Maybe we could look for him together in my gorilla, ladies?”
Wait a minute. I think I saw something strange when I punched (Big) Rick. Let’s look closer. Virtual Boy, ENHANCE.

I-is that a face? Smiling from inside his ape? Rick, I think I found your twin brother! He was with you all along! And I was kind of right about this ape being pregnant!
Unfortunately, a teleroboxer match doesn’t end until you punch your opponent to pieces, so if Rick’s twin brother was in there, he didn’t make it. He found him after all these years and he spent his last moments showing Rick precisely what he would look like if he was soup.

When I beat Johnny, he ran away in humiliation. Rick didn’t handle the loss quite as well. He went full gorilla, beating his chest at me until he caved in his own chest. I don’t think I’m misinterpreting the text to say he died right at me. His portrait changed to a picture of him with his eyes rolled back in his head and red foam pouring from his mouth. And it stays like this. For the rest of the game, I will be haunted by the corpse of the opponent who hated me so much he beat himself to death to ruin my post-fight interview.

Our next opponent is a… okay, I guess if I was describing this to a police sketch artist I’d say it’s a “combat medic ninja in a propeller helmet piloting a triangle-hatted catfish bot?” And they describe themselves as “SEX: ? AGE: 4“. I have a lot of questions, but this character isn’t in the manual. Fuck this thing. This looks like a Turkish Transmorpher. Did they include the last-place entry of a “design your own video game robot” contest as a joke? It looks like a buttplug and a tractor shared the same teleportation accident. Again, fuck this thing.

Next up is BOMKUN, who is finally something comprehensible. He’s a clown bomb piloted by a plum farmer in pajamas named PICKY from ?. I don’t have any followup questions, which is lucky because they’re not in the manual either. All we know is they’re 527 years old, that human face they’re wearing probably isn’t theirs, and that’s plenty.

PICKY and this sad face continue the game’s tradition of doing everything they can to make you feel bad for winning, but I think things are about to turn around because my next opponent is PRIN, a horny sex gremlin. There’s no way Teleroboxer is going to screw this up.

Oh no. The pilot is sixteen? Teleroboxer, you want me to punch apart a teenage girl’s sex robot? This has to be some kind of mistake. Let’s see if this thing is in the manual.

So Cheri wanted to be a fashion model, but before she left high school she decided a career in mech fighting made more sense because of her “tomboy looks and style.” And the artist chose to demonstrate this masculine style by giving her a twenty inch waist, the haircut toddlers draw to indicate “woman,” and a bra and miniskirt. And what’s this backstory? There’s a rumor going around that she pilots a stolen sexmech? Are you telling me in the near future there will be enough 12-foot sex robots that a child can steal one and no one will noti– ha ha listen to me. That’s the most believable part of Teleroboxer so far. There will definitely be a stage of human civilization where kids drive hand-me-down sex robots to their gig economy jobs as death arena fighters.

As I mentioned, Teleroboxer really wants you to feel uncomfortable when you win, and they will do so at any cost. So after you beat Cheri’s butterfacebot, the young pilot steps into the spotlight and starts sexily taking off her clothes. The enemies in this game are fucking nuts, but until now they’ve been made of disconnected hallucinations and incomprehensible choices. So it’s suspicious that the one female teleroboxer’s whole deal is “beautiful fashion girl, but a cool one, driving a pleasure bot who can’t wait to get nude.” If you asked the Teleroboxer staff to name a non-sex thing about women they wouldn’t understand the question, and we’re truly lucky one of them had enough sense to cut away from this kid’s strip tease before she took off more than her goggles.
Teleroboxer Developer #1: “It’s the ’90s, so the reward for beating the girl character is obvious. She submits herself to you and slowly removes her–”
Teleroboxer Developer #2: “Headset! Slowly removes her VR headset! Jesus, that was clo–“
Teleroboxer Developer #1: “… paaaanties.“

Back to Teleroboxer‘s idea of “normal,” your next opponent is Kevin, an Australian boy who dropped out of 4th grade to kill men with a kangaroo robot. I can’t wait to see how they make this weirder in the manual.

This 9-year-old’s bio is off to a weird start already because that’s a drawing of a full-grown man punching himself in the crotch. And it says Kevin only pursued boxing to prove himself to his father who already gave up on his acting career? This is tragic. I don’t want to be a part of Kevin’s cycle of abuse. Why are they trying to make me feel so guilty for beating these people? Next you’re going to tell me that after I win I’m going to thumb Kevin’s tiny eyes out.

Oh my god. I’m doing it. I’m thumbing Kevin’s tiny eyes out.
Okay, but that’s the end of the strangeness, right? Kevin’s not going to escape on a rocket of farts or anything?

God damn it, Teleroboxer.

Destroying Kevin’s life and taking his eyes was the last step in reaching the final boss. MAMORU isn’t in the manual or described in any cutscenes, so all I know about him is that he’s a ninja in a ninja bot, which is almost sarcastically normal compared with the rest of the game. He’s the kind of idea that begins with “I don’t know” and ends with “fuck you.” Sorry, everyone. After all this lunacy we’re going to end on a totally ordina– wait, what’s this?

We are not the true champion?

There’s a secret “LEGENDARY CHAMP!?” And their name, sex, age, and country are all “?” This is going to be the least coherent thing anyone has ever laid eyes upon. The Teleroboxer Legendary Champ promises to be nothing but dislogic and guilt taken form! A vision of irrationality from which I will never recov–

Oh, it’s a cat.

Being piloted by a cat.

And it has the name Milky. Maybe this is a reference to how all the robots have weird nipples? Unless this is… no. No, there’s no way a game developer was self-indulgent enough to make their stupid pet cat the final boss of their video game, is there? Impossible. If that was the case, they would have dedicated precious time and resources to an elaborate credit sequence where you punch photos of the lead designers. Which would be insa–

Oh, they did that. Your reward for beating this sci-fi boxing game about childhood trauma is traveling through the stars with people responsible, and hitting them. When you think about it, it’s the only way… the perfect way for Teleroboxer to end– using your mighty hands of steel to beat programmer Yuzuru Ogawa until he turns into a woman, and then punching him eight more times.

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This article was brought to you by our fine sponsor and Hot Dog Supreme: Mark, who is naught but a raccoon piloting a manmech.